Learning from the Bilbao Guggenheim

Learning from the Bilbao Guggenheim PDF

Author: Ana María Guasch

Publisher:

Published: 2005

Total Pages: 304

ISBN-13:

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"The word is out that miracles still occur, and that a major one is happening here ... 'Have you seen Bilbao?' In architectural circles, the question has acquired the status of a shibboleth. Have you seen the light? Have you seen the future?" Herbert Muschamp's future is now. What can we learn from "The Guggenheim Effect"?" "Hailed as an "instant landmark," Gehry's Bilbao Guggenheim brought a new sense of relevance to architecture in the transformation of urban landscapes. It was the story of the architect as hero and, as Greeks believed, of architecture as the first art-arche. Bilbao was doing for the Basques what the Sydney Opera House had done for Australia. Gehry, while complaining of being "geniused to death," became not only the master architect but the master artist. As a result, after Bilbao, every city has dreamed of its own Guggenheim effect. Gehry's optimistic artichoke amid Bilbao's post-industrial ruin has become an icon of what architecture can do for a city in decline. Warhol seems to be right in his prognostication that every museum should become a supermarket. Yet Hal Foster wondered, "Why all the hoopla?" Wasn't Gehry's museum risking the most problematic aspects of modernist monumentality and post-modernist faux populism?" "In this volume, artists (Fraser, Haacke, Muntadas, Sekula), architecture critics (Colomina, Gilbert-Rolfe), urban planners (Azua), art historians (Guilbaut, Guasch, Moxey, Welchman), museum specialists (Camara, Viar), art and tourism writers (Lippard, MacCannell), and anthropologists (Zulaika) discuss the various aspects of the Bilbao Guggenheim from an interdisciplinary perspective." -- Book Jacket.

Learning from the Bilbao Guggenheim

Learning from the Bilbao Guggenheim PDF

Author: Ana María Guasch

Publisher: Center for Basque Studies Press

Published: 2005

Total Pages: 302

ISBN-13:

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"The word is out that miracles still occur, and that a major one is happening here ... 'Have you seen Bilbao?' In architectural circles, the question has acquired the status of a shibboleth. Have you seen the light? Have you seen the future?" Herbert Muschamp's future is now. What can we learn from "The Guggenheim Effect"?" "Hailed as an "instant landmark," Gehry's Bilbao Guggenheim brought a new sense of relevance to architecture in the transformation of urban landscapes. It was the story of the architect as hero and, as Greeks believed, of architecture as the first art-arche. Bilbao was doing for the Basques what the Sydney Opera House had done for Australia. Gehry, while complaining of being "geniused to death," became not only the master architect but the master artist. As a result, after Bilbao, every city has dreamed of its own Guggenheim effect. Gehry's optimistic artichoke amid Bilbao's post-industrial ruin has become an icon of what architecture can do for a city in decline. Warhol seems to be right in his prognostication that every museum should become a supermarket. Yet Hal Foster wondered, "Why all the hoopla?" Wasn't Gehry's museum risking the most problematic aspects of modernist monumentality and post-modernist faux populism?" "In this volume, artists (Fraser, Haacke, Muntadas, Sekula), architecture critics (Colomina, Gilbert-Rolfe), urban planners (Azua), art historians (Guilbaut, Guasch, Moxey, Welchman), museum specialists (Camara, Viar), art and tourism writers (Lippard, MacCannell), and anthropologists (Zulaika) discuss the various aspects of the Bilbao Guggenheim from an interdisciplinary perspective." -- Book Jacket.

Guggenheim Bilbao Museoa

Guggenheim Bilbao Museoa PDF

Author: Joseba Zulaika

Publisher: Center for Basque Studies Press

Published: 2003

Total Pages: 246

ISBN-13:

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Explores the role of arts, architecture, museums and cultural industries in regenerating urban centers. Study of Bilbao's fin de millennium and the interdependencies between museum culture, the international art market, spectacular architecture, tourism and more.

Richard Serra

Richard Serra PDF

Author: Richard Serra

Publisher: Steidl

Published: 2005

Total Pages: 0

ISBN-13: 9783865211378

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Essays by Hal Foster and Carmen Gim nez.

Learning Through Art

Learning Through Art PDF

Author: Marilyn JS Goodman

Publisher: Guggenheim Museum

Published: 2003-07-02

Total Pages: 0

ISBN-13: 9780892072835

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Edited by Marilyn JS Goodman and Natalie K. Lieberman.

The Art Museum from Boullée to Bilbao

The Art Museum from Boullée to Bilbao PDF

Author: Andrew McClellan

Publisher: Univ of California Press

Published: 2008-01-02

Total Pages: 368

ISBN-13: 0520251261

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Art museums, cases of beauty and calm in a fast-paced world, have emerged in recent decades as the most vibrant and popular of all cultural institutions. But as they have become more popular, their direction and values have been contested as never before. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States.

Gillian Wearing: Wearing Masks

Gillian Wearing: Wearing Masks PDF

Author:

Publisher: Guggenheim Museum

Published: 2021-12-14

Total Pages: 192

ISBN-13: 9780892075584

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From prescient proto-selfies to COVID and AI: the democratic portraiture of Gillian Wearing One of the most influential conceptual artists of her generation, Gillian Wearing first gained recognition in the 1990s for groundbreaking photographs and videos that recorded the confessions and interactions of ordinary people she befriended through chance encounters. In its candor and psychological intensity, her work extends the traditions of portraiture initiated by Sander, Weegee and Arbus. Yet in her ongoing attention to technology's role in the presentation of self, Wearing has presciently identified defining aspects of contemporary visual culture, from reality television to the rise of the selfie. Published for Wearing's first North American retrospective, Gillian Wearing: Wearing Masks traces the acclaimed artist's practice from her earliest Polaroids and videos to her most recent production, including large-scale photographic self-portraits of Wearing in the guise of other artists; a more intimate body of self-portraits titled Lockdown; and installations and commissioned public sculpture. Essays by co-curators Jennifer Blessing and Nat Trotman provide an overview of Wearing's oeuvre, and a "self-interview" by Wearing offers a revealing firsthand account of the artist's practice, including her ongoing project Your Views (2013-), in which she has recently responded to the COVID-19 pandemic, and her exploration of AI technology in the video work Wearing, Gillian (2018). Gillian Wearing (born 1963) became associated with the Young British Artists (YBAs) after graduating from Goldsmiths College in 1990, and went on to win the Turner Prize in 1997. She works equally in photography, video, sculpture, installation and, most recently, painting. Wearing became well known early on for her now-landmark piece Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992-93), for which she photographed almost 200 strangers with placards of their own making.

Object Lessons

Object Lessons PDF

Author: Francesca Esmay

Publisher: Guggenheim Museum Publications

Published: 2021

Total Pages: 324

ISBN-13: 9780892075560

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Case studies / Francesca Esmay, Ted Mann, and Jeffrey Weiss -- Decommission. Lost and found : history, policy, works / Francesca Esmay, Ted Mann, and Jeffrey Weiss -- Endgame / Martha Buskirk -- Enforcing the work of art / Virginia Rutledge -- Where eoes the work reside? a conversation between Martha Buskirk and Virginia Rutledge -- Selected correspondence and PCI interviews.

Architecture and the Image at the Turn of the 21st Century

Architecture and the Image at the Turn of the 21st Century PDF

Author: Sanja Rodeš

Publisher: Taylor & Francis

Published: 2024-06-28

Total Pages: 283

ISBN-13: 1040046916

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This book examines architecture, image, and media relationships as productive for architecture and architectural discourses. By arguing that the relationships between architecture and media cannot be dismissed via linear criticism of architecture and media or image, these relations are instead seen as a part of a sphere (a mediasphere) of complex relationships. In lieu of anything like a consensus on the contemporary condition of architecture (referring to the late twentieth and the twenty-first centuries), the starting point of this book is that the relationships between architecture, media, and images continue to multiply, owing to continuous technological advancements. Contemporary architecture considered in this book is related to the selected circumstances of high visibility, where architectural images are propelled into visibility and conflated with non-architectural images. This takes architecture outside of architectural-only discourse and into the public realm. By granting higher visibility to both the architectural images and architecture in the public realm, architecture can also be influenced by the various perceptions of the general public and can enter public consciousness via non-architectural media. With increased visibility, architecture’s far-reaching presence calls for more structured analysis of its nature and potential. As the analysed architecture in this book is associated with the discourses outside of architecture (some of which relate to terrorism, natural disaster, and branding and consumption), the limits of contemporary architectural discipline are questioned and extended. This book is written for academics and students in architectural history, theory, and criticism, particularly those interested in visual and media studies.