Mallarmé

Mallarmé PDF

Author: Rosemary H. Lloyd

Publisher: Cornell University Press

Published: 2018-08-06

Total Pages: 287

ISBN-13: 1501728210

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Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence—eventually collected in eleven volumes—Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.

Monthly Bulletin

Monthly Bulletin PDF

Author: St. Louis Public Library

Publisher:

Published: 1918

Total Pages: 474

ISBN-13:

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"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-

Les îles du silence

Les îles du silence PDF

Author: Robert Gordienne

Publisher: FeniXX

Published: 1976-01-01T00:00:00+01:00

Total Pages: 60

ISBN-13: 230725661X

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Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.

Matin de silence

Matin de silence PDF

Author: Claude Margat

Publisher: Editions de L'Escampette

Published: 2011

Total Pages: 90

ISBN-13: 9782356080356

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Le fugace est saisi et métamorphosé en trace. Le poème réfléchit cette opération et la rend sensible dans son espace. L'ombre, alors, bat comme une aile que les yeux ne voient pas : elle est à l'intérieur de la vue. Elle indique, non sans ironie, que l'essentiel va d'un mot à l'autre sans que cette circulation, qui est seulement lisible, se donne à voir. Ce qu'on ne voit pas, tout en percevant sa présence, est pareil à l'oubli, qui renferme la disparition tout en étant, et lui seul, propice à l'apparition. D'où ces deux vers d'une évidence inépuisable : "le ciel est un manteau lucide/l'oubli s'y cache pour penser".