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Late Medieval English Lyrics and Carols
Author: Thomas G. Duncan
Publisher:
Published: 2002-09-01
Total Pages:
ISBN-13: 9780141439402
DOWNLOAD EBOOK →Medieval English Lyrics and Carols
Author: Thomas Gibson Duncan
Publisher: D. S. Brewer
Published: 2013
Total Pages: 466
ISBN-13: 9781843843412
DOWNLOAD EBOOK →A new and comprehensive anthology of medieval lyrics and carols, in new editions, with introduction and commentary.
Later Medieval English Literature
Author: Douglas Gray
Publisher: Oxford University Press
Published: 2008-04-10
Total Pages: 728
ISBN-13: 0198122187
DOWNLOAD EBOOK →A guide to the literature written in English from the death of Chaucer to the early sixteenth century from one of the period's pre-eminent literary scholars. Includes a valuable chronology, an informative introductory survey, and detailed sections on prose, poetry, Scottish writing, and drama.
The Oxford History of Poetry in English
Author: Julia Boffey
Publisher: Oxford University Press
Published: 2023-05-18
Total Pages: 593
ISBN-13: 0198839685
DOWNLOAD EBOOK →The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume explores the developing range of English verse in the century after the death of Chaucer in 1400, years that saw both change and consolidation in traditions of poetic writing in English in the regions of Britain. Chaucer himself was an important shaping presence in the poetry of this period, providing a stimulus to imitation and to creative expansion of the modes he had favoured. In addition to assessing his role, this volume considers a range of literary factors significant to the poetry of the century, including verse forms, literary language, translation, and the idea of the author. It also signals features of the century's history that were important for the production of English verse: responses to wars at home and abroad, dynastic uncertainty, and movements towards religious reform, as well as technological innovations such as the introduction of printing, which brought influential changes to the transmission and reception of verse writing. The volume is shaped to include chapters on the contexts and forms of poetry in English, on the important genres of verse produced in the period, on some of the fifteenth-century's major writers (Lydgate, Hoccleve, Dunbar, and Henryson), and a consideration of the influence of the verse of this century on what was to follow.
A Companion to the Middle English Lyric
Author: Thomas Gibson Duncan
Publisher: Boydell & Brewer
Published: 2005
Total Pages: 330
ISBN-13: 1843840650
DOWNLOAD EBOOK →Aims to provide both background information on and assessments of the lyric. This work includes features of formal and thematic importance: they are rhyme scheme, stanzaic form, the carol genre, love poetry in the manner of the troubadour poets, and devotional poems focusing on the love, and suffering and compassion of Christ and the Virgin Mary.
Sacred and Secular in Medieval and Early Modern Cultures
Author: L. Besserman
Publisher: Springer
Published: 2006-02-04
Total Pages: 238
ISBN-13: 1403977275
DOWNLOAD EBOOK →This book illuminates the pervasive interplay of 'sacred' and 'secular' phenomena in the literature, history, politics, and religion of the Middle Ages and Early Modern periods. The essays gathered here constitute a new way of applying a classic dichotomy to major cultural phenomena of the pre-modern era.
Literary Research and the Anglo-Saxon and Medieval Eras
Author: Dustin Booher
Publisher: Rowman & Littlefield
Published: 2020-02-20
Total Pages: 257
ISBN-13: 1538138441
DOWNLOAD EBOOK →Literary Research and the Anglo-Saxon and Medieval Eras: Strategies and Sources is a guide to scholarly research in the field of medieval English literature covering the period 450 CE to 1500 CE. Graduate students and scholars researching this period face many challenges: working in two distinct literary traditions, comprehending multiple languages (Old English, Middle English, Latin, Anglo-Norman, and French), knowing the manuscript tradition for a particular title and the research methodologies for discovering and locating primary sources in the print and digital realms, and the awareness of the overlap and assimilation of literary themes with religious, historical, cultural, and political perspectives. The volume presents the best practices for building a foundation of sound scholarship practices in the field of medieval English literature. This volume explores primary and secondary resources, including general literary research guides; types of library catalogs; print and online bibliographies and indexes; scholarly journals and series; manuscripts, archives, and digital collections; genres; tools for understanding Old and Middle English such as dictionaries, lexicons, thesauri, glosses, etymologies, palaeographies, and text mining tools; and Web resources. The final chapter researches the shifting reputation of the poet, Thomas Hoccleve. Given the interdisciplinary nature of medieval studies, an appendix of additional readings in art, history, music, philosophy, religion, science, social sciences, and theater is provided.
A Companion to Medieval Poetry
Author: Corinne Saunders
Publisher: John Wiley & Sons
Published: 2010-04-12
Total Pages: 706
ISBN-13: 1405159634
DOWNLOAD EBOOK →MEDIEVAL POETRY In a series of original essays from leading literary scholars, this Companion offers a chronological sweep of medieval poetry from Old English to the great genres of romance, narrative, and alliterative poetry of the 15th century. Beginning in the Anglo-Saxon period, the volume explores the Old English language and its alliterative tradition, before moving on to examine the genres of heroic, devotional, wisdom and epic poetry, culminating in a discussion of arguably the founding text of the English literary canon, the great epic Beowulf. In part two, the Companion moves on to discuss the linguistic and social changes brought about as a result of the Norman Conquest, exploring how this influenced the development of literary genres. Essays probe the shifts and continuities in genres such as lyric, chronicle and dream vision, and the emergence of new genres such as popular and courtly romance, and drama. A particular focus is the continuation of the alliterative tradition from the Anglo-Saxon period to the fifteenth century. A series of chapters on major authors, including Chaucer, Gower, and Langland, provide fresh approaches to reading and studying key texts, such as The Canterbury Tales, Piers Plowman and Sir Gawain and the Green Knight. Finally, the collection examines cultural change at the close of the medieval period and the variety of literature produced in the ‘long fifteenth century’, including writing by and for women, Scots poetry, clerical and courtly works, and secular and sacred drama.
What Kind of a Thing Is a Middle English Lyric?
Author: Cristina Maria Cervone
Publisher: University of Pennsylvania Press
Published: 2022-08-30
Total Pages: 561
ISBN-13: 0812298519
DOWNLOAD EBOOK →What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.
