-PDF Download- Landscape Archaeology Between Art And Science EBOOK

Landscape Archaeology Between Art and Science

Author: Sjoerd J. Kluiving

Publisher:

Published: 2012

Total Pages: 560

ISBN-13:

Researchers in landscape archaeology use two different definitions of landscape. One definition (landscape as territory) is used by the processual archaeologists, earth scientists, and most historical geographers within this volume. By contrast, post-processual archaeologists, new cultural geographers and anthropologists favour a more abstract definition of landscape, based on how it is perceived by the observer. Both definitions are addressed in this book, with 35 papers that are presented here and that are divided into six themes: 1) How did landscape change?; 2) Improving temporal, chronological and transformational frameworks; 3) Linking landscapes of lowlands with mountainous areas; 4) Applying concepts of scale; 5) New directions in digital prospection and modelling techniques, and 6) How will landscape archaeology develop in the future? This volume demonstrates a worldwide interest in landscape archaeology, and the research presented here draws upon and integrates the humanities and sciences. This interdisciplinary approach is rapidly gaining support in new regions where such collaborations were previously uncommon.

Landscape archaeology between art and science

Author: E.B. Guttmann-Bond

Publisher: Amsterdam University Press

Published: 2015-12-15

Total Pages: 562

ISBN-13: 9048516072

DOWNLOAD EBOOK →

Environmental Humanities

Author: Sjoerd Kluiving

Publisher:

Published: 2021-04-28

Total Pages: 108

ISBN-13: 9789464270044

DOWNLOAD EBOOK →

There has been an increasing archaeological interest in human-animal-nature relations, where archaeology has shifted from a focus on deciphering meaning, or understanding symbols and the social construction of the landscape to an acknowledgment of how things, places, and the environment contribute with their own agencies to the shaping of relations.This means that the environment cannot be regarded as a blank space that landscape meaning is projected onto. Parallel to this, the field of environmental humanities poses the question of how to work with the intermeshing of humans and their surroundings.To allow the environment back in as an active agent of change, means that landscape archaeology can deal better with issues such as global warming, an escalating loss of biodiversity, as well as increasingly toxic environment. However, this does not leave human agency out of the equation. It is humans who reinforce the environmental challenges of today.The scholarly field of the humanities deal with questions like how is meaning attributed, what cultural factors drive human action, what role is played by ethics, how is landscape experienced emotionally, as well as how concepts derived from art, literature, and history function in such processes of meaning attribution and other cultural processes. This humanities approach is of utmost importance when dealing with climate and environmental challenges ahead and we need a new landscape archaeology that meets these challenges, but also that meets well across disciplinary boundaries. Here inspiration can be found in discussions with scholars in the emerging field of Environmental Humanities.

George Inness and the Science of Landscape

Author: Rachael Z. DeLue

Publisher: University of Chicago Press

Published: 2008-09-15

Total Pages: 353

ISBN-13: 0226142310

DOWNLOAD EBOOK →

George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.

The Archaeology of Seeing

Author: Liliana Janik

Publisher: Routledge

Published: 2020-01-28

Total Pages: 185

ISBN-13: 1000752631

DOWNLOAD EBOOK →

The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more. The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology. Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestors and cousins, is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes, according to time and place, are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning, making an important contribution to the debate on art/archaeology.

Seeing the Unseen. Geophysics and Landscape Archaeology

Author: Stefano Campana

Publisher: CRC Press

Published: 2019-08-30

Total Pages: 376

ISBN-13: 9780367386801

DOWNLOAD EBOOK →

SEEING THE UNSEEN. GEOPHYSICS AND LANDSCAPE ARCHAEOLOGY is a collection of papers presented at the advanced XV International Summer School in Archaeology 'Geophysics for Landscape Archaeology' (Grosseto, Italy, 10-18 July 2006). Bringing together the experience of some of the world's greatest experts in the field of archaeological prospection, the focus of this book is not so much on the analysis of single buried structures, but more on researching the entire landscape in all its multi-period complexity. The book is divided into two parts. The first part concentrates on the theoretical basis of the various methods, illustrated for the most part through case-studies and practical examples drawn from a variety of geographical and cultural contexts. The second part focuses on the work carried out in the field during the Summer School. Tutors and students took part in the intensive application of the principal techniques of geophysical prospecting (magnetometry, EM, ERT and ground-penetrating radar) to locate, retrieve, process and interpret data for a large Roman villa-complex near Grosseto. SEEING THE UNSEEN. GEOPHYSICS AND LANDSCAPE ARCHAEOLOGY provides a clear illustration of the remarkable potential of geophysical methods in the study of ancient landscapes, and will be usefull to Archaeologists, Geophysicists, Environmental scientists, and those involved in the management of cultural heritage.

Landscape and Space

Author: Jaś Elsner

Publisher: Oxford University Press

Published: 2022

Total Pages: 205

ISBN-13: 0192845950

DOWNLOAD EBOOK →

Landscape has been a key theme in world archaeology and trans-cultural art history over the last half century, particularly in the study of painting in art history and in all questions of human intervention and the placement of monuments in the natural world within archaeology. However, the representation of landscape has been rather less addressed in the scholarship of the archaeologically-accessed visual cultures of the ancient world. The kinds of reliefs, objects, and paintings discussed here have a significant purchase on matters concerned with landscape and space in the visual sphere, but were discovered within archaeological contexts and by means of excavation. Through case studies focused on the invention of wilderness imagery in ancient China, the relation of monuments to landscape in ancient Greece, the place of landscape painting in Mesoamerican Maya art, and the construction of sacred landscape across Eurasia between Stonehenge and the Silk Road via Pompeii, this book emphasises the importance of thinking about models of landscape in ancient art, as well as the value of comparative approaches in underlining core aspects of the topic. Notably, it explores questions of space, both actual and conceptual, including how space is configured through form and representation.

European Landscapes of Rock-Art

Author: Christopher Chippindale

Publisher: Routledge

Published: 2003-09-02

Total Pages: 237

ISBN-13: 1134517335

DOWNLOAD EBOOK →

Rock-art - the ancient images which still scatter the rocky landscapes of Europe - is a singular kind of archaeological evidence. Fixed in place, it does not move about as artefacts as trade objects do. Enigmatic in its meaning, it uniquely offers a direct record of how prehistoric Europeans saw and envisioned their own worlds. European Landscapes of Rock-Art provides a number of case studies, covering arange of European locations including Ireland, Italy, Scandinavia, Scotland and Spain, which collectively address the chronology and geography of rock-art as well as providing an essential series of methodologies for future debate. Each author provides a synthesis that focuses on landscape as an essential part of rock-art construction. From the paintings and carved images of prehistoric Scandinavia to Second World War grafitti on the German Reichstag, this volume looks beyond the art to the society that made it. The papers in this volume also challenge the traditional views of how rock-art is recorded. Throughout, there is an emphasis on informal and informed methodologies. The authors skilfully discuss subjectivity and its relationship with landscape since personal experience, from prehistoric times to the present day, plays an essential role in the interpretation of art itself. The emphasis is on location, on the intentionality of the artist, and on the needs of the audience. This exciting volume is a crucial addition to rock-art literature and landscape archaeology. It will provide new material for a lively and greatly debated subject and as such will be essential for academics, non-academics and commentators of rock art in general.