America's Film Legacy

America's Film Legacy PDF

Author: Daniel Eagan

Publisher: A&C Black

Published: 2010-01-01

Total Pages: 848

ISBN-13: 0826429777

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Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry.

Whodoneit! A Film Guide

Whodoneit! A Film Guide PDF

Author: Terry Rowan

Publisher: Lulu.com

Published: 2015-03-23

Total Pages: 317

ISBN-13: 1312308060

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The Comprehensive Film Guide to Amateur Sleuth, Detective & Police Stories of Film and Television. A look at the writers, Private Invetigators, Lawyers, and the Hollywood Personal that produced them, and other interesting stories that have Mystery and Intrigue.

Cinema '62

Cinema '62 PDF

Author: Stephen Farber

Publisher: Rutgers University Press

Published: 2020-03-13

Total Pages: 270

ISBN-13: 1978808828

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Challenging the common assumption that the early 1960s were a drab time for American film, this book makes the bold case that 1962 was a peak year for the movies, giving audiences a prime mix of adult, artistic, and uncompromising work from Hollywood veterans, hot young directors, and international auteurs.

Studies in Terror: Landmarks of Horror Cinema

Studies in Terror: Landmarks of Horror Cinema PDF

Author: Jonathan Rigby

Publisher: National Geographic Books

Published: 2012-02-14

Total Pages: 0

ISBN-13: 0956653448

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Acclaimed critic and broadcaster Jonathan Rigby brings his trademark wit and insight to bear on 130 of the key moments in screen horror. His scope is wide, ranging from silent masterworks like Nosferatu and The Cabinet of Dr Caligari to such 21st century milestones as The Descent and Let the Right One In. In between, he scrutinises the achievements of Universal in the 1930s and Hammer in the 1960s. Lavishly illustrated, the result is a beautifully presented history of international horror cinema that's as entertaining as it is informative.

Cinema Expanded

Cinema Expanded PDF

Author: Jonathan Walley

Publisher: Oxford University Press

Published: 2020-07-01

Total Pages: 577

ISBN-13: 0190938668

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Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.

The Essentials

The Essentials PDF

Author: Jeremy Arnold

Publisher: Running Press Adult

Published: 2016-05-03

Total Pages: 290

ISBN-13: 0762459476

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Showcasing 52 Essential films from the silent era through the 1980s, Turner Classic Movies invites you into a world filled with stirring performances, dazzling musical numbers, and bold directorial visions that mark the greatest moments in film history. Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate series for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere. Based on the TCM series, The Essentials book showcases fifty-two must-see movies from the silent era through the early 1980s. Readers can enjoy one film per week, for a year of stellar viewing, or indulge in their own classic movie festival. Some long-championed classics appear within these pages; other selections may surprise you. Each film is profiled with insightful notes on why it's an Essential, a guide to must-see moments, and running commentary from TCM's Robert Osborne and Essentials guest hosts past and present, including Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner. Featuring full-color and black-and-white photography of the greatest stars in movie history, The Essentials is your curated guide to fifty-two films that define the meaning of the word "classic."

Bengali Cinema

Bengali Cinema PDF

Author: Sharmistha Gooptu

Publisher: Routledge

Published: 2010-11

Total Pages: 246

ISBN-13: 1136912177

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Covering the years spanning cinema’s emergence as a popular form in Bengal in the first half of the twentieth century, this book examines the main genres and trends produced by this cinema, and leads up to Bengali cinema’s last phase of transition in the 1980s. Arguing that Bengali cinema has been a key economic and social institution, the author highlights that the Bengali filmic imaginary existed over and above the imaginary of the Indian nation. This book argues that a definitive history of Bengali cinema presents an alternative understanding to the currently influential notion of the Hindi film as the ‘Indian’ or ‘national’ cinema. It suggests that the Bengali cinema presents a history which brings to the fore the deeply contested terrain of ‘national’ cinema, and shows the creation of the ‘alternative imaginary’ of the Bengali film. The author indicates that the case of the Bengali cinema demonstrates the emergence of a public domain that set up a definitive discourse of difference with respect to the ‘all-India’ Hindi film, popularly classified as Bollywood cinema, and which pre-empted its subsumption within the more pervasive culture of the Bombay Hindi cinema. As the first comprehensive historical work on Bengali cinema, this book makes a significant contribution to both Film and Cultural Studies and South Asian Studies in general.