Le Tumulte Noir

Le Tumulte Noir PDF

Author: Jody Blake

Publisher: Penn State Press

Published: 1999-01-01

Total Pages: 232

ISBN-13: 9780271017532

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Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.

Violence and Emotions in Early Modern Europe

Violence and Emotions in Early Modern Europe PDF

Author: Susan Broomhall

Publisher: Routledge

Published: 2015-07-30

Total Pages: 260

ISBN-13: 1317424182

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Violence and Emotions in Early Modern Europe examines the purposes for which specific forms of violence and particular emotional states functioned, how they operated in relation to each other, or indeed how one provoked, sustained or diminished the other. These twelve original essays demonstrate the complexities of violence and emotions and the myriad possibilities of their inter-relationships. They emphasize the great efforts that were made by early modern societies to control modes of violence and emotional regimes to achieve positive as well as negative effects, such as creating order, healing, and bringing individuals and communities together around productive identities. Authors consider legal documents, news reports, memoirs, letters, confraternity statutes, and medical consultations to investigate the bodily and textual practices in which violent and emotional acts were created, supported and disseminated to investigate the power, aims, effect and outcomes of relationships between violence and emotions. The chapters look at a range of topics and countries including Renaissance Italy and sixteenth-century Germany, France in the grip of the religious wars, and England’s Civil Wars as well as a wide range of topics including murder, punishment, community healing, insults, threats, prophecy and medical and devotional practices. This collection will be essential reading for students and scholars of the history of emotions or violence.

La Cité Des Dieux

La Cité Des Dieux PDF

Author: Markkus Nelrog

Publisher: Sukkram Diffusion

Published: 2013-10-01

Total Pages: 584

ISBN-13: 2954633107

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Très loin dans le futur, sur une planète radicalement transformée par une baisse considérable des eaux, suite à un cataclysme mondial que chacun en ce monde nomme le Chaos Absolu, erre Tanka le mercenaire. Farouche guerrier ayant quitté Valkhera dans le Grand Nord, il offre les services de son épée magique, Valhen, aux monarques les plus offrants, dans la mesure où ses agissements n'interfèrent pas avec son code d'honneur.

Cross the Water Blues

Cross the Water Blues PDF

Author: Neil A. Wynn

Publisher: Univ. Press of Mississippi

Published: 2010-02-09

Total Pages: 471

ISBN-13: 1628468211

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Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. Wynn This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.