L. J. M. Daguerre (1787-1851), the World's First Photographer

L. J. M. Daguerre (1787-1851), the World's First Photographer PDF

Author: Helmut Gernsheim

Publisher:

Published: 1956

Total Pages: 302

ISBN-13:

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"Here is an absorbing account of the life of Louis Daguerre, the man responsible for giving us the first practical process of photography. From the beginnings of Daguerre's career in the arts as an apprentice to an architect, through his extensive work as a scene designer with the Diorama, and the successful culmination of his experiments with the daguerreotype, the Gernsheims have drawn a detailed portrait of a man whose invention has been called the greatest since that of the printing press. The world greeted the announcement of Daguerre's achievement with astonishment, skepticism, and even scorn. Nowadays photography is so completely taken for granted that it is difficult to realize how startling to Daguerre's contemporaries was the idea that nature could be made to produce a picture unaided by the artist. The news spread like wildfire. The daguerreotype was the most talked-of topic in Europe; the moment the people heard of it they were consumed with curiosity as to how it was done. The method was kept a zealously guarded secret for many months and eventually seemed to some to be a swindle. Others disapproved on moral and religious grounds. One German newspaper thundered indignantly, 'Is it possible that God should have abandoned His eternal principles, and allowed a Frenchman in Paris to give to the world an invention of the Devil?'"--Dust jacket.

Speculating Daguerre

Speculating Daguerre PDF

Author: Stephen C. Pinson

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780226669113

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Louis Jacques Mandé Daguerre (1787-1851) was a true nineteenth-century visionary--a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In Speculating Daguerre, Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before. Drawing upon previously unpublished correspondence and unplumbed archival sources, Pinson mixes biography with an incisive study of Daguerre's wide-ranging involvement in visual culture. From his work as a commercial lithographer to his coinvention of the Paris Diorama--a theater in the round in which Daguerre employed natural light and special effects to simulate time and movement in large-scale paintings--here we are given access to Daguerre the artist, whose tireless experimentation, entrepreneurial spirit, and exceptional talent for popular spectacle helped to usher in a new visual age. Filled with more than one hundred illustrations and including the first complete catalogue of Daguerre's paintings, works on paper, and daguerreotypes to appear in print, the publication of Speculating Daguerre will be a much-heralded event for anyone with even a passing interest in one of the most fascinating characters in the history of photography.

L. J. M. Daguerre

L. J. M. Daguerre PDF

Author: Helmut Gernsheim

Publisher:

Published: 1968

Total Pages: 332

ISBN-13:

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This book contains the definitive account of Daguerre and the daguerreotype. It covers Daguerre's early work as the perfecter and promoter of the diorama; his collaboration with Niépce, the first man to produce a photograph, imperfect though it was; his extension of Niépce's experiments after Niépce's death; and the eventual development of the daguerreotype : a remarkably sensitive positve on a metal plate.

The Silver Canvas

The Silver Canvas PDF

Author: Bates Lowry

Publisher: Getty Publications

Published: 2000-02-03

Total Pages: 258

ISBN-13: 0892365366

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By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.

Impressed by Light

Impressed by Light PDF

Author: Roger Taylor

Publisher: Metropolitan Museum of Art

Published: 2007

Total Pages: 456

ISBN-13: 1588392252

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Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.

Hoax: A History of Deception

Hoax: A History of Deception PDF

Author: Ian Tattersall

Publisher: Black Dog & Leventhal

Published: 2018-03-20

Total Pages: 256

ISBN-13: 0316503703

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An entertaining collection of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, has teamed up with Peter Névraumont to tell this anti-history of the world, in which Michelangelo fakes a masterpiece; Arctic explorers seek an entrance into a hollow Earth; a Shakespeare tragedy is "rediscovered"; a financial scheme inspires Charles Ponzi; a spirit photographer snaps Abraham Lincoln's ghost; people can survive ingesting only air and sunshine; Edgar Allen Poe is the forefather of fake news; and the first human was not only British but played cricket. Told chronologically, HOAX begins with the first documented announcement of the end of the world in 2800 BC and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the worlds of art, science, literature, journalism, and finance.

The Pencil of Nature

The Pencil of Nature PDF

Author: William Henry Fox Talbot

Publisher: DigiCat

Published: 2022-09-16

Total Pages: 66

ISBN-13:

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DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Encyclopedia of Nineteenth-Century Photography

Encyclopedia of Nineteenth-Century Photography PDF

Author: John Hannavy

Publisher: Routledge

Published: 2013-12-16

Total Pages: 1630

ISBN-13: 1135873267

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The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.