Karel Teige, 1900-1951

Karel Teige, 1900-1951 PDF

Author: Eric Dluhosch

Publisher: Mit Press

Published: 1999

Total Pages: 420

ISBN-13: 0262041707

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"When the Communists took over Czechoslovakia in 1948. Teige was first hailed as a progressive, then denounced for not toeing the party line - even though he was never a card-carrying member of the Communist Party. He died a broken man, forbidden to speak out or to publish. Since the recovery of his work after the "velvet revolution" of 1989, his legacy has been revived not only in Prague but also in Western Europe and the United States."--BOOK JACKET.

Modern Architecture in Czechoslovakia and Other Writings

Modern Architecture in Czechoslovakia and Other Writings PDF

Author: Karel Teige

Publisher: Getty Publications

Published: 2000

Total Pages: 384

ISBN-13: 9780892365968

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This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics.Teige's principal work on modernism, now in English for the first time, is supplemented by a selection of his other writings on art and architecture.

Karel Teige

Karel Teige PDF

Author: Karel Teige

Publisher:

Published: 2018-08-28

Total Pages: 788

ISBN-13: 9788074372469

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Art theorist and critic, graphic designer, artist, author and translator Karel Teige (1900-51) is today recognized not just as the creator of internationally acclaimed surrealist collages, but also as a leading figure of the European avant-garde. Teige spent his entire life commenting on and interpreting developments in the visual arts. His multifaceted theoretical writings helped shape the conceptual foundations of modern art, and his activities and intensive contacts with other members of the European avant-garde helped secure Czech art's place on the international art scene. His work anticipated, initiated and helped to develop the progressive artistic movements that fundamentally influenced art in the 20th century. Karel Teige was one of the great European intellectuals of his time; his efforts were aimed at creating not just a system of aesthetics but also an all-encompassing life philosophy. He was intensively interested in architecture and found inspiration in Germany's Bauhaus (where he spent a year lecturing); architectural functionalism would have looked completely different without his input. Teige's preference for rational, minimalist designs with an emphasis on the social uses of modern architecture was the "most functionalist functionalism" of his time. Teige's own work consisted primarily of a series of phenomenal collages that reveal the hidden and passionate aspects of his personality. His book designs set the tone for an entire generation, and his design principles remain valid today. Teige's complicated personality, full of contradictions, utopian dreams and a yearning for order and logic make him an indecipherable and deeply human individual, a perfect symbol for the 20th century. This comprehensive, nearly 800-page monograph, by the art historian Rea Michalová, takes a wide-ranging look at the evolution of Teige's ideological, theoretical and political views, and recalls important moments in his life and their significance within the international context. The book includes a rich set of illustrations, photographs from his life, and examples of his unique collages and graphic designs.

FireSigns

FireSigns PDF

Author: Steven Skaggs

Publisher: MIT Press

Published: 2017-03-03

Total Pages: 295

ISBN-13: 026203543X

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Semiotics concepts from a design perspective, offering the foundation for a coherent theory of graphic design as well as conceptual tools for practicing designers. Graphic design has been an academic discipline since the post-World War II era, but it has yet to develop a coherent theoretical foundation. Instead, it proceeds through styles, genres, and imitation, drawing on sources that range from the Bauhaus to deconstructionism. In FireSigns, Steven Skaggs offers the foundation for a semiotic theory of graphic design, exploring semiotic concepts from design and studio art perspectives and offering useful conceptual tools for practicing designers. Semiotics is the study of signs and significations; graphic design creates visual signs meant to create a certain effect in the mind (a “FireSign”). Skaggs provides a network of explicit concepts and terminology for a practice that has made implicit use of semiotics without knowing it. He offers an overview of the metaphysics of visual perception and the notion of visual entities, and, drawing on the pragmatic semiotics of the philosopher Charles Sanders Peirce, looks at visual experience as a product of the action of signs. He introduces three conceptual tools for analyzing works of graphic design—semantic profiles, the functional matrix, and the visual gamut—that allow visual “personality types” to emerge and enable a greater understanding of the range of possibilities for visual elements. Finally, he applies these tools to specific analyses of typography.

Karel Teige

Karel Teige PDF

Author: Karel Teige

Publisher: TORST

Published: 2001

Total Pages: 182

ISBN-13:

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Known mainly as a critic and organizer of events on the Czech art scene of the 1920s, Karel Teige was also a leading figure of the avant-garde group Devetsil and a member of the Prague Surrealists. Between 1934 and his premature death in 1951, he privately produced nearly 400 collages, many of which are reproduced here as a testament to their vital role in the history of European Surrealism.

A Socialist Realist History?

A Socialist Realist History? PDF

Author: Kristina Jõekalda

Publisher: Böhlau Köln

Published: 2019-06-17

Total Pages: 281

ISBN-13: 3412516686

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How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s–1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.

The Integrity of the Avant-Garde

The Integrity of the Avant-Garde PDF

Author: Peter Zusi

Publisher: Legenda

Published: 2024-03-04

Total Pages: 0

ISBN-13: 9781839541667

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On what grounds do we speak of 'the avant-garde' in inter-war European culture? Why do we understand the conflicts and quarrels among these diverse movements as expressing a shared attitude - the culture of the manifesto, the drive to reject, to explore, to renew - that trumps the conflicts and quarrels themselves? Why do the stern rationalism of a functionalist building and the irreverent irrationalism of a Dadaist performance seem heralds of a similar spirit? The Czech avant-garde theorist Karel Teige (1900-1951) regarded architecture and film as providing the key to formulating a unified theory that would capture this 'integrity of the avant-garde'. Teige - whose thought has many points of contact with celebrated figures such as Georg Lukács and Walter Benjamin, and who was a close associate of Le Corbusier, André Breton, and Hannes Meyer - reveals how a vibrant 'alternative' avant-garde tradition can raise central questions for understanding European modernism more broadly. Peter Zusi is Associate Professor of Czech and Comparative Literature at the School of Slavonic and East European Studies, University College London.

The Oxford Handbook of Communist Visual Cultures

The Oxford Handbook of Communist Visual Cultures PDF

Author: Aga Skrodzka

Publisher: Oxford University Press

Published: 2020-04-01

Total Pages: 640

ISBN-13: 0190885548

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Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.

Artificial Hells

Artificial Hells PDF

Author: Claire Bishop

Publisher: Verso Books

Published: 2012-07-24

Total Pages: 483

ISBN-13: 1781683972

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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.