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Joyce and Popular Culture

Author: R. B. Kershner

Publisher:

Published: 1996

Total Pages: 223

ISBN-13: 9780813013961

"Gathers together impressive, prominent voices in the field of Joycean studies and popular culture. . . . I was impressed by the elegance with which I was introduced to the idea that Tom Swifties, Marilyn Monroe, and electronic media all have something to offer to the study of Joyce (and vice versa). . . . Delightful new materials. . . . All Joyceans will want to own this volume. . . . Those interested in popular culture per se will also have to see what's happening now in the Joycean arena."--Cheryl Herr, University of Iowa Joyce not only used popular culture, he contributed to it. These essays employ a variety of sophisticated critical techniques to bring out his surprising involvement in the popular culture of his time. Treating all of Joyce's work from Dubliners through Finnegans Wake, they question the conventional idea that popular culture is the inverse of modernist high art, showing instead how popular culture intertwines with modernist (and postmodernist) art. In a general historical introduction, R. B. Kershner the entire question of Joyce and popular culture within the context of Joyce criticism and the cultural studies movement. Contents Introduction, by R. B. Kershner THEORETICAL APPROACHES 1. Theoretical Approaches to Popular Culture, by Derek Attridge 2. A Tale of "Unwashed Joyceans": James Joyce, Popular Culture, and Popular Theory, by David Glover 3. A(dorna) to Z(izek): From the Culture Industry to the Joyce Industry, and Beyond, by Michael Walsh POPULAR SOURCES AND PARADIGMS 4. Should Boys Have Sweethearts?, by Chester G. Anderson 5. Molly Bloom and Lady Hester Stanhope, by Michael H. Begnal 6. "Nothing for a Woman in That": James Lovebirch and Masochistic Fantasy in Ulysses, by Stephen Watt 7. Dr. J. Collins Looks at J. J.: The Invention of a Shaun, by David Hayman THE CONTEXT OF CULTURE 8. Wilde about Joyce, by Zack Bowen 9. The (Tom) Swiftean Comedy of "Scylla and Charybdis," by Thomas Jackson Rice 10. Advertising and Religion in James Joyce's Fiction: The New (Improved!) Testament, by Garry M. Leonard 11. Joyce's Techno-Poetics of Artifice: Machines, Media, Memory, and Modes of Communication in Ulysses and Finnegans Wake, by Donald Theall JOYCE IN POPULAR CULTURE 12. Appropriating the Master Appropriator: "The James Joyce Murder" as Feminist Critique, by Helene Meyers 13. James Joyce as Woman: Fionnula Flanagan, Joyce, and Film, by Adrian Peever 14. Marilyn Monroe Reading Ulysses: Goddess or Postcultural Cyborg? by Richard Brown 15. The Joycean Unconscious, or Getting Respect in the Real World, by Vincent J. Cheng R. B. Kershner is professor of English at the University of Florida and an advisory editor for the James Joyce Quarterly. He is the author of Joyce, Bakhtin and Popular Literature: Chronicles of Disorder (1989) and Dylan Thomas: The Poet and His Critics (1977) and the editor of the St. Martin's Press case studies edition of A Portrait of the Artist as a Young Man (1992).

A Companion to James Joyce

Author: Richard Brown

Publisher: John Wiley & Sons

Published: 2013-06-06

Total Pages: 464

ISBN-13: 1444342940

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A Companion to James Joyce offers a unique composite overview and analysis of Joyce's writing, his global image, and his growing impact on twentieth- and twenty-first-century literatures. Brings together 25 newly-commissioned essays by some of the top scholars in the field Explores Joyce's distinctive cultural place in Irish, British and European modernism and the growing impact of his work elsewhere in the world A comprehensive and timely Companion to current debates and possible areas of future development in Joyce studies Offers new critical readings of several of Joyce's works, including Dubliners, A Portrait of the Artist as a Young Man, and Ulysses

Joyce, Bakhtin, and Popular Literature

Author: R. B. Kershner

Publisher: UNC Press Books

Published: 2014-02-01

Total Pages: 353

ISBN-13: 1469616211

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The sheer mass of allusion to popular literature in the writings of James Joyce is daunting. Using theories developed by Russian critic Mikhail Bakhtin, R. B. Kershner analyzes how Joyce made use of popular literature in such early works as Stephen Hero, Dubliners, A Portrait of an Artist as a Young Man, and Exiles. Kershner also examines Joyce's use of rhetoric, the relationship between narrator and protagonist, and the interplay of voices, whether personal, literary, or subliterary, in Joyce's writing. In pointing out the prolific allusions in Joyce to newspapers, children's books, popular novels, and even pornography, Kershner shows how each of these contributes to the structures of consciousness of Joyce's various characters, all of whom write and rewrite themselves in terms of the texts they read in their youth. He also investigates the intertextual role of many popular books to which Joyce alludes in his writings and letters, or which he owned -- some well known, others now obscure. Kershner presents Joyce as a writer with a high degrees of social consciousness, whose writings highlight the conflicting ideologies of the Irish bourgeoisie. In exploring the social dimension of Joyce's writing, he calls upon such important contemporary thinkers as Jameston, Althusser, Barthes, and Lacan in addition to Bakhtin. Joyce's literary response to his historical situation was not polemical, Kershner argues, but, in Bakhtin's terms, dialogical: his writings represent an unremitting dialogue with the discordant but powerful voices of his day, many inaudible to us now. Joyce, Bakhtin, and Popular Literature places Joyce within the social and intellectual context of his time. Through stylistic, social, and ideological analysis, Kersner gives us a fuller grasp of the the complexity of Joyce's earlier writings.

The Value of James Joyce

Author: Margot Norris

Publisher: Cambridge University Press

Published: 2016-03-29

Total Pages: 165

ISBN-13: 1107131928

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This book explores the writings of James Joyce from his early poetry and short stories to his final avant-garde work, Finnegans Wake. It examines not only the significance of the ordinary but the function of natural and urban spaces and the moods, voice, and language that give Joyce's works their widespread appeal.

Advertising and Commodity Culture in Joyce

Author: Garry Martin Leonard

Publisher: Florida James Joyce (Hardcover

Published: 1998

Total Pages: 252

ISBN-13: 9780813016320

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"The first comprehensive study of Joyce and the advertising/commodity nexus. . . . Provides the next step in understanding Joyce--for which Joyceans worldwide are ready and waiting. And it does so eloquently and persuasively and in enormously careful detail and depth of vision. . . . I love this book; I learned from this book. . . . An up-to-date and dramatically useful inquiry into Joycean modernism."--Cheryl Herr, University of Iowa "The best book on Joyce I have read in years. . . . [Leonard] offers new insights, novel readings, and creative interpretations on every page, and all in a brilliantly funny, irreverent prose which captures the moment or the character like a Joycean epiphany."--Zack Bowen Garry Leonard looks in detail at Joyce's representation of a phenomenon that dominates the contemporary landscape: advertising. Taking readers back to its beginnings, Leonard shows that advertising was a central preoccupation of Joyce, one that helps us unravel his often difficult style. Building on the work of cultural theorists like Lacan, Foucault, Baudrillard, Irigiray, and others, Leonard examines commodity culture in Joyce's work and demonstrates the ways in which characters use (or are used by) modern advertising techniques to make their own identities more intelligible and to fill the Lacanian "permanent lack" of modern identity. The commonality of religion and advertising, the use of "kitsch" as a rhetorical device, the commodity market's exploitation of the proletariat, the role of pornography, the impact of advertising's "normative" modes of dress and behavior, and the role of the modern city as a modernist trope are all explored as aspects of Joyce's work or as pressures faced by his characters. As Leonard demonstrates, "culture" in Joyce is the product of a complex response to psychological, sociological, political, economic, and aesthetic pressures. In Joyce, advertising, as a product of that culture, serves both to reinforce the hegemonic discourse of the day and to subvert it. Excellent work has been done on aspects of commodity culture in Joyce by writers as diverse as Bonnie Kime Scott, Jennifer Wicke, and Brandon Kershner (Joyce and Popular Culture, UPF, 1996), but Leonard's is the first comprehensive study of Joyce and the advertising/commodity nexus, certain to be of equal interest to students and scholars of Joyce, modernism, and cultural studies. Garry Leonard is associate professor of English at the University of Toronto and author of Reading Dubliners Again: A Lacanian Perspective (1993).

A Portrait of the Artist as a Young Man

Author: James Joyce

Publisher: Union Square & Co.

Published: 2024-08-13

Total Pages: 170

ISBN-13: 1454954620

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James Joyce’s deeply personal and “most memorable novel” (H. G. Wells) detailing the spiritual and artistic awakening of Stephen Dedalus, now freshly repackaged for the Union Square & Co. Signature Classics line. James Joyce’s semi-autobiographical first novel explores the author’s own love-hate relationship with Ireland through Stephen Dedalus, Joyce’s literary alter ego. Dedalus yearns to be an artist, but must first overcome the aspects of Irish society, like school and the church, that he feels restrains his creativity and stifles his soul. Joyce’s use of experimental literary techniques, including stream of consciousness, is on full display in his first novel, which he further develops in his later works, Ulysses and Finnegan’s Wake.

James Joyce and Cinematicity

Author: Keith Williams

Publisher: Edinburgh University Press

Published: 2020-03-27

Total Pages: 304

ISBN-13: 1474402496

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In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science.

James Joyce A to Z

Author: A. Nicholas Fargnoli

Publisher: Literary A-Z's

Published: 1996

Total Pages: 326

ISBN-13: 0195110293

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(series copy)These encyclopedic companions are browsable, invaluable individual guides to authors and their works. Useful for students, but written with the general reader in mind, they are clear, concise, accessible, and supply the basic cultural, historical, biographical and critical information so crucial toan appreciation and enjoyment of the primary works. Each is arranged in an A-Z fashion and presents and explains the terms, people, places, and concepts encountered in the literary worlds of James Joyce, Mark Twain, and Virginia Woolf.As a keen explorer of the mundane material of everyday life, James Joyce ranks high in the canon of modernist writers. He is arguably the most influential writer of the twentieth-century, and may be the most read, studied, and taught of all modern writers. The James Joyce A-Z is the ideal companionto Joyce's life and work. Over 800 concise entries relating to all aspects of Joyce are gathered here in one easy-to-use volume of impressive scope.

The Culture of Joyce’s Ulysses

Author: R. Kershner

Publisher: Springer

Published: 2011-01-11

Total Pages: 440

ISBN-13: 0230117902

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Reading Ulysses with an eye to the cultural references embedded within it, Kershner interrogates modernism's relationship to contemporary popular culture and literature. Examples underscore Kershner's corrective to formal approaches to genre as he broadens the methodologies that are used to study it to include social and political approaches.

Joyce's Anatomy of Culture

Author: Cheryl Herr

Publisher:

Published: 1986

Total Pages: 336

ISBN-13:

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