Violin Sonata No.1 by Johannes Brahms for Piano and Violin (1879) Op.78

Violin Sonata No.1 by Johannes Brahms for Piano and Violin (1879) Op.78 PDF

Author: Johannes Brahms

Publisher: Read Books Ltd

Published: 2012-12-03

Total Pages: 46

ISBN-13: 1447481860

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This wonderful piece by Johannes Brahms contains a score for piano and violin. It is a fine example of the composer's work and a fantastic addition to any classical musician's repertoire. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Violin Sonata No.2 By Johannes Brahms For Piano and Violin (1886) Op.100

Violin Sonata No.2 By Johannes Brahms For Piano and Violin (1886) Op.100 PDF

Author: Johannes Brahms

Publisher: Read Books Ltd

Published: 2013-04-26

Total Pages: 32

ISBN-13: 1473381495

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Sonate, viool, piano

Sonate, viool, piano PDF

Author: Johannes Brahms

Publisher: Courier Corporation

Published: 1996-01-01

Total Pages: 130

ISBN-13: 0486293122

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Three staples of the repertoire: Sonata No. 1 in G Major, Op. 78; Sonata No. 2 in A Major, Op. 100; Sonata No. 3 in D Minor, Op. 108. Removable violin part.

Brahms's Violin Sonatas

Brahms's Violin Sonatas PDF

Author: Joel Lester

Publisher: Oxford University Press, USA

Published: 2020

Total Pages: 393

ISBN-13: 019008703X

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"Brahms's Violin Sonatas: Style, Structure, and Performance is a companion volume to Joel Lester's award-winning 1999 study Bach's Works for Solo Violin: Style, Structure, and Performance. Using a minimum of technical language and with annotated musical examples illustrating almost every point, Brahms's Violin Sonatas explores three masterpieces of the concert repertoire in a book designed for performers and music scholars alike. A major focus is how much can be learned by carefully reading Brahms's artistically nuanced musical notation, and by understanding Brahms's style-especially his music's deep connections to Classical-Era harmony, phrasing, and form while at the same time using late-19th-century harmonies, dissonances, and thematic evolutions, along with the contrapuntal textures that imbues all his works with a uniquely "Brahmsian" sound. Lester also explores how these works relate to important events in Brahms's life. Practical and concrete suggestions on performance arise from many of these discussions, calling performers' and analysts' attention to both technical and interpretive matters. Lester's aim is to inspire readers to explore their own individual approaches to Brahms's music, balancing what they find in the music to how they balance today's performance and interpretive styles with the ways that Brahms himself and his contemporaries might have played and experienced his creations"--