French Film

French Film PDF

Author: Susan Hayward

Publisher: Routledge

Published: 2014-04-23

Total Pages: 372

ISBN-13: 1136214860

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The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

The Social Architecture of French Cinema, 1929-1939

The Social Architecture of French Cinema, 1929-1939 PDF

Author: Margaret C. Flinn

Publisher: Oxford University Press

Published: 2014

Total Pages: 255

ISBN-13: 1781380333

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This volume provides a vital new reading of documentary and realist fiction film of the French 1930s that focuses on how these genres interlock their representations of urban spaces and places.

French Film Theory and Criticism, Volume 2

French Film Theory and Criticism, Volume 2 PDF

Author: Richard Abel

Publisher: Princeton University Press

Published: 2021-05-11

Total Pages: 327

ISBN-13: 1400828392

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These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

French Film Theory and Criticism

French Film Theory and Criticism PDF

Author: Richard Abel

Publisher: Princeton University Press

Published: 1993-09-12

Total Pages: 334

ISBN-13: 9780691000633

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These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

The French Screen Goddess

The French Screen Goddess PDF

Author: Jonathan Driskell

Publisher: Bloomsbury Publishing

Published: 2015-03-26

Total Pages: 256

ISBN-13: 0857735667

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Many years before Brigitte Bardot and Catherine Deneuve rose to fame, the French cinema produced a host of glamorous female stars designed to rival their Hollywood counterparts. Bathed in soft light, discussed adoringly in fan magazines and shown wearing the latest fashions, these 'cinematic stars' emerged in opposition to France's traditional stage-based stardom, while remaining, through the roles they played and the looks they sported, a distinctly French phenomenon. The French Screen Goddess examines how these stars influenced the narratives and look of their films, contributed to defining the period's new, emancipated femininity -, the 'modern woman' -, and related to the decade's politics, particularly the Popular Front of the mid-1930s. The book focuses on the three most important examples of this type of stardom, Annabella, Danielle Darrieux and Michele Morgan, while also considering many other key stars, such as Arletty, Viviane Romance and Jean Gabin. Previously neglected films are considered and true classics of French cinema re-examined, with Rene Clair's Quatorze juillet, Julien Duvivier's La Bandera, and Marcel Carne's Le Quai des brumes and Hotel du Nord foremost among these.

A Companion to Jean Renoir

A Companion to Jean Renoir PDF

Author: Alastair Phillips

Publisher: John Wiley & Sons

Published: 2013-04-11

Total Pages: 640

ISBN-13: 1118325346

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François Truffaut called him, simply, ‘the best’. Jean Renoir is a towering figure in world cinema and fully justifies this monumental survey that includes contributions from leading international film scholars and comprehensively analyzes Renoir’s life and career from numerous critical perspectives. New and original research by the world’s leading English and French language Renoir scholars explores stylistic, cultural and ideological aspects of Renoir’s films as well as key biographical periods Thematic structure admits a range of critical methodologies, from textual analysis to archival research, cultural studies, gender-based and philosophical approaches Features detailed analysis of Renoir’s essential works Provides an international perspective on this key auteur’s enduring significance in world film history

French Cinema and the Great War

French Cinema and the Great War PDF

Author: Marcelline Block

Publisher: Rowman & Littlefield

Published: 2016-02-04

Total Pages: 206

ISBN-13: 144226098X

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Even a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. France, the military major power of the Western Front, carries the legacy of battles on its own soil, and countless French lives lost defending the nation from the Central Powers. It is no surprise that the impact of the First World War can still be seen in French films into the present day. French Cinema and the Great War: Remembrance and Representation provides the first book-length study of World War I as it is featured in French cinema, from the silent era to contemporary films. Presented in three thematic sections—Recording and Remembering the Great War, Women at the Front, and Interrogating Commemoration—the essays in this volume explore the ways in which French film contributes to the restoration and modification of memories of the war. Films such as La Grande Illusion,King of Hearts, A Very Long Engagement, and Joyeux Noel are among those discussed in the volume’s examination of the various ways in which film mediates personal and collective memories of this critical historical event. This volume will be an invaluable resource, not only to those interested in French Cinema or the cinema of the Great War, but also to those interested in the impacts of war, more generally, on the cultural output of nations torn by the violence, death, and destruction of military conflict.