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Author: Ginette Vincendeau
Publisher: Bloomsbury Publishing
Published: 2019-07-25
Total Pages: 285
ISBN-13: 1838716548
DOWNLOAD EBOOK →Ginette Vincendeau discusses the artistic value of his films in their proper context and comments on Jean-Pierre Melville's love of American culture and his controversial critical and political standing in this English language study.
Author: Andrew Dickos
Publisher: Contra Mundum Press
Published: 2021-06-23
Total Pages: 244
ISBN-13: 9781940625478
DOWNLOAD EBOOK →Honor Among Thieves profiles Melville's eventful life & discusses his cinema as an essential body of work in our reckoning of postwar European cinema.
Author: Jean-Pierre Melville
Publisher: London : Secker and Warburg [for] the British Film Institute
Published: 1971
Total Pages: 184
ISBN-13:
DOWNLOAD EBOOK →Author: Dudley Andrew
Publisher: Harvard University Press
Published: 2005
Total Pages: 472
ISBN-13: 9780674027169
DOWNLOAD EBOOK →The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade.
Author: Homer B. Pettey
Publisher: Edinburgh University Press
Published: 2014-11-11
Total Pages: 272
ISBN-13: 0748691111
DOWNLOAD EBOOK →Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book explores the influence of noir on international cinematic traditions and challenges prevailing film scholarship. It includes extensive bibliography and filmographies for recommended reading and viewing.
Author: Phil Powrie
Publisher: Wallflower Press
Published: 2006
Total Pages: 314
ISBN-13: 9781904764465
DOWNLOAD EBOOK →An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995).
Author: Jean-Pierre Melville
Publisher: Viking
Published: 1972
Total Pages: 184
ISBN-13:
DOWNLOAD EBOOK →Author: Samm Deighan
Publisher: McFarland
Published: 2021-05-28
Total Pages: 238
ISBN-13: 1476683522
DOWNLOAD EBOOK →World War II irrevocably shaped culture--and much of cinema--in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European war films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself. Many of these films were banned, censored, or sharply criticized at the time of their release for the radical ways they reframed the war and rejected the mythologizing of war experience as a heroic battle between the forces of good and evil. The particular films examined, made by arthouse directors like Pier Paolo Pasolini, Rainer Werner Fassbinder, and Larisa Shepitko, among many more, deviate from mainstream cinematic depictions of the war and instead present viewpoints and experiences of WWII which are often controversial or transgressive. They explore the often-complicated ways that participation in war and genocide shapes national identity and the ways that we think about bodies and sexuality, trauma, violence, power, justice, and personal responsibility--themes that continue to resonate throughout culture and global politics.
Author: Stephen Teo
Publisher: Bloomsbury Publishing
Published: 2019-07-11
Total Pages: 304
ISBN-13: 135011331X
DOWNLOAD EBOOK →Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an “Eastern Approach” into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined.
Author: Geneviève Sellier
Publisher: Duke University Press
Published: 2008-03-25
Total Pages: 280
ISBN-13: 0822388979
DOWNLOAD EBOOK →Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.
