Jean-Baptiste Lully and the Flûte

Jean-Baptiste Lully and the Flûte PDF

Author: David Lasocki

Publisher: French Baroque Flûte

Published: 2019-02-02

Total Pages: 276

ISBN-13: 9781795341523

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Jean-Baptiste Lully (1632-1687) looms large in any study of woodwind repertoire in the seventeenth century. Nevertheless, his music for flûtes is still little known today, despite comprehensive studies over the last fifty years. One of the purposes of David Lasocki's book is to bring the music to wider attention, so it includes a large number of full-length musical examples. The book begins by taking a detailed look at the woodwind musicians who played Lully's music and also considers the music of his predecessors. Drawing on this evidence, the book then discusses his flûtes to determine as far as possible whether they were recorders (and of what sizes) and/or traversos. The book also ties in Lasocki's new theory about the voice flute (alto recorder in d1), the origins of which have been mysterious until now. The flûte music of Lully's student Pascal Collasse is also considered, for good measure. A must-read for all lovers of the recorder and traverso as well as anyone interested in Baroque woodwind instruments and their music.

Jean-Baptiste Lully and the Music of the French Baroque

Jean-Baptiste Lully and the Music of the French Baroque PDF

Author: James R. Anthony

Publisher: Cambridge University Press

Published: 1989-02-09

Total Pages: 360

ISBN-13: 9780521352635

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This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.

The Recorder

The Recorder PDF

Author: David Lasocki

Publisher: Yale University Press

Published: 2022-01-01

Total Pages: 387

ISBN-13: 0300118708

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The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.

The Recorder

The Recorder PDF

Author: Richard W. Griscom

Publisher: Routledge

Published: 2003-12-16

Total Pages: 1001

ISBN-13: 1135949913

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A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.

Watteau, Music, and Theater

Watteau, Music, and Theater PDF

Author: Antoine Watteau

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 162

ISBN-13: 1588393356

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"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.

The Flute

The Flute PDF

Author: Frank Cappelli

Publisher: Eldorado Ink

Published: 2009

Total Pages: 115

ISBN-13: 1932904522

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In this day and age, children and young adults need every advantage they can get from their education. At Eldorado Ink, we strive to establish our company as an exciting resource for nonfiction reference materials for sixth grade and beyond.

From Renaissance to Baroque

From Renaissance to Baroque PDF

Author: Jonathan Wainwright

Publisher: Routledge

Published: 2017-07-05

Total Pages: 342

ISBN-13: 1351566261

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Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.

Nine Seventeenth-Century Organ Transcriptions from the Operas of Lully

Nine Seventeenth-Century Organ Transcriptions from the Operas of Lully PDF

Author: Almonte C. HowellJr.

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 38

ISBN-13: 081318682X

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Jean-Baptiste Lully is perhaps best known in the history of music as the founder of French opera. Although Italian-born himself, he created a form of opera so suited to French tastes and needs that it alone, among the attempts of various other nations at operatic forms of their own, was able to resist domination by Italian opera and to maintain its individual identity during the seventeenth and eighteenth centuries. The impress he made upon French music was enormous, and it affected every musical medium of his day. Evidence of his influence in a field as remote from his own as the literature for the organ is seen in the nine pieces that make up this present collection. Despite their operatic origins, the Lully transcriptions should be useful to the present-day church organist, as the pieces have no secular associations for present-day listeners. The overtures make excellent preludes for festive services, and the marches are suitable both for processionals and postludes. For recital use, several of the pieces could be very successfully grouped together into a suite.