The Passions of Jean-Baptiste Carpeaux

The Passions of Jean-Baptiste Carpeaux PDF

Author: Draper, James David

Publisher: Metropolitan Museum of Art

Published: 2014

Total Pages: 380

ISBN-13: 1588395200

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"Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.

Jean-Baptiste Carpeaux

Jean-Baptiste Carpeaux PDF

Author: Anne Middleton Wagner

Publisher: Yale University Press

Published: 1986-01-01

Total Pages: 370

ISBN-13: 9780300047516

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Drawing on a wide range of primary sources, Anne M. Wagner offers a new view of artist education and patronage, and a new definition of what 'academic' meant within the assumptions and expectations in the modern art in nineteenth-century France. Above all she shows what comprised success in the nineteenth-century world of art..

Fictions of Emancipation: Carpeaux's Why Born Enslaved! Reconsidered

Fictions of Emancipation: Carpeaux's Why Born Enslaved! Reconsidered PDF

Author: Elyse Nelson

Publisher: Metropolitan Museum of Art

Published: 2022-03-07

Total Pages: 175

ISBN-13: 1588397440

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A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.

European Sculpture, 1400-1900, in the Metropolitan Museum of Art

European Sculpture, 1400-1900, in the Metropolitan Museum of Art PDF

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2011

Total Pages: 306

ISBN-13: 1588394271

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This beautiful book features masterpieces of sculpture in the collection of the Metropolitan Museum dating from the Renaissance through the nineteenth century. Celebrated works by the great European sculptors - including Luca and Andrea della Robbia, Juan Mart©Ưnez Monta©ł©♭s, Gianlorenzo Bernini, Jean-Antoine Houdon, Bertel Thorvaldsen, Antoine-Louis Barye, Jean-Baptiste Carpeaux, Edgar Degas, and Auguste Rodin- are joined by striking new additions to the collection, notably Franz Xaver Messerschmidt's remarkable bust of a troubled and introspective man. The ninety-two selected examples are diverse in media (marble, bronze, wood, terracotta, and ivory) and size - ranging from a tiny oil lamp fantastically conceived and decorated by the Renaissance bronze sculptor Riccio to Antonio Canova's eight-foot-high Perseus with the Head of Medusa, executed in the heroic Neoclassical style. Incorporating information from the latest scholarly research and recent conservation studies, sculpture specialist Ian Wardropper discusses the history and significance of the highlighted works, each of which is reproduced with glorious new photography.

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