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American Wasteland
Author: BradyGames (Firm)
Publisher: BradyGames
Published: 2005-10-12
Total Pages: 132
ISBN-13: 9780744006285
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Extraordinary People in Jazz
Author: Marvin Martin
Publisher: Children's Press(CT)
Published: 2004
Total Pages: 294
ISBN-13: 9780516222752
DOWNLOAD EBOOK →Profiles approximately eighty notable people in the field of jazz music.
Uncommon People
Author: Eric Hobsbawm
Publisher: Weidenfeld & Nicolson
Published: 2011-05-12
Total Pages: 352
ISBN-13: 1780220537
DOWNLOAD EBOOK →A fascinating collection of essays concerning working men and women. These 26 essays range over the history of working men and women between the late 18th century and the present day. They include Hobsbawm's pioneering studies in labour history and social protest - the formation of the British working class, labour custom and traditions, the political radicalism of 19th century shoemakers, male and female images in revolutionary movements, the machine-breakers, revolution and sex, peasants and politics, the rules of violence, the common-sense of Tom Paine. There are more recent reflections: on the May Day holiday; the Vietnam War; socialism and the avantgarde; Mario Puzo, the Mafia and the Sicilian bandit Salvatore Guiliano; and the cultural consequences of Christopher Columbus. There are tributes to some of jazz's legendary figures - Count Basie, Sidney Bechet and Dike Ellington - anf the tragic blues-singer Billie Holiday.
Avant-garde Jazz Musicians
Author: David Glen Such
Publisher: University of Iowa Press
Published: 1993
Total Pages: 228
ISBN-13: 9781587292316
DOWNLOAD EBOOK →People Get Ready
Author: Ajay Heble
Publisher: Duke University Press
Published: 2013-05-17
Total Pages: 325
ISBN-13: 082235425X
DOWNLOAD EBOOK →In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present. Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes
Jazz Age
Author: Mitchell Newton-Matza
Publisher: Bloomsbury Publishing USA
Published: 2009-07-14
Total Pages: 297
ISBN-13: 1598840347
DOWNLOAD EBOOK →A collection of essays encompassing a wide variety of topics, people, and events that embodied the Jazz Age, both familiar and obscure. This volume in ABC-CLIO's social history series, People and Perspectives, looks at one of the most vibrant eras in U.S. history, a decade when American life was utterly transformed, often veering from freewheeling to fearful, from liberated to repressed. What did it mean to live through the Jazz Age? To answer this and other important questions, the volume broadens the spotlight from famous figures to cover everyday citizens whose lives were impacted by the times, including women and children, African Americans, rural Americans, immigrants, artists, and more. Chapters explore a wide range of topics beyond the music that came to symbolize the era, such as marriage, religion, consumerism, art and literature, fashion, the workplace, and more—the full cultural landscape of an extraordinary, if short-lived, moment in the life of a nation.
Lift Every Voice and Swing
Author: Vaughn A. Booker
Publisher: NYU Press
Published: 2020-07-21
Total Pages: 340
ISBN-13: 1479890804
DOWNLOAD EBOOK →Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.
Lost Chords
Author: Richard M. Sudhalter
Publisher: Oxford University Press on Demand
Published: 2001
Total Pages: 928
ISBN-13: 019514838X
DOWNLOAD EBOOK →Too many jazz fans and critics--and even some jazz musicians--still contend that white players have contributed little of substance to the music; that even, with every white musician removed from the canon, the history and nature of jazz would remain unchanged. Now, with Lost Chords, musician-historian Richard M. Sudhalter challenges this narrow view, with a book that pays definitive tribute to a generation of white jazz players, many unjustly forgotten--while never scanting the role of the great black pioneers. Greeted enthusiastically by the jazz community upon its original publication, this monumental volume offers an exhaustively documented, vividly narrated history of white jazz contribution in the vital years 1915 to 1945. Beginning in New Orleans, Sudhalter takes the reader on a fascinating multicultural odyssey through the hot jazz gestation centers of Chicago and New York, Indiana and Texas, examining such bands such as the New Orleans Rhythm Kings, the Original Memphis Five, and the Casa Loma Orchestra. Readers will find luminous accounts of many key soloists, including Bix Beiderbecke, Benny Goodman, Jack Teagarden, Red Norvo, Bud Freeman, the Dorsey Brothers, Bunny Berigan, Pee Wee Russell, and Artie Shaw, among others. Sudhalter reinforces the reputations of these and many other major jazzmen, pleading their cases persuasively and eloquently, without ever descending to polemic. Along the way, he gives due credit to Louis Armstrong, Lester Young, Duke Ellington, Coleman Hawkins, and countless other major black figures. Already hailed as a basic reference book on the subject--and now incorporating information that has come to light since its first publication--Lost Chords is a ground-breaking book that should significantly alter perceptions about jazz and its players, reminding readers of this great music's multicultural origins.
What Is This Thing Called Jazz?
Author: Eric Porter
Publisher: Univ of California Press
Published: 2002-01-31
Total Pages: 442
ISBN-13: 9780520928404
DOWNLOAD EBOOK →Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.
