Japanese & Oriental Ceramic

Japanese & Oriental Ceramic PDF

Author: Hazel H. Gorham

Publisher: Tuttle Publishing

Published: 2012-10-02

Total Pages: 337

ISBN-13: 1462903851

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Japanese and Oriental Ceramics was first published in print form by Tuttle Publishing in 1971. This comprehensive and profusely illustrated work tells how to distinguish Japanese porcelains from Chinese, and how to recognize modern reproductions of genuine old wares. It is completely indexed, contains a lengthy bibliography, and lists Chinese dates important in any discussion of Oriental ceramics. Crammed with information on the history, esthetics, and technical aspects of the ceramics of Japan and the Orient, the book is an invaluable guide to scholars, collectors and dealers. It is in fact a work of art in itself.

Vietnamese and Chinese Ceramics Used in the Japanese Tea Ceremony

Vietnamese and Chinese Ceramics Used in the Japanese Tea Ceremony PDF

Author: Hiromu Honda

Publisher: Oxford University Press, USA

Published: 1993

Total Pages: 248

ISBN-13:

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This book illustrates and describes a collection of ceramics used in the tea ceremony. This collection was assembled over a decade by Hiromu Honda and Noriki Shimazu. The book is arranged in three parts: the first part on ceramics made in Vietnam from pre-Christian days until the sixteenth century; the second and third on Chinese porcelain and stoneware of the sixteenth and seventeenth centuries.

Ceramics and Modernity in Japan

Ceramics and Modernity in Japan PDF

Author: Meghen Jones

Publisher: Routledge

Published: 2019-10-16

Total Pages: 278

ISBN-13: 0429631995

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Ceramics and Modernity in Japan offers a set of critical perspectives on the creation, patronage, circulation, and preservation of ceramics during Japan’s most dramatic period of modernization, the 1860s to 1960s. As in other parts of the world, ceramics in modern Japan developed along the three ontological trajectories of art, craft, and design. Yet, it is widely believed that no other modern nation was engaged with ceramics as much as Japan—a "potter’s paradise"—in terms of creation, exhibition, and discourse. This book explores how Japanese ceramics came to achieve such a status and why they were such significant forms of cultural production. Its medium-specific focus encourages examination of issues regarding materials and practices unique to ceramics, including their distinct role throughout Japanese cultural history. Going beyond descriptive historical treatments of ceramics as the products of individuals or particular styles, the closely intertwined chapters also probe the relationship between ceramics and modernity, including the ways in which ceramics in Japan were related to their counterparts in Asia and Europe. Featuring contributions by leading international specialists, this book will be useful to students and scholars of art history, design, and Japanese studies.

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