East Asian Lacquer

East Asian Lacquer PDF

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 1991

Total Pages: 402

ISBN-13: 0870996223

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The Irving Collection represents a wide range of styles and techniques from the 13th through the twentieth centuries.

Critical Perspectives on Classicism in Japanese Painting

Critical Perspectives on Classicism in Japanese Painting PDF

Author: Elizabeth Lillehoj

Publisher: University of Hawaii Press

Published: 2004-01-01

Total Pages: 320

ISBN-13: 9780824826994

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In the West, classical art - inextricably linked to concerns of a ruling or dominant class - commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a classical revival, era of classicism, or a renaissance. How did seventeenth-century artists and patrons imagine the past? Why did they so often select styles and themes from the court culture of the Heian period (794-1185)? Were references to the past something new, or were artists and patrons in previous periods equally interested in manners that came to be seen as classical? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan - just as in the West. Troublesome in its ambiguity and implications, it cannot be separated from the political and ideological interests of those who have employed it over the years. The modern writers who firs

Breaking Out of Tradition

Breaking Out of Tradition PDF

Author: Jan Dees

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9783777435060

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Breaking out of Tradition' traces the pioneering developments in lacquer art at the beginning of the 20th century in Japan. The lacquer artists of that time adopted a critical and creative approach to the centuries-old traditions, experimenting with innovative techniques and new materials, thereby also providing new stimuli for Western art.00The publication examines the revolution in Japanese lacquer art from the end of the 19th until the middle of the 20th century. In an era marked by political and cultural change the founding of art societies and academies led to the strengthening of artists as individuals. Traditional values stood in opposition to modern tendencies, in many cases coming from the West. In the search for a modern identity, lacquer art experienced a golden age characterised by creativity, innovation and a wealth of ideas.00Exhibition: Museum of Lacquer Art, Münster, Germany (02.04. - 14.06.2020) / Rijksmuseum, Amsterdam, The Netherlands (03.07. - 30.08.2020).

Craft Culture in Early Modern Japan

Craft Culture in Early Modern Japan PDF

Author: Christine Guth

Publisher: Univ of California Press

Published: 2021-09-21

Total Pages: 264

ISBN-13: 0520379810

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"Crafts were central to daily life in early modern Japan. They were powerful carriers of knowledge, sociality, and identity, and how and from what materials they were made were matters of serious concern among all classes of society. In Craft Culture in Early Modern Japan, Christine M. E. Guth examines the network of forces--both material and immaterial--that supported Japan's rich, diverse, and aesthetically sophisticated artifactual culture between the late sixteenth and mid-nineteenth centuries. Exploring the institutions, modes of thought, and reciprocal relationships among people, materials, and tools, she draws particular attention to the role of women in crafts, embodied knowledge, and the special place of lacquer as a medium. By examining the ways and values of making that transcend specific media and practices, Guth illuminates the 'craft culture' of early modern Japan"--

Pieter Bruegel the Elder

Pieter Bruegel the Elder PDF

Author: Pieter Bruegel

Publisher: Metropolitan Museum of Art

Published: 2001

Total Pages: 337

ISBN-13: 0870999915

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Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an