eBook PDF Download Digital Library
Author: Alexander Leggatt
Publisher: Routledge
Published: 2003-09-02
Total Pages: 240
ISBN-13: 1134983468
DOWNLOAD EBOOK →Jacobean Public Theatre recovers for the modern reader the acting, production and performance values of the public theatre of Jacobean London. It relates this drama to the popular culutre of the day and concludes with a close study of four important plays, including King Lear, which emerge in an unexpected light as the products of popular tradition.
Author: Keith Sturgess
Publisher: Routledge
Published: 2017-03-27
Total Pages: 219
ISBN-13: 1315301970
DOWNLOAD EBOOK →In this scholarly and entertaining book, first published in 1987, the author tells the story of Jacobean private theatre. Most of the best plays written after 1610, including Shakespeare’s late plays such as The Tempest, were written for the new breed of private playhouses – small, roofed and designed for an aristocratic, literary audience, as opposed to the larger, open-air houses such as the Globe and the Red Bull, catering for a popular, ‘lowbrow’ audience. The author discusses the polarisation of taste and the effect it had on literary criticism and theatre history. This title will be of interest to students of English Literature, Drama and Performance.
Author: Gwynne Blakemore Evans
Publisher: New Amsterdam Books
Published: 1990
Total Pages: 438
ISBN-13:
DOWNLOAD EBOOK →Treats, through excerpts from contemporary opinion and official documents, various aspects of the little world of theatre in the full context of Elizabethan-Jacobean life and times.
Author: David Farley-Hills
Publisher: Springer
Published: 2016-01-06
Total Pages: 216
ISBN-13: 1349191973
DOWNLOAD EBOOK →Jonson, Marston, Chapman, Middleton, Heywood, Webster and Fletcher are playwrights of the Jacobean stage whose outstanding literary achievements have to some extent been obscured or misunderstood in Shakespeare's shadow. This timely reassessment, based on the accumulated scholarship of the decades since Una Ellis-Fermor's Jacobean Drama in 1936, comes when the opening of the Swan Theatre at Stratford-upon-Avon gives the public, at last, the chance to see on the professional stage some of the neglected masterpieces of the richest period of our theatre.
Author: David Scott Kastan
Publisher: Routledge
Published: 2013-10-31
Total Pages: 305
ISBN-13: 1317949803
DOWNLOAD EBOOK →First published in 1992. In the English Renaissance theater, the text is structured by the multiple and complex collaborations that the theater demanded between patrons and players, playwrights and printers, playhouses and playgoers. The essays in this volume attempt to register these collaborations, emphasizing the ways in which the theater is at once responsive to and constitutive of the social formations of Renaissance England. At the same time, these essays recognize that their historical grounding is not unproblematic.
Author: Gerald Eades Bentley
Publisher:
Published: 1941
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOK →A standard and essential reference work on English Renaissance theatre.
Author: Lucy Munro
Publisher: Cambridge University Press
Published: 2005-11-03
Total Pages: 300
ISBN-13: 9781139446051
DOWNLOAD EBOOK →This book provides a detailed study of the Children of the Queen's Revels, the most enduring and influential of the Jacobean children's companies. Between 1603 and 1613 the Queen's Revels staged plays by Francis Beaumont, George Chapman, John Fletcher, Ben Jonson, John Marston and Thomas Middleton, all of whom were at their most innovative when writing for this company. Combining theatre history and critical analysis, this study provides a history of the Children of the Queen's Revels, and an account of their repertory. It examines the 'biography' of the company - demonstrating the involvement in dramatic production of dramatists, shareholders, patrons, audiences and actors alike, and reappraising issues such as management, performance style and audience composition - before exploring their groundbreaking practices in comedy, tragicomedy and tragedy. The book also includes five documentary appendices detailing the plays, people and performances of the Queen's Revels Company.
Author: Andrew Gurr
Publisher: Cambridge University Press
Published: 2014-03-06
Total Pages: 307
ISBN-13: 1107040639
DOWNLOAD EBOOK →This book examines the conditions of the original performances in seventeenth-century indoor theatres.
Author: Blakemore G. Evans
Publisher: New Amsterdam Books
Published: 1998-04-21
Total Pages: 434
ISBN-13: 1461710790
DOWNLOAD EBOOK →The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.
Author: Mark Bayer
Publisher: University of Iowa Press
Published: 2011-10-15
Total Pages: 277
ISBN-13: 1609380398
DOWNLOAD EBOOK →Taking to heart Thomas Heywood’s claim that plays “persuade men to humanity and good life, instruct them in civility and good manners, showing them the fruits of honesty, and the end of villainy,” Mark Bayer’s captivating new study argues that the early modern London theatre was an important community institution whose influence extended far beyond its economic, religious, educational, and entertainment contributions. Bayer concentrates not on the theatres where Shakespeare’s plays were performed but on two important amphitheatres, the Fortune and the Red Bull, that offer a more nuanced picture of the Jacobean playgoing industry. By looking at these playhouses, the plays they staged, their audiences, and the communities they served, he explores the local dimensions of playgoing. Focusing primarily on plays and theatres from 1599 to 1625, Bayer suggests that playhouses became intimately engaged with those living and working in their surrounding neighborhoods. They contributed to local commerce and charitable endeavors, offered a convivial gathering place where current social and political issues were sifted, and helped to define and articulate the shared values of their audiences. Bayer uses the concept of social capital, inherent in the connections formed among individuals in various communities, to construct a sociology of the theatre from below—from the particular communities it served—rather than from the broader perspectives imposed from above by church and state. By transacting social capital, whether progressive or hostile, the large public amphitheatres created new and unique groups that, over the course of millions of visits to the playhouses in the Jacobean era, contributed to a broad range of social practices integral to the daily lives of playgoers. In lively and convincing prose that illuminates the significant reciprocal relationships between different playhouses and their playgoers, Bayer shows that theatres could inform and benefit London society and the communities geographically closest to them.
