Italian Renaissance Sculpture, Paintings and Pastels

Italian Renaissance Sculpture, Paintings and Pastels PDF

Author: Boston Museum Of Fine Arts

Publisher: Palala Press

Published: 2016-05-17

Total Pages: 112

ISBN-13: 9781356997237

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Patronage and Italian Renaissance Sculpture

Patronage and Italian Renaissance Sculpture PDF

Author: DavidJ. Drogin

Publisher: Routledge

Published: 2017-07-05

Total Pages: 286

ISBN-13: 1351554891

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The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.

Quincy Adams Shaw Collection

Quincy Adams Shaw Collection PDF

Author: Museum of Fine Arts, Boston

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781021389572

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This catalog describes an art exhibition at the Museum of Fine Arts in Boston featuring Italian Renaissance sculptures and paintings, as well as pastels by Jean François Millet. The exhibit, part of the Quincy Adams Shaw Collection, opened on April 18, 1918. This book is an excellent resource for art historians and enthusiasts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Italian Renaissance Sculpture

Italian Renaissance Sculpture PDF

Author: Roberta J. M. Olson

Publisher: Thames & Hudson

Published: 1992

Total Pages: 216

ISBN-13: 9780500202531

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From the WORLD OF ART series, a survey of the artistic achievements of the Renaissance sculptors from Nicola Pisano through Brunelleschi and Donatello to Michelangelo and Cellini.

Italian Renaissance Art

Italian Renaissance Art PDF

Author: Laurie Schneider Adams

Publisher: Routledge

Published: 2018-05-04

Total Pages: 420

ISBN-13: 0429963661

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"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."

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