Italian for Opera Lovers

Italian for Opera Lovers PDF

Author: Hassan W. Ebron

Publisher:

Published: 1994

Total Pages: 39

ISBN-13: 9780942208177

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In the sixteenth century, a group of Renaissance Italians sat down together to revive the lost art of Greek and Roman drama, as part of the great rebirth of learning that had already revolutionized the arts of painting, poetry, architecture. To name this "new" art, they used the word for any general work of art, opus, the plural in Latin being "opera." Opera today is experiencing another revival. Works by American composers such as Philip Glass and John Adams now stand alongside the great Italian, Russian, German, French operas. The repertoire is not closed, and the industry-singers, orchestras, stage designers, opera houses, publishers, and opera-goers-flourishes around the world. This little book is offered as a compendium of Italian terms describing the techniques and refinements that propelled this art into an enduring position among the arts. Italian terms are explained in English. Also, Italian poetry in English: Dante and His Circle (www.createspace.com/4024060) Vita Nuova (Dante on Beatrice) Ovid, The Changes (web only: www.bandannabooks.com/ovid). And Shakespeare plays with Italian settings: Two Gentlemen of Verona (www.createspace.com/3724080) The Merchant of Venice (www.createspace.com/3727221) The Taming of the Shrew (www.createspace.com/3718477) Romeo and Juliet (www.createspace.com/3892597)

Italian for Opera Lovers

Italian for Opera Lovers PDF

Author: Alison R. Oatman

Publisher: Createspace Independent Publishing Platform

Published: 2017-11-14

Total Pages: 142

ISBN-13: 9781977516763

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Have you been holding back? Have you always wanted to dip a toe into the seductive world of corpulent divas, voluptuous vowels, spaghetti-like plot twists, and encores that make the crowd shudder with cry after cry of bravissimo? Are you curious to find out just why Mozart would have made a wonderful dinner guest? Have you always wanted to know at what time of day it is inappropriate to order a cappuccino in Italy, or whom you should never greet with a friendly "Ciao!"? Despite its title, Italian for Opera Lovers is geared towards people who may have no experience studying Italian, nor even more than a cursory familiarity with opera. The book is meant as an introduction to the Italian language. As we cover the basics, we will be focusing on close readings from nine Italian operas. It is my hope that this book whets your appetite for more adventures with both Italian and opera--two one-way tickets to a life of passion.

Understanding Italian Opera

Understanding Italian Opera PDF

Author: Tim Carter

Publisher: Oxford University Press

Published: 2015-09-16

Total Pages: 272

ISBN-13: 0190247967

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Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries. Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each work discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for this glorious art.

Singers of Italian Opera

Singers of Italian Opera PDF

Author: John Rosselli

Publisher: Cambridge University Press

Published: 1995-03-02

Total Pages: 296

ISBN-13: 9780521426978

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Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.

Famous Italian Opera Arias

Famous Italian Opera Arias PDF

Author: Ellen H. Bleiler

Publisher: Courier Corporation

Published: 2012-12-11

Total Pages: 127

ISBN-13: 0486157407

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Original Italian texts with English translations of 145 arias from 50 operas, including Rigoletto, The Marriage of Figaro, Lucia di Lammermoor, Madama Butterfly, La Bohème, and more. Introduction.

Italian Opera

Italian Opera PDF

Author: David R. B. Kimbell

Publisher: Cambridge University Press

Published: 1991

Total Pages: 708

ISBN-13: 9780521466431

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David Kimbell traces the history of Italian opera from the Renaissance to the early twentieth century.

Nineteenth-century Italian Opera from Rossini to Puccini

Nineteenth-century Italian Opera from Rossini to Puccini PDF

Author: Danièle Pistone

Publisher: Hal Leonard Publishing Corporation

Published: 1995

Total Pages: 288

ISBN-13:

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Intended for the performer and general music lover as well as for students and musicologists, this three-part retrospective of Italian opera of the romantic era focuses on the settings, characters, and styles of the librettos; the voices, orchestration, and formal structure of the music; and the contemporary exigencies of the performance itself, moving from behind-the-scenes administration and artistry to the front-and-center interpreters and the audiences they played to. More than 120 musical examples support the text, the majority of them in an alphabetical appendix of "Famous Melodies", which includes the themes of popular arias along with captions detailing the operas, the composers, the acts in which the melodies occur, and the characters who sing them. The book also includes appendices of main characters, celebrated singers and conductors, and principal librettists; a glossary; and a note on Italian pronunciation. Numerous illustrations and tables, an exhaustive topical bibliography, and a select, current CD discography round out this informative introduction to opera's golden age.

A Book of Operas: Their Histories, Their Plots, and Their Music

A Book of Operas: Their Histories, Their Plots, and Their Music PDF

Author: Henry Edward Krehbiel

Publisher: Good Press

Published: 2019-11-27

Total Pages: 221

ISBN-13:

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This book explores the history, plots, and music of various operas. The book delves into the background of each opera, its composer, and its place in the history of music. It is a great resource for those interested in learning more about the development of opera as an art form.

Divas and Scholars

Divas and Scholars PDF

Author: Philip Gossett

Publisher: University of Chicago Press

Published: 2008-09-15

Total Pages: 699

ISBN-13: 0226304884

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Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.