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Isaac Levitan: 135 Landscape Drawings and Paintings

Author: Raia Iotova

Publisher:

Published: 2018-03-20

Total Pages: 90

ISBN-13: 9781986684071

Isaac llyich Levitan (1860 -1900) was a classical Russian landscape painter who advanced the genre of the "mood landscape". Isaac Levitan's hugely influential art heritage consists of more than a thousand paintings, among them watercolors, pastels, graphics, and illustrations.Levitan's work was a profound response to the lyrical charm of the Russian landscape.Characteristic of his work is a hushed and nearly melancholic reverie amidst pastoral landscapes largely devoid of human presence. Fine examples of these qualities include The Vladimirka Road, 1892 Evening Bells, 1892, and Eternal Rest, 1894. Though his late work displayed familiarity with Impressionism, his palette was generally muted, and his tendencies were more naturalistic and poetic than optical or scientific.

Isaac Levitan: Selected Paintings

Author: Katerina Ivanova

Publisher:

Published: 2017-04-15

Total Pages: 80

ISBN-13: 9781545396001

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Isaac llyich Levitan (1860 -1900) was a classical Russian landscape painter who advanced the genre of the "mood landscape". Isaac Levitan's hugely influential art heritage consists of more than a thousand paintings, among them watercolors, pastels, graphics, and illustrations.Levitan's work was a profound response to the lyrical charm of the Russian landscape. Levitan did not paint urban landscapes; with the exception of the View of Simonov Monastery and the city of Moscow appears only in the painting Illumination of the Kremlin. During the late 1870s he often worked in the vicinity of Moscow, and created the special variant of the "landscape of mood", in which the shape and condition of nature are spiritualized, and become carriers of conditions of the human soul. During work in Ostankino, he painted fragments of the mansion's house and park, but he was most fond of poetic places in the forest or modest countryside.

Isaak Levitan

Author: Averil King

Publisher: Philip Wilson Publishers

Published: 2004-01-02

Total Pages: 134

ISBN-13:

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This is the first western study of the renowned Russian nineteenth-century landscape painter, Isaak Levitan (1860-1900). Published to coincide with the recent opening of the 'Russian Landscape Painting' exhibition in Groningen, Netherlands. Born into a poor Jewish family in Lithuania, Levitan was able to enrol at the Moscow School of Painting when aged only thirteen and made rapid progress, the great merchant collector, Pavel Tretyakov buying one of his early paintings. In 1876 he sketched in the Crimea and during the summers of 1887 and 1890 he painted in the Volga region. These years saw the development of his long friendship with the future playwright Anton Chekhov and the creation of his first 'mood landscapes'. Levitan travelled extensively, if briefly, in Europe, visiting Berlin, Paris, north Italy, Switzerland, Munich and Vienna and was thus, unlike most of his Russian comtemporaries, well aware of the artistic trends in the west. His experience of European painting added considerably to the breadth of his vision in depicting the Russian terrain. In doing this Levitan sought simple but well-loved motifs of the countryside, portraying them in an increasingly laconic and intelligent way. Levitan's scenes of fields and forests at twilight achieve an extraordinary atmospheric veracity, while his joyful evocations of the Russian spring are noted for their expressive lyricism. His work was greatly admired by Diaghilev, the legendary theatre manager Stanislavsky, and the world-famous opera singer Chaliapin. Towards the end of his short life Levitan exhibited regularly with the Itinerants (the Russian association for travelling exhibitions) and with the Munich Secession and was responsible for revitalising the teaching of landscape painting in Moscow.

Isaak Levitan

Author: Averil King

Publisher: Philip Wilson Publishers

Published: 2006-06-30

Total Pages: 130

ISBN-13:

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Born into a poor Jewish family in Lithuania, Levitan was able to enroll at the Moscow School of Painting when aged only thirteen and made rapid progress, the great merchant collector Pavel Tretyakov buying one of his early paintings. In 1876 he sketched in the Crimea and during the summers of 1887 and 1890 he painted in the Volga region. These years saw the development of his long friendship with the future playwright Anton Chekhov and the creation of his first 'mood landscapes'. Levitan travelled extensively, if briefly, in Europe, visiting Berlin, Paris, north Italy, Switzerland, Munich and Vienna and was thus, unlike most of his Russian contemporaries, well aware of the artistic trends in the west. His experience of European painting added considerably to the breadth of his vision in depicting the Russian terrain. In doing this Levitan sought simple but well-loved motifs of the countryside, portraying them in an increasingly laconic and intelligent way. Levitan's scenes of fields and forests at twilight achieve an extraordinary atmospheric veracity, while his joyful evocations of the Russian spring are noted for their expressive lyricism. His work was greatly admired by Diaghilev, the legendary theatre manager Stanislavsky, and the world-famous opera singer Chaliapin. Towards the end of his short life Levitan exhibited regularly with the Itinerants (the Russian association for travelling exhibitions) and with the Munich Secession and was responsible for revitalising the teaching of landscape painting in Moscow.

Reginald Marsh's New York

Author: Marilyn Cohen

Publisher: Courier Corporation

Published: 1983-01-01

Total Pages: 138

ISBN-13: 9780486245942

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Marsh New York illustrations (including 4 in full color on covers): Coney Island, 14th St., subways, crowds, more.

Antosha & Levitasha

Author: Serge Vladimir Gregory

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780875807317

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Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements. Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies.

Russian Painting

Author: Peter Leek

Publisher: Parkstone International

Published: 2012-05-08

Total Pages: 272

ISBN-13: 1780429754

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From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.