Ireland and the Fiction of Improvement

Ireland and the Fiction of Improvement PDF

Author: Helen O'Connell

Publisher: OUP Oxford

Published: 2006-09-21

Total Pages: 240

ISBN-13: 0191515973

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This is the first study of Irish improvement fiction, a neglected genre of nineteenth-century literary, social, and political history.Ireland and the Fiction of Improvement shows how the fiction of Mary Leadbeater, Charles Bardin, Martin Doyle, and William Carleton attempted to lure Irish peasants and landowners away from popular genres such as fantasy, romance, and 'radical' political tracts as well as 'high' literary and philosophical forms of enquiry. These writers attempted to cultivate a taste for the didactic tract, an assertively realist mode of representation. Accordingly, improvement fiction laboured to demonstrate the value of hard work, frugality, and sobriety in a rigorously realistic idiom, representing the contentment that inheres in a plain social order free of excess and embellishment. Improvement discourse defined itself in opposition to the perceived extremism of revolutionary politics and literary writing, seeking (but failing) to exemplify how both political discontent and unhappiness could be offset by a strict practicality and prosaic realism. This book demonstrates how improvement reveals itself to be a literary discourse, enmeshed in the very rhetorical abyss it sought to escape. In addition, the proudly liberal rhetoric of improvement is shown to be at one with the imperial discourse it worked to displace. Helen O'Connell argues that improvement discourse is embedded in the literary and cultural mainstream of modern Ireland and has hindered the development of intellectual and political debate throughout this period. These issues are examined in chapters exploring the career of William Carleton; peasant 'orality'; educational provision in the post-Union period; the Irish language; secret society violence; Young Ireland nationalism; and the Irish Revival.

Irish Novels 1890-1940

Irish Novels 1890-1940 PDF

Author: John Wilson Foster

Publisher: OUP Oxford

Published: 2008-02-21

Total Pages: 528

ISBN-13: 0191528390

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Studies of Irish fiction are still scanty in contrast to studies of Irish poetry and drama. Attempting to fill a large critical vacancy, Irish Novels 1890-1940 is a comprehensive survey of popular and minor fiction (mainly novels) published between 1890 and 1922, a crucial period in Irish cultural and political history. Since the bulk of these sixty-odd writers have never been written about, certainly beyond brief mentions, the book opens up for further exploration a literary landscape, hitherto neglected, perhaps even unsuspected. This new landscape should alter the familiar perspectives on Irish literature of the period, first of all by adding genre fiction (science fiction, detective novels, ghost stories, New Woman fiction, and Great War novels) to the Irish syllabus, secondly by demonstrating the immense contribution of women writers to popular and mainstream Irish fiction. Among the popular and prolific female writers discussed are Mrs J.H. Riddell, B.M. Croker, M.E. Francis, Sarah Grand, Katharine Tynan, Ella MacMahon, Katherine Cecil Thurston, W.M. Letts, and Hannah Lynch. Indeed, a critical inference of the survey is that if there is a discernible tradition of the Irish novel, it is largely a female tradition. A substantial postscript surveys novels by Irish women between 1922 and1940 and relates them to the work of their female antecedents. This ground-breaking survey should also alter the familiar perspectives on the Ireland of 1890-1922. Many of the popular works were problem-novels and hence throw light on contemporary thinking and debate on the 'Irish Question'. After the Irish Literary Revival and creation of the Free State, much popular and mainstream fiction became a lost archive, neglected evidence, indeed, of a lost Ireland.

The Oxford Handbook of Modern Irish Fiction

The Oxford Handbook of Modern Irish Fiction PDF

Author: Liam Harte

Publisher: Oxford University Press

Published: 2020-10-15

Total Pages: 704

ISBN-13: 0191071056

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The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.

Irish Materialisms

Irish Materialisms PDF

Author: Colleen Taylor

Publisher: Oxford University Press

Published: 2024-01-25

Total Pages: 254

ISBN-13: 019889483X

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Irish Materialisms: The Nonhuman and the Making of Colonial Ireland, 1690-1830, is the first book to apply recent trends in new materialist criticism to Ireland. It radically shifts familiar colonial stereotypes of the feminized, racialized cottier according to the Irish peasantry's subversive entanglement with nonhuman materiality. Each of the chapters engages a focused case study of an everyday object in colonial Ireland (coins, flax, spinning wheels, mud, and pigs) to examine how each object's unique materiality contributed to the colonial ideology of British paternalism and afforded creative Irish expression. The main argument of Irish Materialisms is its methodology: of reading literature through the agency of materiality and nonhuman narrative in order to gain a more egalitarian and varied understanding of colonial experience. Irish Materialisms proves that new materialism holds powerful postcolonial potential. Through an intimate understanding of the materiality Irish peasants handled on a daily basis, this book presents a new portrait of Irish character that reflects greater empowerment, resistance, and expression in the oppressed Irish than has been previously recognized.

I Never Said I Was Conor

I Never Said I Was Conor PDF

Author: Ian Forman

Publisher: New Generation Publishing

Published: 2021-03-10

Total Pages: 313

ISBN-13: 1800314531

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Ian awakens, from a short nap on a bench, on the harbour promenade, in the picturesque fishing village of Howth, near Dublin. His mobile phone no longer works and his car has gone missing. He reports the theft of his car to the local Gardai. His world is suddenly turned upside down, when they tell him that his model of car doesn't even exist. When they try to help Ian contact his wife Mary, they eventually discover that the woman, who Ian says he is married to, has never heard of him and is, in fact, married to someone else. None of Ian's brothers and sisters will admit that they know him and conclude that he is an unfortunate mentally disturbed stranger. Ian is now a frightened nobody in this strange but vaguely familiar world. Has he gone insane? Is he a ghost?He is all alone with no wife, no money, no home, no relations, no friends, no passport and he's not even sure of his own name.His frantic search for an explanation begins, can anyone help him find out what is really going on?

The Rogue Narrative and Irish Fiction, 1660-1790

The Rogue Narrative and Irish Fiction, 1660-1790 PDF

Author: Joe Lines

Publisher: Syracuse University Press

Published: 2021-09-20

Total Pages: 267

ISBN-13: 0815655193

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With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.

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