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Intertextuality in Margaret Atwood’s “My Last Duchess” and “The Age of Lead”

Author: Franco Mucci

Publisher: GRIN Verlag

Published: 2015-11-13

Total Pages: 30

ISBN-13: 3668086311

Seminar paper from the year 2015 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, University of Constance, language: English, abstract: This term paper introduces the reader to the world of Margaret Atwood, an internationally well-known Canadian author. She often uses myths and prominent works as a base for her own writings and concentrates on rewriting traditional or popular versions of stories, of which many undermine objectification or even refuse women (Wisker 2012: 67). It is striking how many times Atwood has used several texts within texts or intertexts throughout her career and thus it is worth having a closer look at it (Wilson 1993: 3). In order to show how well Atwood is able to use intertextuality, the following chapter begins with Robert Browning’s dramatic monologue respectively poem ‘My Last Duchess’, which is essential for a better understanding of the intertextuality used in Atwood’s ‘My Last Duchess’ and important to finally understand the Duke’s and the Duchess’ role in both writings. The next chapter has a closer look at Atwood’s short story, published in a collection of connected short stories by her called ‘Moral Disorder’ in 2006, which “grapples with the complicated ethics of obligation, particularly the conflict between selfishness and sacrifice that can arise within the praxis of care” (DeFalco 2011: 236). But many of the stories in the collection like ‘My Last Duchess’ also focus on the socialization of gender, a very central subject to Atwood, particularly the short stories set in the 1950s and 1960s, a time when gender was a principally discussed social issue (Wisker 2012: 165). In addition, as we will see in the short story ‘My Last Duchess’, Atwood regularly reverses the hero’s gender in order to alter the role of women from objects to subjects and she also doubles roles in order to make the same person look like a rescuer and a person being rescued (Wilson 1993: 32).

Intertextuality in Margaret Atwood's My Last Duchess and the Age of Lead

Author: Franco Mucci

Publisher:

Published: 2015-11-26

Total Pages: 32

ISBN-13: 9783668086326

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Seminar paper from the year 2015 in the subject English - Literature, Works, grade: 1,7, University of Constance, language: English, abstract: This term paper introduces the reader to the world of Margaret Atwood, an internationally well-known Canadian author. She often uses myths and prominent works as a base for her own writings and concentrates on rewriting traditional or popular versions of stories, of which many undermine objectification or even refuse women (Wisker 2012: 67). It is striking how many times Atwood has used several texts within texts or intertexts throughout her career and thus it is worth having a closer look at it (Wilson 1993: 3). In order to show how well Atwood is able to use intertextuality, the following chapter begins with Robert Browning's dramatic monologue respectively poem 'My Last Duchess', which is essential for a better understanding of the intertextuality used in Atwood's 'My Last Duchess' and important to finally understand the Duke's and the Duchess' role in both writings. The next chapter has a closer look at Atwood's short story, published in a collection of connected short stories by her called 'Moral Disorder' in 2006, which "grapples with the complicated ethics of obligation, particularly the conflict between selfishness and sacrifice that can arise within the praxis of care" (DeFalco 2011: 236). But many of the stories in the collection like 'My Last Duchess' also focus on the socialization of gender, a very central subject to Atwood, particularly the short stories set in the 1950s and 1960s, a time when gender was a principally discussed social issue (Wisker 2012: 165). In addition, as we will see in the short story 'My Last Duchess', Atwood regularly reverses the hero's gender in order to alter the role of women from objects to subjects and she also doubles roles in order to make the same person look like a rescuer and a person being rescued (Wilson 1993: 32).

Translating Gender and Intertextuality in "My Last Duchess" by Margaret Atwood

Author: Louise Lacombe

Publisher:

Published: 2014

Total Pages: 130

ISBN-13:

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Adventures of the Spirit

Author: Phyllis Sternberg Perrakis

Publisher:

Published: 2007

Total Pages: 344

ISBN-13:

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In Adventures of the Spirit, Phyllis Sternberg Perrakis brings together eleven American and Canadian "literary gerontologists" to examine a new kind of adventure for the older woman in literature. This volume of critical essays analyzes recent works by contemporary women writers whose characters' midlife and later life changes are mapped in their narratives.Rather than focusing on the painful losses undergone by women of a certain age, recent narratives explore a new kind of adventure of aging, one that is spiritual in nature, enabling new ways of being and becoming, but open-ended and capable of great variation in practice. In particular, these journeys of the spirit focus on the retrospective movement undergone by a midlife or older woman as she is led by inner or outer forces to assess where she has come from and decipher a shape or pattern to her journey.These journeys do not leave the body behind as they map new spiritual territory. Rather they honor spirit's embrace of the natural world and relationships as well as its aspirations for evolving development and eternal existence. The essays in Adventures of the Spirit employ a wide variety of critical lenses to chart these adventures, including archetypal, Sufi, post-colonial, and feminist analysis; archival research; aboriginal life writing; and trauma theory. These studies bring a new understanding to women's adventure of age in both literary texts and in life.

Global Perspectives on Teaching Literature

Author: Sandra Ward Lott

Publisher: National Council of Teachers

Published: 1993

Total Pages: 410

ISBN-13: 9780814118542

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This book is a collection of essays designed for high school and college teachers who want to introduce non-Western and other non-canonical texts into their traditional literature courses. The essays in the book explore the kinds of visions encountered when teachers cluster Western texts with those outside the dominant Western tradition. Papers in the introductory section are: "World Literature in Context" (S. Lawall); "Facing Others, Facing Ourselves" (J. P. Hunter); and "Global Perspectives: A Thematic Approach" (S. W. Lott). Papers in the "Private Worlds" section are: "Colonial Encounters of an Autobiographical Kind: Bringing the Personal Voices of Sean O'Casey and Wole Soyinka to the Literature Classroom" (R. Ayling); "Mariama Ba's 'So Long a Letter' and Alice Walker's 'In Search of Our Mother's Gardens'" (D. Grimes); and "Private Worlds: A Bibliographic Essay" (S. Palmer). Papers in the "Hero's Quest" section are: "Heroic Visions in 'The Bhagavad Gita' and the Western Epic" (M. Foley); "Contending with the Masculinist Traditions: 'Sundiata's Sogolon and the Wife of Bath" (S. Vance); "Soseki's 'Kokoro': The Voice of the Exile in Quest of a Modern Self" (P. Anderer); and "The Hero's Quest: A Bibliographic Essay" (E. Hughes and C. Gravlee). Papers in the section on "The Individual, the Family, and Society" are: "'The World Was All before Them': Coming of Age in Ngugi wa Thiong'o's 'Weep Not, Child' and Salinger's 'The Catcher in the Rye'" (S. Latham and S. Lott); "Cooper's Indians, Erdrich's Natives Americans" (M. A. McCay); and "The Individual, the Family, and Society: A Bibliographic Essay" (E. H. Rodgers). Papers in the section on "Intertextuality and Cultural Identity" are: "Crossing Cultural Bridges in Search of Drama" (A. Parkin); "Segregation in India: Forster's 'A Passage to India' and Anand's 'Untouchable'" (U. Ahlawat); "'The King Will Come': Laye Camara's Response to Kafka's World Vision" (P. Egejuru); "Carlos Fuentes's Tribute (and Reply) to Ambrose Bierce in 'The Old Gringo'" (E. Espadas); "African American Renderings of Traditional Texts" (N. Lester); "Politics and the Poet in Baraka's 'The Slave': Turning and Turning in Yeat's Gyres" (M. S. G. Hawkins); and "Intertextuality and Cultural Identity: A Bibliographic Essay" (M. S. G. Hawkins). Papers in the section on "Approaches to Chinua Achebe's 'Things Fall Apart'" are: "Chinua Achebe: The Bicultural Novel and the Ethics of Reading" (B. Henricksen); "If the Shoe Fits: Teaching 'Beowulf' with Achebe's 'Things Fall Apart'" (L. Purdon and J. Wasserman); "An African Turnus: Heroic Response to Colonialism in Vergil's 'Aeneid' and Achebe's 'Things Fall Apart'" (N. McMillan); "The Center Holds: The Resilience of Ibo Culture in 'Things Fall Apart'" (N. Sarr); and "Approaches to 'Things Fall Apart': A Bibliographic Essay" (J. Lott and S. Lott). (RS)

Writing with Intent

Author: Margaret Atwood

Publisher: Carroll & Graf Publishers

Published: 2006-07-18

Total Pages: 448

ISBN-13: 078671767X

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The first collection of nonfiction work by the author in more than two decades features fifty-seven essays and reviews on a wide range of topics, including John Updike, Toni Morrison, grunge, September 11th, and Gabriel Garca Mrquez, among others. Reprint.

The Routledge Handbook of Translation, Feminism and Gender

Author: Luise von Flotow

Publisher: Routledge

Published: 2020-06-09

Total Pages: 722

ISBN-13: 1351658050

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The Routledge Handbook of Translation, Feminism and Gender provides a comprehensive, state-of-the-art overview of feminism and gender awareness in translation and translation studies today. Bringing together work from more than 20 different countries – from Russia to Chile, Yemen, Turkey, China, India, Egypt and the Maghreb as well as the UK, Canada, the USA and Europe – this Handbook represents a transnational approach to this topic, which is in development in many parts of the world. With 41 chapters, this book presents, discusses, and critically examines many different aspects of gender in translation and its effects, both local and transnational. Providing overviews of key questions and case studies of work currently in progress, this Handbook is the essential reference and resource for students and researchers of translation, feminism, and gender.

Margaret Atwood's 'The Handmaid's Tale' and 'Oryx and Crake' - A Comparison

Author: Martina Schönherr

Publisher: GRIN Verlag

Published: 2009-09

Total Pages: 57

ISBN-13: 364042025X

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Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Constance (Literaturwissenschaften), course: Margaret Atwood's Later Fiction, language: English, abstract: Margaret Atwood's novels The Handmaid's Tale (T.H.T., 1985) and Oryx and Crake (O. & C., 2003) are works of speculative fiction that are set in the near future. Both of the depicted scenarios take place in the U.S.A. and could be classified as "survivor's stories" as they are told from the perspective of a person that survived the new system or the catastrophe the books deal with. T.H.T. takes the reader into an oppressive system that has become reality in the year 2005. In this system women are divided into different kinds of "functional groups" according to their abilities. The story is told by the handmaid Offred who - as all handmaids - is still believed to be fertile. Thus she is solely good for childbearing and has not got any choice. This system however is confined to the United States so that there is still hope for an escape to a better life for the people living under the system. The scenario in O. & C. on the other hand occurs around the year 2025 and depicts a world wide catastrophe where Snowman - the narrator of the story - is one of the few surviving human beings. This paper will compare the two novels according to some points of analysis. I had to confine myself to a few themes as it is impossible to include all topics that could be of importance. To start with, I will take a look at the social and political background of the time the novels were written in, followed by a generic analysis of the works. Secondly I will answer the question about the inspiration for these novels and I will deal with the epilogues Atwood added to her books. This will be followed by a chapter about the main topics of the novels which are reproduction, religion and sexuality. Last but not least I will compare the main characters an

The Water of Possibility

Author: Hiromi Goto

Publisher: Coteau Books

Published: 2001

Total Pages: 332

ISBN-13: 9781550501834

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One day Sayuri and her little brother Keiji explore the dark root cellar and are transported from Ganola AB to Middle World, a woodland full of figures from Japanese folklore.