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Indigenous Literatures from Micronesia

Author: Evelyn Flores

Publisher: University of Hawaii Press

Published: 2019-04-30

Total Pages: 385

ISBN-13: 0824877381

For the first time, poetry, short stories, critical and creative essays, chants, and excerpts of plays by Indigenous Micronesian authors have been brought together to form a resounding—and distinctly Micronesian—voice. With over two thousand islands spread across almost three million square miles of the Pacific Ocean, Micronesia and its peoples have too often been rendered invisible and insignificant both in and out of academia. This long-awaited anthology of contemporary indigenous literature will reshape Micronesia’s historical and literary landscape. Presenting over seventy authors and one hundred pieces, Indigenous Literatures from Micronesia features nine of the thirteen basic language groups, including Palauan, Chamorro, Chuukese, I-Kiribati, Kosraean, Marshallese, Nauruan, Pohnpeian, and Yapese. The volume editors, from Micronesia themselves, have selected representative works from throughout the region—from Palau in the west, to Kiribati in the east, to the global diaspora. They have reached back for historically groundbreaking work and scouted the present for some of the most cited and provocative of published pieces and for the most promising new authors. Richly diverse, the stories of Micronesia’s resilient peoples are as vast as the sea and as deep as the Mariana Trench. Challenging centuries-old reductive representations, writers passionately explore seven complex themes: “Origins” explores creation, foundational, and ancestral stories; “Resistance” responds to colonialism and militarism; “Remembering” captures diverse memories and experiences; “Identities” articulates the nuances of culture; “Voyages” maps migration and diaspora; “Family” delves into interpersonal and community relationships; and “New Micronesia” gathers experimental, liminal, and cutting-edge voices. This anthology reflects a worldview unique to the islands of Micronesia, yet it also connects to broader issues facing Pacific Islanders and indigenous peoples throughout the world. It is essential reading for anyone interested in Pacific, indigenous, diasporic, postcolonial, and environmental studies and literatures.

Indigenous Pacific Islander Eco-Literatures

Author: Kathy Jetñil-Kijiner

Publisher: University of Hawaii Press

Published: 2022-08-31

Total Pages: 425

ISBN-13: 0824893514

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In this anthology of contemporary eco-literature, the editors have gathered an ensemble of a hundred emerging, mid-career, and established Indigenous writers from Polynesia, Melanesia, Micronesia, and the global Pacific diaspora. This book itself is an ecological form with rhizomatic roots and blossoming branches. Within these pages, the reader will encounter a wild garden of genres, including poetry, chant, short fiction, novel excerpts, creative nonfiction, visual texts, and even a dramatic play—all written in multilingual offerings of English, Pacific languages, pidgin, and translation. Seven main themes emerge: “Creation Stories and Genealogies,” “Ocean and Waterscapes,” “Land and Islands,” “Flowers, Plants, and Trees,” “Animals and More-than-Human Species,” “Climate Change,” and “Environmental Justice.” This aesthetic diversity embodies the beautiful bio-diversity of the Pacific itself. The urgent voices in this book call us to attention—to action!—at a time of great need. Pacific ecologies and the lives of Pacific Islanders are currently under existential threat due to the legacy of environmental imperialism and the ongoing impacts of climate change. While Pacific writers celebrate the beauty and cultural symbolism of the ocean, islands, trees, and flowers, they also bravely address the frightening realities of rising sea levels, animal extinction, nuclear radiation, military contamination, and pandemics. Indigenous Pacific Islander Eco-Literatures reminds us that we are not alone; we are always in relation and always ecological. Humans, other species, and nature are interrelated; land and water are central concepts of identity and genealogy; and Earth is the sacred source of all life, and thus should be treated with love and care. With this book as a trusted companion, we are inspired and empowered to reconnect with the world as we navigate towards a precarious yet hopeful future.

My Urohs

Author: Emelihter Kihleng

Publisher: Lulu.com

Published: 2008

Total Pages: 74

ISBN-13: 0979378834

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The first collection of poetry by a Pohnpeian poet, Emelihter Kihleng's My Urohs is described by distinguished Samoan writer and artist Albert Wendt as "refreshingly innovative and compelling, a new way of seeing ourselves in our islands, an important and influential addition to our [Pacific] literature."

Pacific Island Legends

Author: Bo Flood

Publisher: Bess Press

Published: 1999

Total Pages: 284

ISBN-13: 9781573060783

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Collects forty-three historical or traditional stories from the Pacific Islands, including creation myths and stories of gods, heroes, and ordinary people. --amazon.com.

Pacific Islands Writing

Author: Michelle Keown

Publisher: OUP Oxford

Published: 2007-10-04

Total Pages: 296

ISBN-13: 019152798X

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The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. The first book of its kind, Pacific Islands Writing offers a broad-ranging introduction to the postcolonial literatures of the Pacific region. Drawing upon metaphors of oceanic voyaging, Michelle Keown takes the reader on a discursive journey through a variety of literary and cultural contexts in the Pacific, exploring the Indigenous literatures of Polynesia, Melanesia, and Micronesia, and also investigating a range of European or Western writing about the Pacific, from the adventure fictions of Herman Melville, R. L. Stevenson, and Jack London to the Päkehä (European) settler literatures of Aotearoa/New Zealand. The book explores the relevance of 'international' postcolonial theoretical paradigms to a reading of Pacific literatures, but it also offers a region-specific analysis of key authors and texts, drawing upon indigenous Pacific literary theories, and sketching in some of the key socio-historical trajectories that have inflected Pacific writing. Well-established Indigenous Pacific authors such as Albert Wendt, Witi Ihimaera, Alan Duff, and Patricia Grace are considered alongside emerging writers such as Sia Figiel, Caroline Sinavaiana-Gabbard, and Dan Taulapapa McMullin. The book focuses primarily upon Pacific literature in English - the language used by the majority of Pacific writers - but also breaks new ground in examining the growing corpus of francophone and hispanophone writing in French Polynesia, New Caledonia, and Easter Island/Rapa Nui.

Emergent Voices of (Neo)colonial Resistance

Author: Caitlin Yuri Yamamoto

Publisher:

Published: 2016

Total Pages: 362

ISBN-13:

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Up until recently, Micronesia has occupied an "absent" place within Oceanic studies. This absence has been characterized in part by a dearth of published literature produced by and about Micronesia's indigenous peoples. It is only within the last ten to fifteen years that a handful of authors have emerged to depict Micronesian culture from within. This dissertation focuses on the works of three writers who have made important contributions to this expanding body of literature: Robert Barclay (Mel̦al̦), Craig Santos Perez (from unincorporated territory series), and Emelihter Kihleng (My Urohs). As I argue, the emergence of these authors is closely connected to Micronesia's complex colonial histories. The prominence of U.S. strategic military interests, in particular, has postponed processes of decolonization in the region, resulting in a similar delay in the formation of Micronesians' literary traditions. This project seeks to amplify Micronesia's new voices of resistance, as well as to explore the interrelationships between culture and the political-economic transformations undergirding them. Another objective of this dissertation is to reveal the newest mechanisms of colonial control underway in Oceania. While hailing from different parts of Micronesia, the texts examined share much in common in their representation of themes of militarization, colonialism, and neocolonialism. Reading literature as "symptoms" of the political-economic realities that produced them, I argue that Mel̦al̦, from unincorporated territory, and My Urohs foreground the increasingly insidious, economic as well as environmental forms assumed by 21st century colonialism. Since this project is ultimately concerned with how culture reflects (and responds to) political and economic realities, each chapter tends to privilege these realities as fundamental. While Chapter One discusses the historical causes for Micronesia's delayed literary renaissance, Chapter Two examines Barclay's novel, Mel̦al̦, to uncover the Compact of Free Association as a vital tool of U.S. neocolonialism. Turning to Kihleng's poetry, Chapter Three shows how U.S. "colonial" food has perpetuated economic dependency between Micronesia and the U.S. Finally, Chapter Four, which focuses on Perez's "long poetry," argues that the from unincorporated territory series contributes to the radical revision of Guahån's histories of colonialism and militarization from below.

Talking Back to the Indian Act

Author: Mary-Ellen Kelm

Publisher: University of Toronto Press

Published: 2018-01-01

Total Pages: 232

ISBN-13: 148758735X

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Talking Back to the Indian Act is a comprehensive "how-to" guide for engaging with primary source documents. The intent of the book is to encourage readers to develop the skills necessary to converse with primary sources in more refined and profound ways. As a piece of legislation that is central to Canada's relationship with Indigenous peoples and communities, and one that has undergone many amendments, the Indian Act is uniquely positioned to act as a vehicle for this kind of focused reading. Through an analysis of thirty-five sources pertaining to the Indian Act--addressing governance, gender, enfranchisement, and land--the authors provide readers with a much better understanding of this pivotal piece of legislation, as well as insight into the dynamics involved in its creation and maintenance.

The Cambridge History of Native American Literature

Author: Melanie Benson Taylor

Publisher: Cambridge University Press

Published: 2020-09-17

Total Pages: 927

ISBN-13: 1108643183

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Native American literature has always been uniquely embattled. It is marked by divergent opinions about what constitutes authenticity, sovereignty, and even literature. It announces a culture beset by paradox: simultaneously primordial and postmodern; oral and inscribed; outmoded and novel. Its texts are a site of political struggle, shifting to meet external and internal expectations. This Cambridge History endeavors to capture and question the contested character of Indigenous texts and the way they are evaluated. It delineates significant periods of literary and cultural development in four sections: “Traces & Removals” (pre-1870s); “Assimilation and Modernity” (1879-1967); “Native American Renaissance” (post-1960s); and “Visions & Revisions” (21st century). These rubrics highlight how Native literatures have evolved alongside major transitions in federal policy toward the Indian, and via contact with broader cultural phenomena such, as the American Civil Rights movement. There is a balance between a history of canonical authors and traditions, introducing less-studied works and themes, and foregrounding critical discussions, approaches, and controversies.

Routes and Roots

Author: Elizabeth DeLoughrey

Publisher: University of Hawaii Press

Published: 2009-12-31

Total Pages: 354

ISBN-13: 0824834720

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Elizabeth DeLoughrey invokes the cyclical model of the continual movement and rhythm of the ocean (‘tidalectics’) to destabilize the national, ethnic, and even regional frameworks that have been the mainstays of literary study. The result is a privileging of alter/native epistemologies whereby island cultures are positioned where they should have been all along—at the forefront of the world historical process of transoceanic migration and landfall. The research, determination, and intellectual dexterity that infuse this nuanced and meticulous reading of Pacific and Caribbean literature invigorate and deepen our interest in and appreciation of island literature. —Vilsoni Hereniko, University of Hawai‘i "Elizabeth DeLoughrey brings contemporary hybridity, diaspora, and globalization theory to bear on ideas of indigeneity to show the complexities of ‘native’ identities and rights and their grounded opposition as ‘indigenous regionalism’ to free-floating globalized cosmopolitanism. Her models are instructive for all postcolonial readers in an age of transnational migrations." —Paul Sharrad, University of Wollongong, Australia Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the "tidalectic" between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines.