Women Writing in India: 600 B.C. to the early twentieth century

Women Writing in India: 600 B.C. to the early twentieth century PDF

Author: Susie J. Tharu

Publisher: Feminist Press at CUNY

Published: 1991

Total Pages: 580

ISBN-13: 9781558610279

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Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman.

Indian Women Writing in English

Indian Women Writing in English PDF

Author: Sathupati Prasanna Sree

Publisher: Sarup & Sons

Published: 2005

Total Pages: 242

ISBN-13: 9788176255783

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Contributed articles presented at a seminar hosted by Andhra University on 20th century women authors from India.

Muslim Indian Women Writing in English

Muslim Indian Women Writing in English PDF

Author: Elizabeth Jackson

Publisher: Peter Lang Incorporated, International Academic Publishers

Published: 2017

Total Pages: 170

ISBN-13: 9781433149955

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Acknowledgements - Introduction - Form and Narrative Strategy - Religion and Communal Identity - Marriage and Sexuality - Gender and Social Class - Responding to Patriarchy - Conclusion - Index

Feminism and Contemporary Indian Women's Writing

Feminism and Contemporary Indian Women's Writing PDF

Author: E. Jackson

Publisher: Springer

Published: 2010-01-20

Total Pages: 200

ISBN-13: 0230275095

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This book is a comparative and developmental study of the expression of feminist concerns in the novels of Kamala Markandaya, Nayantara Sahgal, Anita Desai, and Shashi Deshpande, among the best known and most prolific Indian novelists writing in English, who have been self-consciously engaged with women's issues during the postcolonial era.

Anglophone Indian Women Writers, 1870–1920

Anglophone Indian Women Writers, 1870–1920 PDF

Author: Professor Ellen Brinks

Publisher: Ashgate Publishing, Ltd.

Published: 2013-02-28

Total Pages: 415

ISBN-13: 1409474313

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The result of extensive archival recovery work, Ellen Brinks's study fills a significant gap in our understanding of women's literary history of the South Asian subcontinent under colonialism and of Indian women's contributions and responses to developing cultural and political nationalism. As Brinks shows, the invisibility of Anglophone Indian women writers cannot be explained simply as a matter of colonial marginalization or as a function of dominant theoretical approaches that reduce Indian women to the status of figures or tropes. The received narrative that British imperialism in India was perpetuated with little cultural contact between the colonizers and the colonized population is complicated by writers such as Toru Dutt, Krupabai Satthianadhan, Pandita Ramabai, Cornelia Sorabji, and Sarojini Naidu. All five women found large audiences for their literary works in India and in Great Britain, and all five were also deeply rooted in and connected to both South Asian and Western cultures. Their works created new zones of cultural contact and exchange that challenge postcolonial theory's tendencies towards abstract notions of the colonized women as passive and of English as a de-facto instrument of cultural domination. Brinks's close readings of these texts suggest new ways of reading a range of issues central to postcolonial studies: the relationship of colonized women to the metropolitan (literary) culture; Indian and English women's separate and joint engagements in reformist and nationalist struggles; the 'translatability' of culture; the articulation strategies and complex negotiations of self-identification of Anglophone Indian women writers; and the significance and place of cultural difference.

Indian Women's Writing in English

Indian Women's Writing in English PDF

Author: Joel Kuortti

Publisher:

Published: 2002

Total Pages: 408

ISBN-13:

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"This is a remarkable collection of information on Indian women's writing written originally in English. Beginning from the 19th century, it introduces 444 writers of poetry and fiction. Now, it has been a part of common critical parlance to say that the Indian English women's writing is in ascendance. One aim of this bibliography is to illustrate this phenomenon and to emphasise the variety of writing. Writers included in the bibliography come from all over India and from the Indian diaspora all over the world. Another aim of this bibliography is to make us aware of the constructed nature of writerhood. A given writer's texts do not exist and circulate in a vacuum but in a context. We can see that Indian English women's writing is taking place. But, what we do not see is the critical establishment, that is, literary scholars and critics, taking much note of it."

Women Writing in India: The twentieth century

Women Writing in India: The twentieth century PDF

Author: Susie J. Tharu

Publisher:

Published: 1993-01

Total Pages: 641

ISBN-13: 9780044408741

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The second volume following on from the first, which spanned the years 600 BC to the early-20th century, this book offers a new reading of cultural history that draws on contemporary scholarship on women and India. The books cover over 140 texts from 13 languages.

Contemporary Women’s Writing in India

Contemporary Women’s Writing in India PDF

Author: Varun Gulati

Publisher: Lexington Books

Published: 2014-12-24

Total Pages: 207

ISBN-13: 1498502113

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The word doyenne signifies the various expressions of female, feminine, and feminist aspects of contemporary literature in India, through multiple theoretical frameworks. Contemporary Women’s Writing in India is an edited collection dealing with a range of these issues set in the society of Indian culture. Indian women’s literature is still a fertile ground for critical enquiry. There are three sections in the collection: Section I deals with specific instances in history, historical constructions, and representations of gender. Section II offers a varied spectrum of feminist critical discourse on contemporary Indian women’s writing, intersecting with the frameworks of post-colonial theory, deconstruction, perspectives on race and ethnicity, and eco-feminism. Section III touches upon the notion of the woman’s body and psyche through the varied perspectives of psychoanalysis, feminism, and post-feminism. By thoroughly exploring a range of issues, Contemporary Women’s Writing promises to take the reader by the hand, and journey through the unfamiliar but refreshing landscape of women’s literature in India.

Family Fictions and World Making

Family Fictions and World Making PDF

Author: Sreya Chatterjee

Publisher: Routledge

Published: 2021-04-29

Total Pages: 272

ISBN-13: 100036559X

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Family Fictions and World Making: Irish and Indian Women’s Writing in the Contemporary Era is the first book-length comparative study of family novels from Ireland and India. On the one hand, despite an early as well as late colonial experience, Ireland is often viewed exclusively within a metropolitan British and Europe-centered frame. India, on the other hand, once seen as a model of decolonization for the non-Western world, has witnessed a crisis of democracy in recent years. This book charts the idea of "world making" through the fraught itineraries of the Irish and the Indian family novel. The novels discussed in the book foreground kinship based on ideological rather than biological ties and recast the family as a nucleus of interests across national borders. The book considers the work of critically acclaimed women authors Anne Enright, Elizabeth Bowen, Mahasweta Devi, Jennifer Johnston, Kiran Desai and Molly Keane. These writers are explored as representative voices for the interwar years, the late-modern period, and the globalization era. They not only push back against the male nationalist idiom of the family but also successfully interrogate family fiction as a supposedly private genre. The broad timeframe of Family Fictions and World Making from the interwar period to the globalization era initiates a dialogue between the early and the current debates around core and periphery in postcolonial literature.