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Inclusive Screenwriting for Film and Television

Author: Jess King

Publisher: Routledge

Published: 2022-05-16

Total Pages: 156

ISBN-13: 1000584240

Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person’s story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8, I May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as the LGBTQIA+ community, women, and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, offering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting, aspiring screenwriters, and industry professionals alike.

Screenwriting for Narrative Film and Television

Author: William Charles Miller

Publisher: Hastings House Book Publishers

Published: 1980

Total Pages: 262

ISBN-13:

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How to Build a Great Screenplay

Author: David Howard

Publisher: Macmillan

Published: 2004-11-08

Total Pages: 470

ISBN-13: 9780312252113

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Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone, style, and atmosphere * the use of time on screen * the creation of drama and tension * crucial moments in storytelling Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. The end result is what could very well become the classic text in the field---a bible for the burgeoning screenwriter.

Complete Screenwriting Course

Author: Charles Harris

Publisher: Hachette UK

Published: 2014-10-17

Total Pages: 352

ISBN-13: 1471805514

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Designed to take you from the moment you first put your pen to paper to pitching and selling your completed screenplay, this is one of the most inspiring books on screenwriting you'll ever read. Practical exercises will teach you the craft of writing for film and television, both mainstream and independent, the art of building your own plots, characters, dialogue and scenes. It gives you the skills you need to succeed and helps you critique your own work, meaning that at every step of the writing process you'll be producing the best scripts you can. This book is filled with essential writing tools, including techniques for overcoming writer's block and how to find your unique voice. You will learn how to pitch and get your work optioned, how to work as part of a team and how to make the best use of social media - in all a comprehensive companion that you will keep coming back to as your career develops. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their stories. Covering a range of genres from science fiction and romantic novels to illustrated children's books and comedy, this series is packed with advice, exercises, and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community, at tyjustwrite.com, for budding authors and successful writers to connect and share.

The Elements of Screenwriting

Author: Irwin R. Blacker

Publisher:

Published: 1988

Total Pages: 164

ISBN-13: 9780020002208

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In the tradition of Strunk and White's The Elements of Style, this essential reference offers welcome help for the thousands of screenwriters who have discovered that putting together a successful screenplay is much harder than it seems.

Essentials of Screenwriting

Author: Richard Walter

Publisher: Penguin

Published: 2010-06-29

Total Pages: 400

ISBN-13: 1101664681

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Hollywood's premier teacher of screenwriting shares the secrets of writing and selling successful screenplays in this perfect gift for aspiring screenwriters. Anyone fortunate enough to win a seat in Professor Richard Walter's legendary class at UCLA film school can be confident their career has just taken a quantum leap forward. His students have written more than ten projects for Steven Spielberg alone, plus hundreds of other Hollywood blockbusters and prestigious indie productions, including two Oscar winners for best original screenplay—Milk (2008) and Sideways (2006). In this updated edition, Walter integrates his highly coveted lessons and principles from Screenwriting with material from his companion text, The Whole Picture, and includes new advice on how to turn a raw idea into a great movie or TV script-and sell it. There is never a shortage of aspiring screenwriters, and this book is their bible.

Screenwriting

Author: Bridget Conor

Publisher: Routledge

Published: 2014-04-16

Total Pages: 279

ISBN-13: 1136169482

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Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalities Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771

Disabled People Transforming Media Culture for a More Inclusive World

Author: Beth A. Haller

Publisher: Taylor & Francis

Published: 2023-11-02

Total Pages: 166

ISBN-13: 1003814034

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This book tells the stories of disabled people who have been influential in creating modern mass media. Through the voices of key disabled media makers and collaborators, the author highlights the ways in which their contributions are changing society’s understanding of disability and shaping mass media and culture. Spanning a range of media formats – television/streaming productions, performances, podcasts, TED Talks, films, reality TV, graphic novels, and social media channels – the book illustrates how disabled people are confronting the marginalization they have faced in mass media for decades. Modern disabled media creators are leveraging new media platforms to recognize the lived experiences of disability and their authentic place in media culture. This innovative and thought-provoking volume will be an important read for scholars, disability advocates, and students of Disability Studies, Mass Communication/Media Studies, as well as mass media production faculty, disabled people, and their allies The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Woman-Centered Brazilian Cinema

Author: Jack A. Draper III

Publisher: State University of New York Press

Published: 2022-10-01

Total Pages: 306

ISBN-13: 1438490267

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Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.

Transcultural Screenwriting

Author: Carmen Sofia Brenes

Publisher: Cambridge Scholars Publishing

Published: 2017-05-11

Total Pages: 199

ISBN-13: 1443893900

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The world in which we live and work today has created new working conditions where storytellers, screenwriters and filmmakers collaborate with colleagues from other countries and cultures. This involves new challenges regarding the practice of transcultural screenwriting and the study of writing screenplays in a multi-cultural environment. Globalisation and its imperatives have seen the film co-production emerge as a means of sharing production costs and creating stories that reach transnational audiences. Transcultural Screenwriting: Telling Stories for a Global World provides an interdisciplinary approach to the study of screenwriting as a creative process by integrating the fields of film and TV production studies, screenwriting studies, narrative studies, rhetorics, transnational cinema studies, and intercultural communication studies. The book applies the emerging theoretical lens of ‘transcultural studies’ to open new perspectives in the debate around notions of transnationalism, imperialism and globalisation, particularly in the screenwriting context, and to build stronger links across academic disciplines. This volume combines methods for studying, as well as methods for doing. It draws on case studies and testimonials from writers from all over the globe including South America, Europe and Asia. Transcultural Screenwriting: Telling Stories for a Global World is characterised by its scope, broad relevance, and emphasis on key aspects of screenwriting in an international environment.