Ina Lohr (1903–1983)

Ina Lohr (1903–1983) PDF

Author: Anne Smith

Publisher: Schwabe Verlag (Basel)

Published: 2020-06-10

Total Pages: 546

ISBN-13: 3796541542

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Although almost forgotten today, Ina Lohr played a significant role in Basel's 20th-century musical world. In 1930, she became Paul Sacher's musical assistant, helping in the preparations for performances of the Basel Chamber Orchestra, of which he was the director. Just three years later, she was one of the courageous pioneers who under the direction of Paul Sacher founded the now internationally renowned Schola Cantorum Basiliensis. As Ina Lohr was instrumental in creating its program, her work indirectly had an enormous impact on the Early Music Movement. Through her biography, we learn to see Early Music within the complex cultural and religious matrix of her time, forcing ourselves to transcend our own boundaries to understand her life.

Ina Lohr (1903-1983)

Ina Lohr (1903-1983) PDF

Author: Anne Smith

Publisher: Schwabe Verlagsgruppe AG

Published: 2020-06-10

Total Pages: 488

ISBN-13: 9783796541063

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Although almost forgotten today, Ina Lohr played a significant role in Basel's 20th-century musical world. In 1930, she became Paul Sacher's musical assistant, helping in the preparations for performances of the Basel Chamber Orchestra, of which he was the director. Just three years later, she was one of the courageous pioneers who under the direction of Paul Sacher founded the now internationally renowned Schola Cantorum Basiliensis. As Ina Lohr was instrumental in creating its program, her work indirectly had an enormous impact on the Early Music Movement. Through her biography, we learn to see Early Music within the complex cultural and religious matrix of her time, forcing ourselves to transcend our own boundaries to understand her life.

Historical Performance and New Music

Historical Performance and New Music PDF

Author: Rebecca Cypess

Publisher: Taylor & Francis

Published: 2023-11-30

Total Pages: 228

ISBN-13: 100380182X

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The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration—collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music—the first book of its kind—addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically “omnivorous” ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life.

Compositeurs suisses d'oeuvres chorales

Compositeurs suisses d'oeuvres chorales PDF

Author:

Publisher:

Published: 1999

Total Pages: 416

ISBN-13:

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Avec les compositeurs lausannois André Besançon, Patrick Bron, Philippe Buhler, Pierre Chatton, René Falquet, Vincent Girod, Jean-Marie Marcel, Anne-Marie Monnier-Thomas.

The Recorder

The Recorder PDF

Author: David Lasocki

Publisher: Yale University Press

Published: 2022-01-01

Total Pages: 387

ISBN-13: 0300118708

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The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.

Bach Performance Practice, 1945-1975

Bach Performance Practice, 1945-1975 PDF

Author: Dorottya Fabian

Publisher: Routledge

Published: 2017-07-05

Total Pages: 379

ISBN-13: 1351574868

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Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.

Women in Music

Women in Music PDF

Author: Donald L. Hixon

Publisher: Metuchen, N.J. : Scarecrow Press

Published: 1993

Total Pages: 1088

ISBN-13:

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An index to the biographies of women musicians of all periods and countries, as found in a representative selection of dictionaries, and encyclopedias. This update also includes non-musical sources, such as general biographical sets.

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