Impressionist Palette

Impressionist Palette PDF

Author: Gai Perry

Publisher: C&T Publishing Inc

Published: 2010-11-05

Total Pages: 133

ISBN-13: 1607050307

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Impressionist Palette, the follow-up to Gai Perry's highly successful Impressionist Quilts, expands your horizons for interpreting nature's landscapes into pictoral quilts with an Impressionist flair. Gai's original technique, which plces squares on point, softens fabric edges and gently blends color - furthering the illusion of viewing a real painting. Learn how to select the right additions to your fabric palette and embellish your Impressionist Landscape quilt with patch applique and highlight painting. Find your personal palette using Gai's color enrichment concept. Instructions for six new projects are included, as well as beautiful photographs showcasing the work of Gai and some of her fellow "fabric gardeners." The versatile technique and design principles are simple enough for beginners to understand, while also presenting continuing challenges for experienced quiltmakers.

The Art of Impressionism

The Art of Impressionism PDF

Author: Anthea Callen

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 270

ISBN-13: 0300084021

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"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.

19th Century Colour Palettes

19th Century Colour Palettes PDF

Author: Patricia Railing

Publisher:

Published: 2018-03

Total Pages: 112

ISBN-13: 9780946311279

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The 19th century was a century of new pigments. They were derived from recently recognised metals ?cadmium, chrome, zinc and others ? as well as from the discovery of the chemical colouring substances of plants. From indigo the aniline dyes were manufactured, and from madder came the alizarin red pigments ? there were hundreds of these coal tar pigments. The English chemist, George Field, published his Chromatography in 1835, a comprehensive collection which included many of the new pigments and, as the century wore on so new pigments were added to up-dated editions of his book in 1869 and 1885. They were published by the English colour-makers, Winsor & Newton, so become a chronicle of a world of new pigments for painters not only in England but also in France and Germany especially. '19th Century Colour Palettes' traces these developments, presenting the pigments in dictionary form in extracts taken from the editions of Field's Chromatography.

Impressionists' Palettes of Light

Impressionists' Palettes of Light PDF

Author: Patricia Railing

Publisher:

Published: 2019-04-05

Total Pages: 0

ISBN-13: 9780946311002

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The French Impressionist painters discovered new means for painting light - they used a "solar palette", the pigments matched to the colors the eyes see. They are the colors of a ray of light. This little book reproduces palettes by 8 of the plein-air painters - Cézanne, Manet, Monet, Pissarro, Renoir, Seurat, Signac, and Van Gogh.

Paint with the Impressionists

Paint with the Impressionists PDF

Author: Jonathan Stephenson

Publisher:

Published: 2019-04

Total Pages: 0

ISBN-13: 9780500295052

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In this innovative approach to Impressionism and its methods, Jonathan Stephenson's instruction enables amateurs the world over to paint like the Impressionists. Vibrantly illustrated in colour throughout, both with well-known works of art and step-by-step examples, the book shows how the masters achieved their diverse effects and how their ideas and styles can be adapted to today's tastes. Sections on the artists provide fascinating insights into individual techniques: learn how Monet produced his oil colour sketches, or how Sisley created his atmospheric landscapes. With an introduction providing the historical background to Impressionism, and a comprehensive section on artists' materials, this is a highly practical book that will appeal both to beginners and more experienced artists, as well as to the many thousands of of people inspired by the brilliance and beauty of Impressionist painting.

Mapping Impressionist Painting in Transnational Contexts

Mapping Impressionist Painting in Transnational Contexts PDF

Author: Emily C. Burns

Publisher: Routledge

Published: 2021-05-03

Total Pages: 318

ISBN-13: 1000372952

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This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.

Painting Like the Impressionists

Painting Like the Impressionists PDF

Author: Bruce Yardley

Publisher: The Crowood Press

Published: 2021-07-26

Total Pages: 447

ISBN-13: 1785009117

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Impressionism, an art movement pioneered by a handful of avant-garde painters based in Paris in the 1870s, gave academic oil painting a vivacity and spontaneity it had previously lacked, and remains to this day the single most popular style of art for gallery-goers and amateur painters alike. This elegantly-written book, by a professional artist and scholar, is both an instructional guide to incorporating Impressionist techniques into your own painting, and an illuminating investigation into how those first Impressionists actually painted their pictures. As such, it will fascinate both the painter and the art historian. This new book provides detailed advice on paints, brushes and canvas, as used by the original Impressionists and still widely available today. It discusses the process of making an Impressionist painting from initial vision to final completion and analyses the role of composition, light and tone, colour and paint handling. Finally, it gives an overview of the subject matter most closely associated with the Impressionists.

Critical Readings in Impressionism and Post-Impressionism

Critical Readings in Impressionism and Post-Impressionism PDF

Author: Mary Tompkins Lewis

Publisher: Univ of California Press

Published: 2023-12-22

Total Pages: 368

ISBN-13: 052094044X

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The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward

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