Imperialism and Popular Culture

Imperialism and Popular Culture PDF

Author: John M. MacKenzie

Publisher: Manchester University Press

Published: 2017-03-01

Total Pages: 273

ISBN-13: 1526119560

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Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this more true than in the late-19th and early 20th centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. This text examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times - in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. Several chapters look beyond World War I, when the most popular media, cinema and broadcasting, continued to convey an essentially late-19th-century world view, while government agencies like the Empire Marketing Board sought to convince the public of the economic value of empire. Youth organizations, which had propagated imperialist and militarist attitudes before the war, struggled to adapt to the new internationalist climate.

Culture and Imperialism

Culture and Imperialism PDF

Author: Edward W. Said

Publisher: Vintage

Published: 2012-10-24

Total Pages: 416

ISBN-13: 0307829650

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A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.

Popular Postcolonialisms

Popular Postcolonialisms PDF

Author: Nadia Atia

Publisher: Taylor & Francis

Published: 2018-07-04

Total Pages: 276

ISBN-13: 1317299019

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Drawing together the insights of postcolonial scholarship and cultural studies, Popular Postcolonialisms questions the place of ‘the popular’ in the postcolonial paradigm. Multidisciplinary in focus, this collection explores the extent to which popular forms are infused with colonial logics, and whether they can be employed by those advocating for change. It considers a range of fiction, film, and non-hegemonic cultural forms, engaging with topics such as environmental change, language activism, and cultural imperialism alongside analysis of figures like Tarzan and Frankenstein. Building on the work of cultural theorists, it asks whether the popular is actually where elite conceptions of the world may best be challenged. It also addresses middlebrow cultural production, which has tended to be seen as antithetical to radical traditions, asking whether this might, in fact, form an unlikely realm from which to question, critique, or challenge colonial tropes. Examining the ways in which the imprint of colonial history is in evidence (interrogated, mythologized or sublimated) within popular cultural production, this book raises a series of speculative questions exploring the interrelation of the popular and the postcolonial.

Global Entertainment Media

Global Entertainment Media PDF

Author: Tanner Mirrlees

Publisher: Routledge

Published: 2013

Total Pages: 317

ISBN-13: 0415519810

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A critical cultural materialist introduction to the study of global entertainment media. In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: Paradigms of global entertainment media such as cultural imperialism and cultural globalization. The business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media. The "governance" of global entertainment media: state and inter-state media and cultural policies and regulations that govern the production, distribution and exhibition of entertainment media and enable or impede its cross-border flow. The new international division of cultural labor (NICL): the cross-border production of entertainment by cultural workers in asymmetrically interdependent media capitals, and economic and cultural concerns surrounding runaway productions and co-productions. The economic motivations and textual design features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media. The cross-cultural reception and effects of TV shows and films. The World Wide Web, digitization and convergence culture.

Philanthropy and Cultural Imperialism

Philanthropy and Cultural Imperialism PDF

Author: Robert F. Arnove

Publisher: Indiana University Press (Ips)

Published: 1982-09-22

Total Pages: 498

ISBN-13:

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Philanthropy and Cultural Imperialism is intended as a source book on the origins, workings, and consequences of modern general-purpose foundations. The text encompasses the activities of foundations—prinicpally Carnegie, Rockefeller, and Ford—in the production of culture and the formation of public policy. Particular attention is given to the policies of the big foundations in the fields of education and social science research. The authors write from the perspectives of history, sociology, comparative education, and educational policy studies. Their chapters are based on original research. While the contributors do not share a uniform ideological framework, they do have in common a structural point of view—they examine foundations with regard to their functioning in society. They analyze the implications of foundations' organizational characteristics, modus operandi, and substantive decisions for social control or social change. A distinguishing feature of Philanthropy and Cultural Imperialism is its systematic, critical analysis of the sociopolitical consequences of these powerful institutions. A central thesis is that foundations like Carnegie, Rockefeller, and Ford have a corrosive influence on a democratic society; they represent relatively unregulated and unaccountable concentrations of power and wealth which buy talent, promote causes, and, in effect, establish an agenda of what merits society's attention.

The Sense of the People

The Sense of the People PDF

Author: Kathleen Wilson

Publisher: Cambridge University Press

Published: 1995-07-28

Total Pages: 484

ISBN-13: 9780521340724

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This book, first published in 1995, demonstrates the central role of 'people', the empire, and the citizen in eighteenth-century English popular politics. It shows how the wide-ranging political culture of English towns attuned ordinary men and women to the issues of state power and thus enabled them to stake their own claims in national and imperial affairs.

Cultures of United States Imperialism

Cultures of United States Imperialism PDF

Author: Amy Kaplan

Publisher: Duke University Press

Published: 1993

Total Pages: 686

ISBN-13: 9780822314134

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Cultures of United States Imperialism represents a major paradigm shift that will remap the field of American Studies. Pointing to a glaring blind spot in the basic premises of the study of American culture, leading critics and theorists in cultural studies, history, anthropology, and literature reveal the "denial of empire" at the heart of American Studies. Challenging traditional definitions and periodizations of imperialism, this volume shows how international relations reciprocally shape a dominant imperial culture at home and how imperial relations are enacted and contested within the United States. Drawing on a broad range of interpretive practices, these essays range across American history, from European representations of the New World to the mass media spectacle of the Persian Gulf War. The volume breaks down the boundary between the study of foreign relations and American culture to examine imperialism as an internal process of cultural appropriation and as an external struggle over international power. The contributors explore how the politics of continental and international expansion, conquest, and resistance have shaped the history of American culture just as much as the cultures of those it has dominated. By uncovering the dialectical relationship between American cultures and international relations, this collection demonstrates the necessity of analyzing imperialism as a political or economic process inseparable from the social relations and cultural representations of gender, race, ethnicity, and class at home. Contributors. Lynda Boose, Mary Yoko Brannen, Bill Brown, William Cain, Eric Cheyfitz, Vicente Diaz, Frederick Errington, Kevin Gaines, Deborah Gewertz, Donna Haraway, Susan Jeffords, Myra Jehlen, Amy Kaplan, Eric Lott, Walter Benn Michaels, Donald E. Pease, Vicente Rafael, Michael Rogin, José David Saldívar, Richard Slotkin, Doris Sommer, Gauri Viswanathan, Priscilla Wald, Kenneth Warren, Christopher P. Wilson

Visions of Empire

Visions of Empire PDF

Author: Brad Beaven

Publisher:

Published: 2017-01-03

Total Pages: 248

ISBN-13: 9781526106698

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This book offers a ground-breaking perspective on how imperial culture was disseminated from the 1890s onward. It identifies the important synergies that grew between a new civic culture and the wider imperial project. Three case studies are considered against an extensive analysis of seminal and current historiography.

Culture and Imperialism

Culture and Imperialism PDF

Author: Edward W. Said

Publisher: Vintage

Published: 1994-05-31

Total Pages: 417

ISBN-13: 0679750541

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A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. "Grandly conceived . . . urgently written and urgently needed. . . . No one studying the relations between the metropolitan West and the decolonizing world can ignore Mr. Said's work.' --The New York Times Book Review In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.

Imperialism and Popular Culture Using Malta as a Case Study

Imperialism and Popular Culture Using Malta as a Case Study PDF

Author: Andreas Raab

Publisher: GRIN Verlag

Published: 2009-04-09

Total Pages: 14

ISBN-13: 364030943X

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Essay from the year 2007 in the subject Cultural Studies - Miscellaneous, grade: 1, University of Malta, course: The Maltese National Experience: From Occupation to Statehood, language: English, abstract: The purpose of this essay is to comparatively discuss imperialism and popular culture using Malta as a case study. At first, the concepts of imperialism and popular culture are described and the question whether these two terms are related is introduced. Second, these concepts are applied to Malta, whereby the description of the Mediterranean island’s situation also exemplarily represents the spread of popular culture to huge parts of the world. Third, this essay contains a discussion of the (potential) advantages and disadvantages or opportunities and dangers, respectively that the spread of popular culture throughout the globe (can) bring(s) with it, also focusing on the situation of Malta. Finally, the text summarises the discussion of the issue in how far the increase of popular culture can be seen as imperialistic in its character.