Imago and Contemplatio in the Visual Arts and Literature (1400–1700)

Imago and Contemplatio in the Visual Arts and Literature (1400–1700) PDF

Author: Stijn Bussels

Publisher: BRILL

Published: 2024-01-22

Total Pages: 541

ISBN-13: 9004682643

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This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.

Imago and Contemplatio in the Visual Arts and Literature (1400-1700)

Imago and Contemplatio in the Visual Arts and Literature (1400-1700) PDF

Author: Stijn Bussels

Publisher: Brill

Published: 2024-01-03

Total Pages: 0

ISBN-13: 9789004682634

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This Festschrift contains twenty-four essays, which pay tribute to the scholarship of Walter S. Melion. The chapters are subdivided into three categories, which represent key aspects of Melion's interests: "Devotion", "Art and Image Theory", and "Vision and Contemplation".

Imago Exegetica

Imago Exegetica PDF

Author: Walter Melion

Publisher: BRILL

Published: 2014-03-10

Total Pages: 1088

ISBN-13: 9004262016

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Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, has traditionally utilized visual devices of all kinds. This volume examines the many ways in which images functioned as instruments of scriptural hermeneutics in early modern Europe.

Jesuit Art

Jesuit Art PDF

Author: Mia M. Mochizuki

Publisher: BRILL

Published: 2022-01-31

Total Pages: 225

ISBN-13: 9004498222

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In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540–1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history of the image. When the question of a ‘Jesuit style’ is rehabilitated as an inquiry into sources for a spectrum of works, the Society’s investment in the functional potential of illustrated books reveals the traits that would come to define the modern image as internally networked, technologically defined, and innately subjective.

The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572)

The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572) PDF

Author: Dominicus Lampsonius

Publisher: Getty Publications

Published: 2021-12-21

Total Pages: 178

ISBN-13: 1606067419

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Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation. Dominicus Lampsonius’s The Life of Lambert Lombard (1565) is the earliest published biography of a Netherlandish artist. This neo-Latin account of the life of the painter, architect, and draftsman Lambert Lombard of Liège offers a theoretical exposition on the nature and ideal practice of Netherlandish art, emphasizing Lombard’s intellectual curiosity, interest in antiquity, attentive study of the human body, and exemplary generosity as a teacher. This volume offers the first English edition of The Life of Lambert Lombard, complemented by a new translation of the inscriptions Lampsonius composed to accompany the Effigies of Several Famous Painters from the Low Countries (1572), a cycle of twenty-three engraved portraits of Netherlandish artists developed in collaboration with the print publisher Hieronymus Cock. Together, The Life of Lambert Lombard and the Effigies established frameworks for a distinctly Netherlandish history of art. Responding to a growing sense of Netherlandish cultural and political identity on the eve of the Dutch Revolt, these texts proposed a critical alternative to Giorgio Vasari’s Lives of the Artists and its Italian model of art historical development, celebrating local ingenuity and skill. They remain the starting point for any history of the northern Renaissance.

The Sexuality of Christ in Renaissance Art and in Modern Oblivion

The Sexuality of Christ in Renaissance Art and in Modern Oblivion PDF

Author: Leo Steinberg

Publisher: University of Chicago Press

Published: 2014-12-10

Total Pages: 426

ISBN-13: 022622631X

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Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.

Insect Artifice

Insect Artifice PDF

Author: Marisa Bass

Publisher: Princeton University Press

Published: 2019-04-09

Total Pages: 313

ISBN-13: 0691177155

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How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.