Images of England Through Popular Music

Images of England Through Popular Music PDF

Author: K. Gildart

Publisher: Springer

Published: 2013-10-16

Total Pages: 290

ISBN-13: 1137384255

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Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm & blues, punk, mod subculture, and glam rock - created a sense of crisis in English society.

Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975

Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975 PDF

Author: Gillian A. M. Mitchell

Publisher: Anthem Press

Published: 2019-02-28

Total Pages: 384

ISBN-13: 1783089024

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‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.

Popular Music in England 1840-1914

Popular Music in England 1840-1914 PDF

Author: Dave Russell

Publisher: Manchester University Press

Published: 1997

Total Pages: 366

ISBN-13: 9780719052613

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In this important study, Dave Russell explores a wide range of Victorian and Edwardian musical life including brass bands, choral societies, music hall and popular concerts. He analyzes the way in which popular cultural practice was shaped by and, in turn, helped shape social and economic structures. Critically acclaimed on publication in 1987, the book has been fully revised in order to consider recent work in the field.

Murder and Mayhem

Murder and Mayhem PDF

Author: David Nash

Publisher: Bloomsbury Publishing

Published: 2018-04-25

Total Pages: 327

ISBN-13: 1137290455

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This introductory book offers a coherent history of twentieth century crime and the law in Britain, with chapters on topics ranging from homicide to racial hate crime, from incest to anarchism, from gangs to the death penalty. Pulling together a wide range of literature, David Nash and Anne-Marie Kilday reveal the evolution of attitudes towards criminality and the law over the course of the twentieth century. Highlighting important periods of change and development that have shaped the overall history of crime in Britain, the authors provide in-depth analysis and explanation of each theme. This is an ideal companion for undergraduate students taking courses on Crime in Britain, as well as a fascinating resource for scholars.

London’s Working-Class Youth and the Making of Post-Victorian Britain, 1958–1971

London’s Working-Class Youth and the Making of Post-Victorian Britain, 1958–1971 PDF

Author: Felix Fuhg

Publisher: Springer Nature

Published: 2021-05-20

Total Pages: 444

ISBN-13: 3030689689

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This book examines the emergence of modern working-class youth culture through the perspective of an urban history of post-war Britain, with a particular focus on the influence of young people and their culture on Britain’s self-image as a country emerging from the constraints of its post-Victorian, imperial past. Each section of the book – Society, City, Pop, and Space – considers in detail the ways in which working-class youth culture corresponded with a fast-changing metropolitan and urban society in the years following the decline of the British Empire. Was teenage culture rooted in the urban experience and the transformation of working-class neighbourhoods? Did youth subcultures emerge simply as a reaction to Britain's changing racial demographic? To what extent did leisure venues and institutions function as laboratories for a developing British pop culture, which ultimately helped Britain re-establish its prominence on the world stage? These questions and more are answered in this book.

Music and Image

Music and Image PDF

Author: Richard Leppert

Publisher: CUP Archive

Published: 1993-06-24

Total Pages: 270

ISBN-13: 9780521448543

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An examination of the place and practice of musical life in eighteenth-century England among the upper classes.

Music and Society in Early Modern England

Music and Society in Early Modern England PDF

Author: Christopher Marsh

Publisher: Cambridge University Press

Published: 2013-05-02

Total Pages: 625

ISBN-13: 1107610249

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Comprehensive, lavishly illustrated survey of English popular music during the early modern period. Accompanied by specially commissioned recordings.

Images of Britain

Images of Britain PDF

Author: Ann Stonehouse

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780749572006

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The best guide to the country, packed with full-color photographs of the highest caliber This magnificent collection of photographs captures not only Britain's splendid natural beauty, but the very essence of the land—its people, its history, its architecture, and its customs. Stunning pictures transport readers on a journey county by county though England, Scotland, and Wales, with extended captions that bring each image to life. From cottages to cathedrals, from palaces to promenades, and from Stonehenge to the works of modern British sculptors, this is a stunning photographic celebration of Britain's glorious past and thriving present.

London, Reign Over Me

London, Reign Over Me PDF

Author: Stephen Tow

Publisher: Rowman & Littlefield

Published: 2020-02-15

Total Pages: 225

ISBN-13: 1538127180

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It all started in London. More than fifty years ago, a generation of teens created something that would change the face of music forever. London, Reign Over Me immerses us in the backroom clubs, basement record shops, and late-night faint radio signals of 1960s Britain, where young hopefuls like Peter Frampton, Dave Davies, and Mick Jagger built off American blues and jazz to form a whole new sound. Author Stephen Tow weaves together original interviews with over ninety musicians and movers-and-shakers of the time to uncover the uniquely British story of classic rock’s birth. Capturing the stark contrast of bursting artistic energy with the blitzkrieg landscape leftover from World War II, London, Reign Over Me reveals why classic rock ‘n’ roll could only have been born in London. A new sound from a new generation, this music helped spark the most important cultural transformation of the twentieth century. Key interviews include: •Jon Anderson (Yes) •Ian Anderson (Jethro Tull) •Rod Argent (The Zombies) •Chris Barber (Chris Barber Jazz Band) •Joe Boyd (Producer/manager) •Arthur Brown (Crazy World of Arthur Brown) •David Cousins (The Strawbs) •Dave Davies (The Kinks) •Spencer Davis (Spencer Davis Group) •Judy Dyble (Fairport Convention) •Ramblin’ Jack Elliott (Solo folk/blues artist) •Peter Frampton (Humble Pie, solo artist) •Roger Glover (Deep Purple) •Steve Howe (Yes) •Neil Innes (Bonzo Dog Band; Monty Python) •Kenney Jones (The Small Faces; The Who) •Greg Lake (King Crimson; Emerson, Lake & Palmer) •Manfred Mann (Manfred Mann) •Terry Marshall (Marshall Amplification) •Dave Mason (Traffic) •Phil May (The Pretty Things) •John Mayall (The Bluesbreakers) •Jim McCarty (The Yardbirds) •Ian McLagan (The Small Faces) •Jacqui McShee (The Pentangle) •Peter Noone (Herman’s Hermits) •Carl Palmer (Atomic Rooster; Emerson, Lake & Palmer) •Jan Roberts (Eel Pie Island Documentary Project) •Paul Rodgers (Free) •Peggy Seeger (Solo folk artist) •Hylda Sims (Club owner) •Keith Skues (DJ: Radio Caroline, Radio London, Radio One) •Jeremy Spencer (Fleetwood Mac) •John Steel (The Animals) •Al Stewart (Solo folk artist) •Dick Taylor (The Pretty Things) •Ray Thomas (The Moody Blues) •Richard Thompson (Fairport Convention) •Rick Wakeman (The Strawbs, Yes) •Barrie Wentzell (Photographer: Melody Maker)

Music in Rural New England Family and Community Life, 1870-1940

Music in Rural New England Family and Community Life, 1870-1940 PDF

Author: Jennifer C. Post

Publisher: Hardscrabble Books

Published: 2004

Total Pages: 342

ISBN-13:

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Today music in New England homes and communities is broadcast through the airwaves, preserved on audio recordings, and reinforced in jam sessions and dance clubs. Before 1940, however, residents in rural New England communities listened to and performed music in more limited social spheres. Their performance venues were largely in the home, neighborhood, village, or work place. Fewer opportunities existed at that time to bring new music into the community or to share local music more widely. When commerce and the media began to dominate the music scene with the phonograph and, later, the radio, exchanges among musicians and fans transcended the local and broadened spheres of influence and radically altered the musical landscape. Drawing upon interviews and archival primary source materials, this book presents new insights into the musical practices and traditions of late-nineteenth- and early-twentieth-century rural Northern New England--a context that includes traditional ballads and hymns and, surprisingly, popular songs and commercial dance music. Jennifer Post lets the voices of ordinary people--the participants--tell us about their music and cultural history. Their stories are infused with issues of concern to ethnomusicologists, historians, and social scientists about landscape and community, gendered expression, imagined traditions, and historical representation. The author conveys that historical traditions are not always what they seem. Post offers a startling new interpretation of vernacular music of the region: In contrast to many traditional scholars who have viewed ballads and folk music, particularly in Appalachia, as somehow a "purer" brand of lost musical traditions, Post finds that across Northern New England everyday people equally enjoyed and expressed themselves through an amalgam of folk ballads, dance music, and popular musical favorites. At the heart of this study is the recognition that the musical lives of individuals, their families, and their communities were constantly being negotiated in relation to social status, gender relations, local geography, and economic needs.