Author: Leconte de Lisle
Publisher:
Published: 2007-07-01
Total Pages: 208
ISBN-13: 9780773454613
DOWNLOAD EBOOK →This work offers the first translation of the neglected nineteenth-century French poet, Leconte de Lisle, revealing him to be one of the first and most talented of the multi-culturalists. A creole sage born on the Isle of Reunion in the Indian Ocean, Leconte de Lisle spent much of his life in Paris working as the national librarian. His work was respected by the major poets of his day, but his Buddhist sense of detachment caused him to be underappreciated. These poems are his most heartfelt evocations of the Orient and the island of his birth.
Author: Emile Talbot
Publisher: McGill-Queen's Press - MQUP
Published: 2003-05
Total Pages: 240
ISBN-13: 9780773524798
DOWNLOAD EBOOK →Émile Nelligan (1879–1941) wrote all of his poetry as an adolescent, before spending four decades in a psychiatric asylum. Considering all of Nelligan's work and using a largely textual approach, Émile Talbot points out the Canadian roots of Nelligan's originality. He argues that these are discernable despite Nelligan's use of the discourse of nineteenth-century continental French poetry, particularly that of the Parnassians and the Decadents. Talbot's textual analysis is integrated with a consideration of the social, cultural, artistic, and religious climate of both late nineteenth-century Montreal and the European literary culture to which Nelligan was responding. Talbot considers such pertinent factors as the spirituality of guilt, the role of the mother, and a societal context that rejected both the revelation of the self and the autonomy of art. In doing so he sheds new light on Nelligan's use of European poetic language to fashion a poetry marked by his own culture.
Author: Annie Shoemaker Hawke Wright
Publisher:
Published: 1904
Total Pages: 44
ISBN-13:
DOWNLOAD EBOOK →Author: Stephen Rumph
Publisher: Univ of California Press
Published: 2020-09-29
Total Pages: 277
ISBN-13: 0520969901
DOWNLOAD EBOOK →Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.