Ibsen's Selected Plays (Norton Critical Editions)

Ibsen's Selected Plays (Norton Critical Editions) PDF

Author: Henrik Ibsen

Publisher: W. W. Norton & Company

Published: 2004

Total Pages: 11

ISBN-13: 0393924041

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Collects five plays spanning Ibsen's career, with general introductions, explanatory annotations, criticism, and selections from his correspondence and other writings.

Ibsen's Drama

Ibsen's Drama PDF

Author: Einar Ingvald Haugen

Publisher: U of Minnesota Press

Published: 1979

Total Pages: 210

ISBN-13: 0816608962

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Examines Ibsen's life and work, the ideas that shaped his art, and the influence he had on modern literature and thought

Ibsen Plays: 2

Ibsen Plays: 2 PDF

Author: Henrik Ibsen

Publisher: A&C Black

Published: 2014-03-20

Total Pages: 337

ISBN-13: 1472573919

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This volume contains Ibsen's two most famous and frequently read, studied and performed plays about women: A Doll's House (1879), his first international success, which 'exploded like a bomb into contemporary life', and Hedda Gabler (1890), now one of his most popular plays, but greeted at first with bewilderment and outrage ('The play is simply a bad escape of moral sewage-gas' Pictorial World). Also included is An Enemy of the People (1883), whose central character was the actor Konstantin Stanislavski's favourite role.Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)

Text and Supertext in Ibsen's Drama

Text and Supertext in Ibsen's Drama PDF

Author: Brian Johnston

Publisher: Penn State Press

Published: 1989-01-01

Total Pages: 309

ISBN-13: 027102724X

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Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day. This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas. Brian Johnston is Chief Editor of Theater Three. He is the author of The Ibsen Cycle and To the Third Empire, and is Visiting Professor, Department of Drama, Carnegie Mellon University.

Ibsen Plays: 4

Ibsen Plays: 4 PDF

Author: Henrik Ibsen

Publisher: A&C Black

Published: 2014-03-20

Total Pages: 283

ISBN-13: 1472573927

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"Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field" (George Steiner) The plays shine freshly from the pages ...This will be our definitive Ibsen." (JC Trewin) This volume contains Ibsen's first great modern prose play and his two last symbolic dramas. The Pillars of Society, written between 1875 and 1877, exhibits many of the classic elements which recur in the subsequent plays - a marriage founded on a lie, women stunted by social conventions, an arrogant man destroying the happiness of those around him. John Gabriel Borkman (1896), according to Edvard Munch, is "the most powerful winter landscape in Scandinavian art"; and Ibsen's last play, When We Dead Awaken (1899), also dealing with "the coldness of heart", showed, said Bernard Shaw, "no decay of Ibsen's highest qualities. His magic is nowhere more potent.Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)

Ibsen's Theatre of Ritualistic Visions

Ibsen's Theatre of Ritualistic Visions PDF

Author: Trausti Ólafsson

Publisher: Peter Lang

Published: 2008

Total Pages: 324

ISBN-13: 9783039111343

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This book examines the ritualistic and mythological features derived from various religious traditions depicted in ten Ibsen plays. The worshipping of the Great Mother, the Mysteries of Eleusis, the Hebrew Passover Meal and Yom Kippur, alongside with the most sacred feasts of Christianity, are identified in Ibsen's texts in a way not discovered before. The outcome is a fascinating voyage through a landscape of ritualistic visions. Throughout the book the author illustrates how the plays contribute to the revival of the sacred in modernist theatre. Each chapter of the book contains a synopsis of the play interpreted, followed by a detailed analysis, which focuses on religious concepts and mythological elements incorporated in Ibsen's texts.

Ibsen's Kingdom

Ibsen's Kingdom PDF

Author: Evert Sprinchorn

Publisher: Yale University Press

Published: 2021-01-26

Total Pages: 684

ISBN-13: 0300256248

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A major biography of one of the most important figures in modern drama, evoked through a biographical reading of his playsNorwegian playwright Henrik Ibsen achieved unparalleled success in his lifetime and remains one of the most important figures in modern drama. The culmination of a lifetime of scholarship, Evert Sprinchorn’s biography constructs Ibsen’s life through a biographical reading of his plays with provocative and insightful analyses of his works, placing them and their author within the social, political, and intellectual foment of nineteenth-century Europe. This thought-provoking book will captivate anyone interested in the history of drama and the foundations of modernism.