Humanism and Democratic Criticism

Humanism and Democratic Criticism PDF

Author: Edward W. Said

Publisher: Columbia University Press

Published: 2004

Total Pages: 188

ISBN-13: 9780231122641

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brought on by advances in technological communication, intellectual specialization, and cultural sensitivity -- has eroded the former primacy of the humanities, Edward Said argues that a more democratic form of humanism -- one that aims to incorporate, emancipate, and enlighten --

Democratic Humanism and American Literature

Democratic Humanism and American Literature PDF

Author: Harold Kaplan

Publisher: Routledge

Published: 2018-02-06

Total Pages: 330

ISBN-13: 1351522817

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Democratic Humanism and American Literature illustrates the interplay between democratic assumptions and literary performance in the America's classic nineteenth-century writers--Emerson, Thoreau, Hawthorne, Melville, Cooper, Poe, Whitman, Twain, and James. Harold Kaplan suggests that these major figures' works are linked by the myths of genesis of a new political culture. Challenged by the democratic ideal, and committed to it, they wrote prophetic books in the American liberal tradition and endowed its ethical intelligence. The task of stating a new and undefined freedom was always implicit and often in the foreground of the writing of these nineteenth-century giants. As the author describes the situation, "the free man had to decide in what sense he was bound by nature or could master it; in what sense he was committed to his society and could reconcile his freedom with it." These classic writers devoted their work to examining this dialectic of values; Kaplan sees their complex and polarized democratic consciousness as seminal in the imaginative tradition they generated. What is unique in that tradition of values is the rivalry of criticism with affirmations of faith. "The highly original ethical trait involved here is based on the capacity of a political society to use its negations against itself and survive." The author suggests that in our own time moral judgments are more likely to be the province of activist politics than literature. His new introduction relates the theme of the book to cultural and political developments in the American experience of modernity and adds a discussion of Wallace Stevens and William Carlos Williams to the figures treated in the original edition. Since tendencies to develop ideological and idiosyncratic responses to extrinsic events have grown stronger over time, it is more important than ever for scholars and students alike to recover a "moral imagination"--the force that gave rise to the great literary works of the nineteenth century. To describe that force is Harold Kaplan's goal in Democratic Humanism and American Literature.

Antinomies of Art and Culture

Antinomies of Art and Culture PDF

Author: Okwui Enwezor

Publisher: Duke University Press

Published: 2009-01-16

Total Pages: 458

ISBN-13: 0822389339

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In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment. In the volume’s introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their “contemporaneity,” a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negri’s analysis of contemporaneity in light of the concept of multitude to Okwui Enwezor’s argument that the entire world is now in a postcolonial constellation, and from Rosalind Krauss’s defense of artistic modernism to Jonathan Hay’s characterization of contemporary developments in terms of doubled and even para-modernities. The volume’s centerpiece is a sequence of photographs from Zoe Leonard’s Analogue project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind. Contributors: Monica Amor, Nancy Condee, Okwui Enwezor, Boris Groys, Jonathan Hay, Wu Hung, Geeta Kapur, Rosalind Krauss, Bruno Latour, Zoe Leonard, Lev Manovich, James Meyer, Gao Minglu, Helen Molesworth, Antonio Negri, Sylvester Okwunodu Ogbechie, Nikos Papastergiadis, Colin Richards, Suely Rolnik, Terry Smith, McKenzie Wark

What Are We Doing Here?

What Are We Doing Here? PDF

Author: Marilynne Robinson

Publisher: Farrar, Straus and Giroux

Published: 2018-02-20

Total Pages: 336

ISBN-13: 0374717788

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New essays on theological, political, and contemporary themes, by the Pulitzer Prize winner Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award, and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display. What Are We Doing Here? is a call for Americans to continue the tradition of those great thinkers and to remake American political and cultural life as “deeply impressed by obligation [and as] a great theater of heroic generosity, which, despite all, is sometimes palpable still.”

Democratic Criticism

Democratic Criticism PDF

Author: Masood Ashraf Raja

Publisher: University of Michigan Press

Published: 2023-02-14

Total Pages: 258

ISBN-13: 1643150464

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After the publication of Salman Rushdie’s The Satanic Verses (1988), the poetics of incitement— found in texts originating in the West containing themes and representations of Islam hurtful to Muslims—became an accepted method of textual production in the West. Production of such texts intensified after the attacks of 9/11. Democratic Criticism: Poetics of Incitement and the Muslim Sacred by Masood Ashraf Raja urges a new mode of reading, one that permits Western readers to transcend local reading practices in order to, as best as one can, read from the point of view of the Other. Raja argues that the lack of understanding of Muslim responses to the poetics of incitement in the West is the result of a lack of cross-cultural knowledge. He claims metropolitan universities often do not teach the proper social, historical, and religious context required for effectively reading these texts with any form of cultural knowledge. To remedy this, Raja offers and theorizes “democratic reading practices” and new ways for students to engage with texts. A genealogy of the Muslim Sacred is included, thereby giving readers the history and specific knowledge that constitutes an average Muslim reader of these texts, a subject who should be imagined and empathized with when those in the West read works of the poetics of incitement. Democratic Criticism encourages Western readers to develop a deeper understanding of the meaning-making processes of the Islamic world while at the same time encouraging the Muslim readers to read representations of the Islamic world with a more expansive understanding. It will be a helpful tool in creating reading practices that allow both teachers and students of literature to transcend their mode of reading as universal and to read from the perspective of the Other, and allow readers to engage meaningfully with these texts. Students and scholars of world literature, history, and religious studies will find this book insightful and valuable.

Beginnings

Beginnings PDF

Author: Edward W. Said

Publisher: Columbia University Press

Published: 1985

Total Pages: 442

ISBN-13: 9780231059374

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This reissued classic traces the ramifications and diverse understandings of the concept of "beginning" in history and offers valuable insights into the role of the intellectual and the goal of criticism.

Levinas and the Crisis of Humanism

Levinas and the Crisis of Humanism PDF

Author: Claire Elise Katz

Publisher: Indiana University Press

Published: 2013

Total Pages: 248

ISBN-13: 0253007623

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Reexamining Emmanuel Levinas's essays on Jewish education, Claire Elise Katz provides new insights into the importance of education and its potential to transform a democratic society, for Levinas's larger philosophical project. Katz examines Levinas's "Crisis of Humanism," which motivated his effort to describe a new ethical subject. Taking into account his multiple influences on social science and the humanities, and his various identities as a Jewish thinker, philosopher, and educator, Katz delves deeply into Levinas's works to understand the grounding of this ethical subject.

The Legacy of Edward W. Said

The Legacy of Edward W. Said PDF

Author: William V. Spanos

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 291

ISBN-13: 0252092457

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With the untimely death of Edward W. Said in 2003, various academic and public intellectuals worldwide have begun to reassess the writings of this powerful oppositional intellectual. Figures on the neoconservative right have already begun to discredit Said’s work as that of a subversive intent on slandering America’s benign global image and undermining its global authority. On the left, a significant number of oppositional intellectuals are eager to counter this neoconservative vilification, proffering a Said who, in marked opposition to the “anti-humanism” of the great poststructuralist thinkers who were his contemporaries--Jacques Derrida, Jean-Francois Lyotard, Jacques Lacan, Louis Althusser, and Michel Foucault--reaffirms humanism and thus rejects poststructuralist theory. In this provocative assessment of Edward Said’s lifework, William V. Spanos argues that Said’s lifelong anti-imperialist project is actually a fulfillment of the revolutionary possibilities of poststructuralist theory. Spanos examines Said, his legacy, and the various texts he wrote--including Orientalism,Culture and Imperialism, and Humanism and Democratic Criticism--that are now being considered for their lasting political impact.

On Late Style

On Late Style PDF

Author: Edward Said

Publisher: A&C Black

Published: 2014-07-08

Total Pages: 178

ISBN-13: 140884625X

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_______________ 'A series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' - London Review of Books 'Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' - Financial Times 'What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' - Hanif Kureishi 'His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' - Guardian _______________ On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.