The White Goddess

The White Goddess PDF

Author: Robert Graves

Publisher: Farrar, Straus and Giroux

Published: 1966-01-01

Total Pages: 516

ISBN-13: 9780374504939

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The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.

Historical Memorials of Westminster Abbey

Historical Memorials of Westminster Abbey PDF

Author: Arthur Penrhyn Stanley

Publisher: London : J. Murray

Published: 1896

Total Pages: 616

ISBN-13:

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"The Collegiate Church of St Peter at Westminster, popularly known as Westminster Abbey, is a large, mainly Gothic church, in the City of Westminster, London, located just to the west of the Palace of Westminster. It is the traditional place of coronation and burial site for English, later British and later still (and currently) monarchs of the Commonwealth realms. The abbey is a Royal Peculiar and briefly held the status of a cathedral from 1540 to 1550."--Wikipedia.

Comparative Poetics

Comparative Poetics PDF

Author: Earl Roy Miner

Publisher: Princeton University Press

Published: 1990-10-23

Total Pages: 284

ISBN-13: 9780691014906

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"Comparative literature," Earl Miner writes, "clearly involves something more than comparing two great German poets, and something different from a Chinese studying French literature or a Russian studying Italian literature." But what would a true intercultural poetics be? This work proposes various ways to "study something other than what are, all things considered, the short and simple annals of one cultural parish at one historic moment." The first developed account of theories of literature from an intercultural standpoint, the book shows that an "originative" or "foundational" poetics develops in cultures with explicit poetics when critics define the nature and conditions of literature in terms of the then most esteemed genredrama, lyric, or narrative. Earl Miner demonstrates that these definitions and inferences from them constitute useful bases for comparative poetics.

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