How to Play Pipa, the Chinese Lute

How to Play Pipa, the Chinese Lute PDF

Author: H. H. Lee

Publisher:

Published: 2017-10-24

Total Pages: 50

ISBN-13: 9781549958397

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This book will teach you how to play pipa, the Chinese lute, at the beginner level. No prior knowledge in Chinese music is needed. In addition, you will know the pipa's structure, the ways to choose a good pipa and the numbered music notation. A number of sheet music are also provided for your own practices. After reading the whole book, you should have a basic understanding of the pipa and can play some simple songs by yourself.

The Way of the Pipa

The Way of the Pipa PDF

Author: John Myers

Publisher: Kent State University Press

Published: 1992

Total Pages: 184

ISBN-13: 9780873384551

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Two thousand years ago, the lute was imported to China via overland trade routes from Central Asia and was adopted quickly in many of the regions. Ancient court documents describe how generations of talented musicians developed its music. John E. Myers translates one of these documents to introduce to readers of the English language the traditional music and artistic philosophy of the Chinese lute or pipa. He combines language and musical skills with an aesthetic sensibility in sharing what he calls this world of expressive beauty.

"Silk and Bamboo" Music in Shanghai

Author: John Lawrence Witzleben

Publisher: Kent State University Press

Published: 1995

Total Pages: 232

ISBN-13: 9780873384995

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This is a study of one of China's most influential regional musical traditions, the Jiangnan sizhu - string and wind music - of Shanghai. The in-depth approach adopted reveals much about Chinese musical culture.

Book 6. Jade In Strings

Book 6. Jade In Strings PDF

Author: Jing YANG

Publisher: BoD – Books on Demand

Published: 2023-12-25

Total Pages: 40

ISBN-13: 3758323339

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Composer Yang Jing is also an internationally renowned pipa soloist. Rooted in the millennia-old tradition of Chinese music, she builds on a vast amalgam of musical history. The result is sometimes musical poetry, sometimes powerful unheard-of sounds. YANG Jing's technical and musical inventions on the pipa bear witness to her constant expansion of the world of harmony. She was born on the south bank of the Yellow River in December 1963. She began her musical training at the age of 6, playing the pipa, sometimes called the Chinese Lute. From 1976, at the age of 12, she began her journey through various schools and performance ensembles: Henan Opera Music School, Shanghai Conservatory of Music, China National Orchestra, Asia Ensemble (Tokyo), Master's Courses in Composition with Minoru Miki, Master's in Contemporary Composition and Theory at the Hochschule der Kunst Bern, Swiss Jazz Quintet, 4tet Different Song. She has also worked with many orchestras, groups of outstanding musicians, and her colleagues in various ensembles. She writes music for western symphony orchestras, choirs, and ensembles as well as music for formations with traditional Chinese instruments. Her works have been performed in music festivals and concert tours in Europe, China, Japan, the USA, and Canada. She based her home in central Switzerland.

Lutes and Marginality in Pre-Modern China

Lutes and Marginality in Pre-Modern China PDF

Author: Ingrid Maren Furniss

Publisher: Taylor & Francis

Published: 2024-07-23

Total Pages: 263

ISBN-13: 1040044913

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Lutes and Marginality in Pre-Modern China traces the complex history of lutes as they moved from the far west into China, and how these instruments became linked to various forms of social, cultural, ethnic, and religious marginality within and at China’s borders. The book argues that the lute, a musical instrument that likely originated in the Near East or Central Asia, became a highly charged object replete with associations of ethnic and political identity, social status, and gender in China across the third to seventeenth centuries, and as such, offers a crucial vehicle for understanding interactions between the Chinese center and periphery. Using a richly interdisciplinary perspective that brings together music history, performance studies, archaeology, and art history, the author draws together the visual evidence for the history of Chinese lutes and analyzes the political and cultural dimensions of their depictions in art. In exploring the lute’s reception across time and space, this book illuminates the shifting relationships between China and cultures along its frontier, as well as the dynamics of gender and social status within China’s center. Comprehensive in scope, Lutes and Marginality in Pre-Modern China offers new insights for scholars of pre-modern China, art history, archaeology, music history, ethnomusicology, and Silk Road and frontier studies.

A Handbook of Chinese Cultural Terms

A Handbook of Chinese Cultural Terms PDF

Author: Gao Wanlong

Publisher: Trafford Publishing

Published: 2012

Total Pages: 313

ISBN-13: 146692005X

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This handbook is specially designed to meet the needs of both Chinese and English readers, researchers, and translators who are interested in Chinese culture. The Chinese cultural terms included in this book cover almost all the aspects of Chinese culture, literary, artistic, religious, philosophical, folkloric, classical, vernacular and so on. As many of them have not their English equivalents, the authors have tried to find the corresponding English terms for them as much as possible so that they can be conductive to the readers' grasp of the Chinese cultural terms and phrases when they read or translate a Chinese book about Chinese culture. This book is indispensible and very useful to sinologists, Chinese-English translators and tour guides.

The Lore of the Chinese Lute

The Lore of the Chinese Lute PDF

Author: Robert H van Gulik

Publisher: Orchid Press

Published: 2021-05-15

Total Pages: 312

ISBN-13: 9789745242364

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The lute, ch'in or guqin is one of China's oldest and most revered musical instruments. Records indicate that it has been a favourite of the literary classes for more than 2,500 years; Confucius himself was a great lover of the instrument. Over the centuries, it became representative of the life, taste and pastimes of the Chinese literati. In addition to its contributions to solo and orchestral musical arrangements, a wealth of symbolic meaning accrued to the lute over time. Not only was knowledge of the instrument reserved for the literati; its study was believed to be conducive to meditation and to facilitate intellectual enlightenment. While a significant body of literature has been written on the lute in Chinese, the present monograph is the first to assemble a broad picture of the instrument and its cultural significance in English. The author, a renowned Sinologue and linguist, studied the playing of the instrument under one of the most famous lute masters of his age.

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