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Hong Kong Culture

Author: Kam Louie

Publisher: Hong Kong University Press

Published: 2010-06-01

Total Pages: 325

ISBN-13: 9888028413

"Does Hong Kong culture still matter? This informative and interdisciplinary volume proves unmistakably so. It stands as an essential Hong Kong reader, a rich resource not only for those specialized in Hong Kong culture and history but also for students, teachers, and researchers interested in cosmopolitanism, postcolonial conditions, as well as cultural globalization."-Laikwan Pang, The Chinese University of Hong Kong "A very timely, ambitious and fascinating book. The essays are based on solid research, and full of theoretical or analytical insights illustrating the complexity of social and cultural life in Hong Kong. In addition to offering excellent essays on Hong Kong cinema, the book also surveys alternative performance art and documentary, which are undoubtedly the least researched aspects of Hong Kong's cultural scene."-Law Wing Sang, Lingnan University Hong Kong as a world city draws on a rich variety of foundational "texts" in film, fiction, architecture and other forms of visual culture. The city has been a cultural fault-line for centuries ù a translation space where Chinese-ness is interpreted for "Westerners" and Western-ness is translated for Chinese. Though constantly refreshed by its Chinese roots and global influences, this hub of Cantonese culture has flourished along cosmopolitan lines to build a modern, outward-looking character. Successfully managing this perpetual instability helps make Hong Kong a postmodern stepping-stone city, and helps make its citizens such prosperous and durable survivors in the modern world. This volume of essays engages many fields of cultural achievement. Several pieces discuss the tensions of English, closely associated with a colonial past, yet undeniably the key to Hong Kong's future. Hong Kong provides a vital point of contact, where cultures truly meet and a cosmopolitan traveler can feel at home and leave a sturdy mark. Contributors include John Carroll, Carolyn Cartier, David Clarke, Elaine Ho, Douglas Kerr, Michael Ingham, C. J.W.-L. Wee, Chu Yiu-Wai, Gina Marchetti, Esther M.K. Cheung, Pheng Cheah, Chris Berry, and Giorgio Biancorosso. Kam Louie is dean of the Faculty of Arts at the University of Hong Kong.

Hong Kong - Culture Smart!

Author: Vickie Chan

Publisher: Kuperard

Published: 2017-09-01

Total Pages: 168

ISBN-13: 1787029573

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Visitors marvel at Hong Kong's breathtaking location, its amazing architecture, its exciting shopping, and its fine dining. And yet it is a land of opposites—of order juxtaposed with chaos, of ancient etiquette and seemingly abrupt manners, a place where rich and poor live in close proximity. Culturally, Hong Kong is rooted in the traditions of China, but there is more than a patina of Westernization. And despite stiff competition, it remains the principal international financial center in China. Hong Kong has more holidays than anywhere in the world, and most are celebrated in the streets or parks. Culture Smart! Hong Kong introduces the reader to this vibrant, multifaceted society. It provides helpful advice and cultural insights on business practice and social etiquette.

Lost in Transition

Author: Yaowei Zhu

Publisher: SUNY Press

Published: 2013-06-01

Total Pages: 230

ISBN-13: 1438446454

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Looks at the fate of Hong Kong’s unique culture since its reversion to China.

Hong Kong

Author: M. Ackbar Abbas

Publisher: U of Minnesota Press

Published: 1997

Total Pages: 155

ISBN-13: 9780816629251

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In this intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonization and disappearance, can teach us about the future of both the colonial city and the global city.

Consuming Hong Kong

Author: Gordon Mathews

Publisher: Hong Kong University Press

Published: 2001-10-01

Total Pages: 356

ISBN-13: 9622095461

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Consumption forms an essential part of Hong Kong people's lives today, but until now little serious attention has been paid to it. This book fills this gap, in a fascinating way. The contributors to this volume explore such topics as: - the coming of shopping malls to Hong Kong - tenants' senses of home in cramped public housing - the experiences of movie-going - alcohol as a marker of social class - the pursuit of fashion - Chinese art and identity among Hong Kong collectors - the dream and reality of owning a flat - Lan Kwai Fong and its mystique - the McDonald's Snoopy craze of fall 1998 - cultural identity and consumption in Hong Kong today This book shows how the detailed ehtnographic study of consumption in Hong Kong can lead to a deeper understanding of Hong Kong life as a whole, as well as of consumption in the world at large.

Neoliberalism and Culture in China and Hong Kong

Author: Hai Ren

Publisher: Routledge

Published: 2010-10-04

Total Pages: 253

ISBN-13: 1136923659

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This book examines the period leading up to the Hong Kong handover in 1997 - the 'countdown of time', and by using iconic cultural symbols such as the countdown clock, the Hong Kong Museum exhibitions and cultural heritage sites, argues that China has undergone a transition to neoliberal state, in part through its reunification with Hong Kong. The problem of synchronization with the world, a Chinese phrase that epitomizes China's engagement with modern capitalism since the first Opium War, was characterized throughout the 20th century as a 'humiliation', 'weakness', 'tragedy' and 'disaster', with China in the role of the victim of capitalist globalization. During the reunification with Hong Kong, these conventional expressions were replaced by new ones such as 'de-humiliation', 'return', 'self-esteem' and 'revival'. Hai Ren gives an ethnographic and historical analysis of this cultural and political transformation of China's globalization experience by looking closely at public history practices in mainland China and Hong Kong and how the reconfiguration of everyday life and cultural norms led to the development of this neoliberal China. As a book which straddles Chinese and Hong Kong, history, politics, cultural heritage and museum studies more generally, it can be regarded as a work of cultural political economy which will appeal to students and scholars of all of the above.