Hollywood Through the Back Door

Hollywood Through the Back Door PDF

Author: Michael St. John

Publisher: Xlibris Corporation

Published: 2019-08-29

Total Pages: 277

ISBN-13: 1796047546

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Hollywood Through the Backdoor uncovers the story of actor-writer-composer MICHAEL ST. JOHN, arriving in Hollywood, with no great expectations, just to survive. It was a time when artists of color were forced to accept any kind of demeaning role in the business. When not in a class at U.S.C., Michael found on a film set, observing and meeting stars or those who might make it happen for him. He pulled some outlandish stunts to get the job or part he wanted, but managed to garner the respect of some of the most powerful people in the entertainment industry i.e., Dan Dailey, Marlon Brando, Hedda Hopper, and so many other highly respected creative-movers in the industry, who held out their hand, giving him the necessary push needed. The Backdoor? Hell, Michael didn't care, it was an entrance! Segment Film Productions : Michael Plaster - Steven F. Proctor

Hollywood Through the Back Door

Hollywood Through the Back Door PDF

Author: Michael St John

Publisher:

Published: 2016-11-01

Total Pages: 248

ISBN-13: 9781682903186

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Michael St. John was born in West Chester, Pennsylvania. He spent the first six years of his life in a village called "The Holler”. There he confronted violence, rape and murder. The family eventually moved to Morton, near Philadelphia, where he was introduced to the theater, television and radio. His first semester at a college was spent at Earlham College, in Indiana. While there he was elected class president, the first Afro America to be so distinguished. It also resulted in his dormitory room being fire-bombed. As a result, he was transferred to U.S.C., in Los Angeles. Immediately, his life took on a different hue. He suddenly was propelled into the magic world of Hollywood. Michael quickly found that breaking the rules to get what he wanted was necessary, to achieve his creative objectives. Having the support of film luminaries as Bette Davis, Agnes Moorehead and producer, David Weisbart, many doors of Tinseltown were opened. He was addicted to an industry, one that only gave Afro Americans a slight nod. Never the less, Michael took on every challenge to prove them wrong. It was a backdoor entrance, but a battle, he was anxious to confront.

Opening the Doors to Hollywood

Opening the Doors to Hollywood PDF

Author: Carlos De Abreu

Publisher: Potter Style

Published: 2010-04-07

Total Pages: 432

ISBN-13: 0307558843

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Finally! A step-by-step guide to the keys that unlock the doors to Hollywood. Opening the Doors to Hollywood has all the information you'll ever need in order to tap into the $500 million spent yearly in Hollywood on acquiring and developing projects. Discover how to: Find a story Rewrite it Option it Package it Pitch it Write it Sell it to film and television companies Complete with a reference section that includes guilds/unions, libraries, sample contracts, seminars and workshops, trade publications, and writers' organizations, Opening the Doors to Hollywood is invaluable to any writer.

Hollywood on the Hudson

Hollywood on the Hudson PDF

Author: Richard Koszarski

Publisher: Rutgers University Press

Published: 2008-08-27

Total Pages: 592

ISBN-13: 9780813545523

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In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line.

Hollywood Unknowns

Hollywood Unknowns PDF

Author: Anthony Slide

Publisher: Univ. Press of Mississippi

Published: 2012-09-05

Total Pages: 279

ISBN-13: 1617034754

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Extras, bit players, and stand-ins have been a part of the film industry almost from its conception. On a personal and a professional level, their stories are told in Hollywood Unknowns, the first history devoted to extras from the silent era through the present. Hollywood Unknowns discusses the relationship of the extra to the star, the lowly position in which extras were held, the poor working conditions and wages, and the sexual exploitation of many of the hardworking women striving for a place in Hollywood society. Though mainly anonymous, many are identified by name and, for perhaps the first time, receive equal billing with the stars. And Hollywood Unknowns does not forget the bit players, stand-ins, and doubles, who work alongside the extras facing many of the same privations. Celebrity extras, silent stars who ended their days as extras, or members of various ethnic groups—all gain a deserved luster in acclaimed film writer Anthony Slide's prose. Chapters document the lives and work of extras from the 1890s to the present. Slide also treats such subjects as the Hollywood Studio Club, Central Casting, the extras in popular literature, and the efforts at unionization through the Screen Actors Guild from the 1930s onwards. Slide chronicles events such as John Barrymore's walking off set in the middle of the day so the extras could earn another day's wages, and Cecil B. DeMille's masterful organizing of casts of thousands in films such as Cleopatra. Through personal interviews, oral histories, and the use of newly available archival material, Slide reveals in Hollywood Unknowns the story of the men, women, and even animals that completed the scenes on the silver screen.

A History of Hollywood’s Outsourcing Debate

A History of Hollywood’s Outsourcing Debate PDF

Author: Camille Johnson-Yale

Publisher: Lexington Books

Published: 2017-05-09

Total Pages: 183

ISBN-13: 1498532543

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A History of Hollywood’s Outsourcing Debate: Runaway Production provides a critical history of runaway production from its origins in postwar Hollywood to its present uses in describing a global network of diverse television and film production communities. Through extensive archival research, Camille Johnson-Yale chronicles Hollywood’s postwar push for investment in European production markets as a means for supporting the economy of America’s wartime allies while also opening industry access to lucrative trade relationships, exotic locations, and inexpensive skilled labor. For Hollywood’s studio production labor, however, the story of runaway production documents the gradual loss of power over the means of television and motion picture production. Though the phrase has taken on several meanings over its expansive history, it is argued that runaway production has ultimately served as a powerful, metaphorical rallying cry for a labor community coming to terms with a globalizing Hollywood industry that increasingly functions as an exportable process and less as a defined, industrial place.

How Did Lubitsch Do It?

How Did Lubitsch Do It? PDF

Author: Joseph McBride

Publisher: Columbia University Press

Published: 2018-06-26

Total Pages: 590

ISBN-13: 0231546645

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Orson Welles called Ernst Lubitsch (1892–1947) “a giant” whose “talent and originality are stupefying.” Jean Renoir said, “He invented the modern Hollywood.” Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era. How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch’s films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the “Lubitsch Touch” and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch’s risqué, sophisticated, continental humor engaged the viewer’s intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride’s analysis of these films brings to life Lubitsch’s wit and inventiveness and offers revealing insights into his working methods.

When Warners Brought Broadway to Hollywood, 1923-1939

When Warners Brought Broadway to Hollywood, 1923-1939 PDF

Author: Martin Shingler

Publisher: Springer

Published: 2018-01-23

Total Pages: 237

ISBN-13: 1137406585

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This book offers a different take on the early history of Warner Bros., the studio renowned for introducing talking pictures and developing the gangster film and backstage musical comedy. The focus here is on the studio’s sustained commitment to produce films based on stage plays. This led to the creation of a stock company of talented actors, to the introduction of sound cinema, to the recruitment of leading Broadway stars such as John Barrymore and George Arliss and to films as diverse as The Gold Diggers (1923), The Marriage Circle (1924), Beau Brummel (1924), Disraeli (1929), Lilly Turner (1933), The Petrified Forest (1936) and The Private Lives of Elizabeth and Essex (1939). Even the most crippling effects of the Depression in 1933 did not prevent Warners’ production of films based on stage plays, many being transformed into star vehicles for the likes of Ruth Chatterton, Leslie Howard and Bette Davis.