Hollywood Goes to Washington

Hollywood Goes to Washington PDF

Author: Michael Coyne

Publisher: Reaktion Books

Published: 2008-09-30

Total Pages: 256

ISBN-13: 1861895771

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Fantasy and politics are familiar dancing partners that rarely separate, even in the face of post–Election Day realities. But Hollywood has a tradition of punching holes in the fairy tales of electoral promises with films that meditate on what could have been and should have been. With Hollywood Goes to Washington,Michael Coyne investigates how the American political film unravels the labyrinthine entanglements of politics and the psyche of the American electorate in order to reveal brutal truths about the state of our democracy. From conspiracy dramas such as The Manchurian Candidate to satires like Wag the Dog, Hollywood Goes to Washington argues that political films in American cinema have long reflected the issues and tensions roiling within American society. Coyne elucidates the mythology, iconography, and ideology embedded in both classic and lesser-known films—including Gabriel Over the White House, Silver City, Advise and Consent, and The Siege—and examines the cinematic portrayals of presidents in the White House, the everyman American citizen, and the nebulous enemies who threaten American democracy. The author provocatively contends that whether addressing the threat of domestic fascism in Citizen Kane or the disillusionment of Vietnam and paranoia of the post-Watergate era in Executive Action, the American political film stands as an important cultural bellwether and democratic force—one that is more vital than ever in the face of decreasing civil liberties in the present-day United States. Compelling and wholly original, Hollywood Goes to Washington exposes the political power of the silver screen and its ramifications for contemporary American culture.

Hollywood Goes to War

Hollywood Goes to War PDF

Author: Clayton R. Koppes

Publisher: Univ of California Press

Published: 1990-08-16

Total Pages: 404

ISBN-13: 9780520071612

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The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.

Homer Simpson Goes to Washington

Homer Simpson Goes to Washington PDF

Author: Joseph J. Foy

Publisher: University Press of Kentucky

Published: 2014-10-17

Total Pages: 260

ISBN-13: 0813159989

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The modern landscape of American entertainment is filled with commentary on the state of the union. Viewers turn to The Daily Show instead of Fox or CNN, satirical films such as Wag the Dog, cartoons like The Simpsons, or controversial action dramas similar to 24 in order to learn more about current events in the United States. Popular culture is educating America more than the nightly news, aiding viewers in their quest to understand the American political system. In Homer Simpson Goes to Washington: American Politics through Popular Culture, Joseph J. Foy and other contributing scholars offer diverse political perspectives through the framework of popular culture. From the classic film Mr. Smith Goes to Washington to the cutting-edge television program Chappelle's Show, a wide spectrum of entertainment media is used to explain the complexities of U.S. politics and how audiences engage with them. Popular culture and politics have never been so intertwined in the American consciousness as they are today. As political knowledge becomes increasingly fragmented, Homer Simpson Goes to Washington explains how popular culture can actually help connect people to their government.

Hollywood Left and Right

Hollywood Left and Right PDF

Author: Steven J. Ross

Publisher: OUP USA

Published: 2011-09-06

Total Pages: 513

ISBN-13: 0195181727

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"Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Almost immediately, the savviest stars and moguls learned that their ability to attract millions of fans also meant that they could sway public opinion. Through compelling larger-than-life figures in American cinema - Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger - Hollywood Left and Right reveals how Hollywood's engagement in politics has been longer, deeper, and more varied than most people would imagine. Alternating between stars from the right and the left, Steven J. Ross shows how each gained ascendancy in Tinseltown in different periods. From Chaplin, whose movies almost always displayed his leftist convictions, to Schwarzenegger's nearly seamless transition from action blockbusters to the California governor's mansion, Ross shows how both left and right activism in Hollywood reinforced the defining trends in American politics from the early 1900s to the present. Most significantly, Hollywood Left and Right challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, as Ross demonstrates in this passionate and entertaining work, is far more complicated. Most surprisingly, while the Hollywood left was usually more vocal and visible, the right had a greater impact on American political life, capturing a Senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan)."--Jacket.

The CIA in Hollywood

The CIA in Hollywood PDF

Author: Tricia Jenkins

Publisher: Univ of TX + ORM

Published: 2016-03-08

Total Pages: 301

ISBN-13: 0292772475

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An in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates. What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image. “Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War

CinemaTexas Notes

CinemaTexas Notes PDF

Author: Louis Black

Publisher: University of Texas Press

Published: 2018-02-26

Total Pages: 416

ISBN-13: 1477315446

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Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.

The Power and the Glitter

The Power and the Glitter PDF

Author: Ronald Brownstein

Publisher: Vintage

Published: 1992

Total Pages: 470

ISBN-13:

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Now in trade paperback with a new afterward, The Power and the Glitter draws on archival sources and candid interviews with leading players in both Hollywood and Washington to explore the mutual attraction between movie stars and politicians. Brownstein reveals what motivates these "arrangements" and examines their effects on contemporary politics. 8 pages of photographs.

Hollywood and the Great Depression

Hollywood and the Great Depression PDF

Author: Iwan Morgan

Publisher: Edinburgh University Press

Published: 2016-10-31

Total Pages: 296

ISBN-13: 1474414028

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Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University

Behind the Screen

Behind the Screen PDF

Author: Spencer Lewerenz

Publisher: Baker Books

Published: 2005-11-01

Total Pages: 218

ISBN-13: 1585582719

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When it comes to Hollywood, Christians too quickly wash their hands of popular culture and leave this immensely influential media to unbelievers. In truth, the industry is listening. There is a church in Hollywood, but too often their work is unrecognized. Behind the Screen offers a glimpse of Hollywood insiders who, through their jobs on movie sets, behind TV shows, and in radio broadcasts, work together to give glory to God. With contributions from the writers and producers of such productions as Joan of Arcadia, Mission Impossible, Batman Forever, That '70s Show, and others, believers everywhere are encouraged to join with the church in Hollywood and do their part in closing the gap between Christianity and culture.

Miranda Goes to Hollywood

Miranda Goes to Hollywood PDF

Author: Jane F. Kendall

Publisher: HMH Books For Young Readers

Published: 1999

Total Pages: 264

ISBN-13:

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In 1915, having been introduced to the exciting world of making movies the previous summer, twelve-year-old Miranda follows the American Moving Picture Company to Hollywood to embark on a film career.