Hollywood: Formal-aesthetic dimensions: authorship, genre and stardom

Hollywood: Formal-aesthetic dimensions: authorship, genre and stardom PDF

Author: Thomas Schatz

Publisher: Taylor & Francis

Published: 2004

Total Pages: 366

ISBN-13: 9780415281331

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'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.

Hollywood

Hollywood PDF

Author: Thomas Schatz

Publisher: Taylor & Francis

Published: 2004

Total Pages: 434

ISBN-13: 9780415281324

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'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.

Authorship in Context

Authorship in Context PDF

Author: K. Hadjiafxendi

Publisher: Springer

Published: 2007-03-06

Total Pages: 231

ISBN-13: 0230206123

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Theories of authorship and material culture provide the framework for this study. It maps Anglo-American authorship as it shifts from a theoretical to a more material approach to its study in contexts recognized as key to its development: the nineteenth-century literary market-place, twentieth-century experimentalism and postmodern culture.

Hollywood Genres: Formulas, Filmmaking, and The Studio System

Hollywood Genres: Formulas, Filmmaking, and The Studio System PDF

Author: Thomas Schatz

Publisher: McGraw-Hill Humanities/Social Sciences/Languages

Published: 1981-02

Total Pages: 324

ISBN-13:

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The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.

Animation

Animation PDF

Author: Paul Wells

Publisher: Columbia University Press

Published: 2019-07-25

Total Pages: 114

ISBN-13: 0231851340

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Animation: Genre and Authorship explores the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions, and with what purpose. In this first study to look specifically at the ways in which animation displays unique models of ‘auteurism’ and how it revises generic categories, Paul Wells challenges the prominence of live-action moviemaking as the first form of contemporary cinema and visual culture. The book also includes interviews with Ray Harryhausen and Caroline Leaf, and a full timeline of the history of animation.

Film Remakes

Film Remakes PDF

Author: NA NA

Publisher: Springer

Published: 2016-10-03

Total Pages: 205

ISBN-13: 1137081686

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This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.

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