Hollywood Auteur

Hollywood Auteur PDF

Author: Jeffrey Chown

Publisher: Praeger

Published: 1988-05-20

Total Pages: 248

ISBN-13:

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In this extensive, critical survey of Francis Coppola's films, Chown attempts an auteur theory analysis tempered with an interesting overview of the turbulent economic and corporate controversies that have surrounded Coppola. The book follows Coppola's career in chronological order, from You're a Big Boy Now (1967) to Gardens of Stone (1987). Chown is less concerned with Coppola's themes than with his financially ruinous quest for a cinema that is both commercial and personal, and publicly accessible as well as visually experimental and narratively nonlinear. Chown concedes that these seemingly contradictory goals are not always achieved by Coppola, but he presents a timely defense of one of the most important new Hollywood filmmakers of the 1970s. The book also offers a much needed introduction to Coppola's work as a screenwriter in the 1960s, contrasting his early narrative skills with his evolving desire to break away from narrative structure. Highly recommended for public and academic libraries, community college level up. Choice Hollywood Auteur details the struggle between art and commerce in Hollywood filmmaking as exemplified by the career of Francis Coppola. Amid the dealmaking, creative compromise, and collaboration of modern American filmmaking, Coppola's career demonstrates how problematic the term auteur is in this milieu. Chown assesses the romanticism surrounding the cult of film directors in general and Coppola in particular. He argues that, ultimately, the idea that the actual personal vision of one director can be expressed in big-budget Hollywood films is highly suspect. Yet, the weight of this insightful volume suggests that Coppola may have an individualistic genius in the management of his career. Chown concludes that Coppola's status as a role model for a generation of young filmmakers and directors is well earned.

Hollywood's Artists

Hollywood's Artists PDF

Author: Virginia Wright Wexman

Publisher: Columbia University Press

Published: 2020-07-21

Total Pages: 191

ISBN-13: 0231551436

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Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema? In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.

The New Hollywood

The New Hollywood PDF

Author: James Bernardoni

Publisher: McFarland

Published: 2010-07-27

Total Pages: 248

ISBN-13: 9780786483075

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The "Old Hollywood" of studios, stars, and house directors began to break up in the 1960s. Newly independent directors freed from budgetary and aesthetic limitations imposed by studio moguls were the "New Hollywood." Directors could develop their own styles, hire whom they wanted, and make movies that would dazzle jaded audiences. Hollywood would never be the same ... What happened? The author looks at the productions of the "New Hollywood" to answer that question. Scene by scene analyses of some of the 70s most significant films (i. e., Apocalypse Now, Taxi Driver, M. A. S. H., Annie Hall, and American Graffiti) assess both the successes and failures of the New Hollywood.

History of Hollywood

History of Hollywood PDF

Author: Kelly Mass

Publisher: Efalon Acies

Published: 2024-01-09

Total Pages: 82

ISBN-13:

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In the enchanting realm of Hollywood, where dreams are captured on celluloid and stars are born under the glittering lights, there lies a captivating story that transcends the silver screen. This book provides a journey that delves into the intricacies and details that shaped the greatest movie productions in the world. This literary exploration embarks on a mesmerizing odyssey through time, unraveling the rich tapestry of Hollywood's evolution. From the humble beginnings of silent films to the extravagant spectacles of the modern blockbuster era, we traverse the decades, uncovering the pivotal moments, visionary minds, and unforeseen twists that have propelled Hollywood to its unrivaled status. Prepare to be transported to the roaring twenties, where the golden age of cinema was born, and witness the emergence of iconic stars who became immortalized in the hearts of millions. Walk the red carpet of the glamorous thirties and forties, as Hollywood faced the challenges of war and emerged with a newfound sense of resilience. The narrative unfolds like a reel of film, capturing the magic of the fifties and sixties, where Technicolor dreams and rebellious spirits collided to redefine the cinematic landscape. Sail through the stormy seas of the tumultuous seventies and eighties, as Hollywood faced both triumphs and tribulations, mirroring the societal shifts that shaped the world beyond the studio gates.

Hollywood

Hollywood PDF

Author: Thomas Schatz

Publisher: Taylor & Francis

Published: 2004

Total Pages: 434

ISBN-13: 9780415281324

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'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.

Responding to Film

Responding to Film PDF

Author: Constantine Santas

Publisher: Rowman & Littlefield

Published: 2001

Total Pages: 316

ISBN-13: 9780830415809

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Responding to Film is a dynamic tool for students who seek as complete an understanding of film as is humanly possible. By focusing on film, the author looks at how it offers students an understanding of themselves, of their culture, and of art. This guide also seeks to familiarize the students with the practical methodology for studying film: how to understand film genres, techniques, and language. The book is supplemented by comprehensive lists of films for study, web sites, and model films. It also includes a model course for instructors. Teachers will find this marvelous guide valuable in a variety of courses, including film literature, film aesthetics, and film as an adaptation of literature. A Burnham Publishers book

Once Upon a Time in Hollywood

Once Upon a Time in Hollywood PDF

Author: Quentin Tarantino

Publisher: HarperCollins

Published: 2021-06-29

Total Pages: 335

ISBN-13: 0063112531

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Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.

Hollywood: Formal-aesthetic dimensions: authorship, genre and stardom

Hollywood: Formal-aesthetic dimensions: authorship, genre and stardom PDF

Author: Thomas Schatz

Publisher: Taylor & Francis

Published: 2004

Total Pages: 366

ISBN-13: 9780415281331

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'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.

Hollywood's Artists

Hollywood's Artists PDF

Author: Virginia Wright Wexman

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9780231195683

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"The production of a Hollywood movie encompasses the work of many people from the screenwriter and editor to the cinematographer and boom operator. Yet it is the director who is considered the artistic force behind a film. The notion of the director as the author of a film was not always a given but the result of a variety of different historical and institutional factors, including the breakup of the classical Hollywood studio system and the rise of the auteur theory in the 1960s. An often overlooked player in this story is the Directors Guild of America (DGA) that, as Virginia Wright Wexman argues, played a crucial role in establishing the director's status and power in Hollywood and in the public's mind. In Hollywood's Artists, Wexman provides the first history of the DGA and its influence. She begins by discussing how it differentiated itself from other industry unions, focusing on issues of status, networking, and creative control as opposed to money and job security. Wexman then considers how the DGA fought for directors to be credited as "authors" of the film and how this put them in conflict with others in the film industry. In addition to tracing the history of how directors created their image in the public's imagination, including their role in the McCarthy hearings, Wexman discusses how the DGA fought to have directors get more legal control over their films"--

An Introduction to Film Studies

An Introduction to Film Studies PDF

Author: Jill Nelmes

Publisher: Psychology Press

Published: 2003

Total Pages: 532

ISBN-13: 9780415262699

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An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film.Features of the third edition include:*full coverage of all the key topics at undergraduate level*comprehensive and up-to-date information and new case studies on recent films such as Gladiator , Spiderman , The Blair Witch Project, Fight Club , Shrek and The Matrix*annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study.Individual chapters include:*Film form and narrative*Spectator, audience and response*Critical approaches to Hollywood cinema: authorship, genre and stars*Animation: forms and meaning*Gender and film*Lesbian and gay cinema*British cinema*Soviet montage Cinema*French New Wave*Indian Cinema