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Hollywood at the Races

Author: Alan Shuback

Publisher: University Press of Kentucky

Published: 2019-11-05

Total Pages: 313

ISBN-13: 0813178304

“An informative and amusing look at the close relationship between Golden Age Hollywood and West Coast horse racing. A fascinating read.” —Christina Rice, author of Mean . . . Moody . . . Magnificent! Horse racing was so popular and influential between 1930 and 1960 that nearly 150 racing themed films were released, including A Day at the Races, Thoroughbreds Don’t Cry, and National Velvet. This fast-paced, gossipy history explores the relationship between the Hollywood film industry, the horse racing industry, and the extraordinary participation of producers, directors, and actors in the Sport of Kings. Alan Shuback details how all three of Southern California’s major racetracks were founded by Hollywood luminaries: Hal Roach was cofounder of Santa Anita Park, Bing Crosby founded Del Mar with help from Pat O’Brien, and Jack and Harry Warner founded Hollywood Park with help from dozens of people in the film community. The races also provided a social and sporting outlet for the film community—studios encouraged film stars to spend a day at the races, especially when a new film was being released. The stars’ presence at the track generated a bevy of attention from eager photographers and movie columnists, as well as free publicity for their new films. Moreover, Louis B. Mayer, Bing Crosby, Fred Astaire, Betty Grable, and Don Ameche were all major Thoroughbred owners, while Mickey Rooney, Chico Marx, and John Huston were notorious for their unsuccessful forays to the betting windows. “The more entertaining vignettes pair the names of old-time screen stars with ribald tales of racetrack depravity.” —Thoroughbred Daily News

Hollywood at the Races

Author: Alan Shuback

Publisher: University Press of Kentucky

Published: 2019-10-22

Total Pages: 304

ISBN-13: 0813178312

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Horse racing was so popular and influential between 1930 and 1960 that nearly 150 racing themed films were released, including A Day at the Races, Thoroughbreds Don't Cry, and National Velvet. This fast-paced, gossipy history explores the relationship between the Hollywood film industry, the horse racing industry, and the extraordinary participation of producers, directors, and actors in the Sport of Kings. Alan Shuback details how all three of Southern California's major racetracks were founded by Hollywood luminaries: Hal Roach was cofounder of Santa Anita Park, Bing Crosby founded Del Mar with help from Pat O'Brien, and Jack and Harry Warner founded Hollywood Park with help from dozens of people in the film community. The races also provided a social and sporting outlet for the film community -- studios encouraged film stars to spend a day at the races, especially when a new film was being released. The stars' presence at the track generated a bevy of attention from eager photographers and movie columnists, as well as free publicity for their new films. Moreover, Louis B. Mayer, Bing Crosby, Fred Astaire, Betty Grable, and Don Ameche were all major Thoroughbred owners, while Mickey Rooney, Chico Marx, and John Huston were notorious for their unsuccessful forays to the betting windows.

A Year at the Races

Author: Jane Smiley

Publisher: Anchor

Published: 2005-04-19

Total Pages: 305

ISBN-13: 1400033179

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NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of A Thousand Acres comes an irresistibly smart, witty, and engaging chronicle of a novelist's lifelong obsession with horses. • "Exuberant...witty, completely delightful.... A kind of National Velvet for adults." —San Francisco Chronicle “Every horse story is a love story,” writes Jane Smiley, who has loved horses for most of her life and owned and bred them for a good part of it. To love something is to observe it with more than usual attention, and that is precisely what Smiley does in this In particular she follows a sexy filly named Waterwheel and a grey named Wowie (he “tells” a horse communicator that he wants it changed from Hornblower) as they begin careers at the racetrack. Filled with humor and suspense, and with discourses on equine intelligence, affection, and character, A Year at the Races is a winner.

Clubhouse Turn

Author: Michele Asselin

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9781626400658

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Includes list of plates (pages [236-237]).

Mixed Race Hollywood

Author: Mary Beltrán

Publisher: NYU Press

Published: 2008-08

Total Pages: 331

ISBN-13: 0814799892

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Addresses early mixed-race film characters, Blaxploitation, mixed race in television for children, and the outing of mixed-race stars on the Internet, among other issues and contemporary trends in mixed-race representation. From publisher description.

John Henry

Author: Steve Haskin

Publisher: Eclipse Press

Published: 2007

Total Pages: 0

ISBN-13: 9781581501506

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Now in paperback, John Henry continues to entertain horse racing and sports fans with its true rags to riches tale. A plain brown, small, bad-tempered animal, John Henry was the horse no one wanted until he was purchased sight unseen for $25,000 by Sam Rubin, a man who knew nothing about horses, except which end bit and which end kicked. Entrusted to California-based trainer Ron McAnally, John Henry blossomed into a star. Named Horse of the Year in 1981 as a six years old - an age when most racehorses are enjoying retirement - John Henry continued to race at the top level of the sport through the age of nine, when he was voted Horse of the Year for the second time. He retired as all-time leading money earner in 1984 with more than $6 million and today lives a life of luxury at the Kentucky Horse Park in Lexington.

Screening Difference

Author: Jaap van Ginneken

Publisher: Rowman & Littlefield

Published: 2007

Total Pages: 298

ISBN-13: 9780742555846

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Did you know that Pocahontas probably never fell in love with John Smith, as the Disney and other film versions of those events pretend? That Godzilla was originally an anti-American and anti-nuclear movie, heavily cut and supplemented with new material? That Zorro was not created by an American author but derived from the much older Mexican struggle for independence? That Anna and the King was largely invented? That the myth of the sexually eager Hula girls is based on misunderstandings by the first explorers? That Black Hawk Down and many other war movies were censored and indirectly subsidized by the Pentagon? Screening Difference takes us on a fascinating voyage through major movie blockbusters that deal with the encounter between "us," based on white Hollywood, and "them," the filmic representations of other races, ethnicities, and cultures. Looking at subtle orientations in casting and make-up, sets and props, lighting and camera movements, music and language, this lively book follows the best-known genres and subgenres: from animated cartoons to wilderness films, from romantic movies to colonial adventures. Screening Difference tracks the stories back to their origins and patiently dissects the hidden messages that have gradually crept into them.

Winning

Author: Matt Stone

Publisher: Motorbooks International

Published: 2014-03-15

Total Pages: 178

ISBN-13: 0760346291

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DIVIn Winning, authors Matt Stone and Preston Lerner present the incredible racing biography of Paul Newman, whose fame as a Hollywood actor largely overshadowed his amazing passion for motorsport./div

Reel Inequality

Author: Nancy Wang Yuen

Publisher: Rutgers University Press

Published: 2016-12-12

Total Pages: 144

ISBN-13: 0813586313

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When the 2016 Oscar acting nominations all went to whites for the second consecutive year, #OscarsSoWhite became a trending topic. Yet these enduring racial biases afflict not only the Academy Awards, but also Hollywood as a whole. Why do actors of color, despite exhibiting talent and bankability, continue to lag behind white actors in presence and prominence? Reel Inequality examines the structural barriers minority actors face in Hollywood, while shedding light on how they survive in a racist industry. The book charts how white male gatekeepers dominate Hollywood, breeding a culture of ethnocentric storytelling and casting. Nancy Wang Yuen interviewed nearly a hundred working actors and drew on published interviews with celebrities, such as Viola Davis, Chris Rock, Gina Rodriguez, Oscar Isaac, Lucy Liu, and Ken Jeong, to explore how racial stereotypes categorize and constrain actors. Their stories reveal the day-to-day racism actors of color experience in talent agents’ offices, at auditions, and on sets. Yuen also exposes sexist hiring and programming practices, highlighting the structural inequalities that actors of color, particularly women, continue to face in Hollywood. This book not only conveys the harsh realities of racial inequality in Hollywood, but also provides vital insights from actors who have succeeded on their own terms, whether by sidestepping the system or subverting it from within. Considering how their struggles impact real-world attitudes about race and diversity, Reel Inequality follows actors of color as they suffer, strive, and thrive in Hollywood.

Romance and the Yellow Peril

Author: Gina Marchetti

Publisher: Univ of California Press

Published: 1994-02-15

Total Pages: 276

ISBN-13: 9780520914629

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Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema. The author begins with a discussion of D. W. Griffith's Broken Blossoms, then considers later films such as Shanghai Express, Madame Butterfly, and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now. Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.