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Historical Film

Author: Jonathan Stubbs

Publisher: A&C Black

Published: 2013-03-28

Total Pages: 200

ISBN-13: 1472520025

Although precise definitions have not been agreed on, historical cinema tends to cut across existing genre categories and establishes an intimidatingly large group of films. In recent years, a lively body of work has developed around historical cinema, much of it proposing valuable new ways to consider the relationship between cinematic and historical representation. However, only a small proportion of this writing has paid attention to the issue of genre. In order to counter this omission, this book combines a critical analysis of the Hollywood historical film with an examination of its generic dimensions and a history of its development since the silent period. Historical Film: A Critical Introduction is concerned not simply with the formal properties of the films at hand, but also the ways in which they have been promoted, interpreted and discussed in relation to their engagement with the past.

The Historical Film

Author: Marcia Landy

Publisher: A&C Black

Published: 2001-01-01

Total Pages: 364

ISBN-13: 9780485300963

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This aims to show how media critics and historians have written about history as portrayed in cinema and television by historical films and documentaries, focusing on what it means to "read" films historically and the colonial experience as shown in post-colonial film.

The Haunted House on Film

Author: Paul Meehan

Publisher: McFarland

Published: 2019-12-06

Total Pages: 223

ISBN-13: 1476638209

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A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.

Historical Film

Author: Jonathan Stubbs

Publisher: Bloomsbury Publishing

Published: 2013-03-28

Total Pages: 224

ISBN-13: 1472520017

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Art and the Historical Film

Author: Gillian McIver

Publisher: Bloomsbury Publishing USA

Published: 2022-11-17

Total Pages: 277

ISBN-13: 1501384740

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Art and the Historical Film provides an important examination of fine art's impact on filmmaking, grappling with the question of authenticity. From Eugene Delacroix's interpretation of the 1830 French revolution to Uli Edel's version of the Baader-Meinhof Gang, artistic representations of historical subjects are appealing and pervasive. Movies often adapt imagery from art history, including paintings of historical events. Films and art shape the past for us and continue to affect our interpretation of history. While historical films are often argued over for their adherence to "the facts," their real problem is realism: how can the past be convincingly depicted? Realism in the historical film genre is often nourished and given credibility by its use of painterly references. This book examines how art-historical images affect historical films by going beyond period detail and surface design to look at how profound ideas about history are communicated through pictures. Art and the Historical Film: Between Realism and the Sublime is based on case studies that explore the links between art and cinema, including American independent Western Meek's Cutoff (Kelly Reichardt, 2010), British heritage film Belle (Amma Asante, 2013), and Dutch national epic Admiral (Roel Reiné, 2014). The chapters create immersive worlds that communicate distinct ideas about the past through cinematography, production design, and direction, as the films adapt, reference, and transpose paintings by artists such as Rubens, Albert Bierstadt, and Jacques-Louis David.

The New Hollywood Historical Film

Author: Tom Symmons

Publisher: Springer

Published: 2016-06-13

Total Pages: 220

ISBN-13: 113752930X

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The New Hollywood of the late 1960s and 1970s is among the most exciting and influential periods in the history of film. This book explores how the new wave of historical films were profoundly shaped by the controversies and concerns of the present.

A Companion to the Historical Film

Author: Robert A. Rosenstone

Publisher: John Wiley & Sons

Published: 2015-12-02

Total Pages: 597

ISBN-13: 1119169577

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Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies

Hollywood and the American Historical Film

Author: J.E. Smyth

Publisher: Bloomsbury Publishing

Published: 2012-01-17

Total Pages: 267

ISBN-13: 023035789X

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How do Hollywood filmmakers construct and interpret American history? Is film's visual historical language inherently different from the traditions of written history? This definitive collection of essays by leading scholars probes the theoretical and historical contexts of films made about the American past - from the silent era to the present. Exploring issues deeply connected with historical filmmaking, from historiography to censorship, to race, gender, and sexuality, the book discusses a wide range of films and genres- including classics such as The Virginian, Gone with the Wind and Citizen Kane. This collection is essential reading for anyone interested in studying, or researching American history and film. Includes essays by Susan Courtney, David Culbert, Nicholas J. Cull, Vera Dika, David Eldridge, Vittorio Hösle, Marcia Landy, Mark W. Roche, Robert Rosenstone, Ian Scott, Robert Sklar, J.E. Smyth, and Warren I. Susman.

British Historical Cinema

Author: Claire Monk

Publisher: Routledge

Published: 2015-01-28

Total Pages: 284

ISBN-13: 1136366490

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Films recreating or addressing 'the past' - recent or distant, actual or imagined - have been a mainstay of British cinema since the silent era. From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen, the issues they raise and the debates they have provoked. Discussing films from biopics to literary adaptations, and from depictions of Britain's colonial past to the re-imagining of recent decades in retro films such as Velvet Goldmine, a range of contributors ask whose history is being represented, from whose perspective, and why.

Cognitive Approaches to German Historical Film

Author: Jennifer Marston William

Publisher: Springer

Published: 2016-12-07

Total Pages: 200

ISBN-13: 3319393189

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This book explores how minds at the movies understand minds in the movies and introduces readers to some fundamental principles of Cognitive Studies—namely conceptual blending, Theory of Mind, and empathy/perspective-taking—through their application to film analysis. A cognitive approach to recent popular historical films demonstrates cinema’s potential to stimulate viewers’ critical thinking about crucial events of the past century. Diverging from the focus on narrative processing in traditional cognitivist theory, this book examines film reception and production in the context of the latest developments in cognitive and social psychology. Turning to German cinema as a case study for this interdisciplinary partnership, Jennifer Marston William offers a fresh look at some internationally successful films of the twenty-first century, including Nowhere in Africa, Goodbye, Lenin!, Sophie Scholl, Downfall, The Lives of Others, and The Baader-Meinhof Complex.