Hip Hop Heresies

Hip Hop Heresies PDF

Author: Shanté Paradigm Smalls

Publisher: NYU Press

Published: 2022-06-28

Total Pages: 216

ISBN-13: 1479808199

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"This is the first book-length project to examine the relationship between blackness, queerness, and hip hop. Using aesthetics as its organizing lens, Hip Hop Heresies attends to the ways that hip hop cultural production in New York City from the 1970s through the first fifteen years of the 21st century produced hip hop cultural products (film, visual art, and music) that offer "queer articulations" of race, gender, and sexuality that are contrary to hegemonic ideas and representations of those categories in hip hop production, as well as in writing about hip hop culture"--

Hip Hop Heresies

Hip Hop Heresies PDF

Author: Shanté Paradigm Smalls

Publisher: NYU Press

Published: 2022-06-28

Total Pages: 121

ISBN-13: 1479808180

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Winner of the 2022-2023 New York City Book Awards! SPECIAL MENTION, 2023 IASPM Book Prize, given by the International Association for the Study of Popular Music SHORTLISTED, 2023 Ralph J. Gleason Book Award, given by the Rock N Roll Hall of Fame/Clive Davis Institute Unearths the queer aesthetic origins of NYC hip hop Hip Hop Heresies centers New York City as a space where vibrant queer, Black, and hip hop worlds collide and bond in dance clubs, schools, roller rinks, basketball courts, subways, and movie houses. Using this cultural nexus as the stage, Shanté Paradigm Smalls attends to the ways that hip hop cultural production in New York City from the 1970s through the early twenty-first century produced film, visual art, and music that offer queer articulations of race, gender, and sexuality. To illustrate New York City as a place of experimental aesthetic collaboration, Smalls brings four cultural moments to the forefront: the life and work of the gay Chinese American visual and graffiti artist Martin Wong, who brokered the relationship between New York City graffiti artists and gallery and museum spaces; the Brooklyn-based rapper-singer-writer-producer Jean Grae, one of the most prolific and underrated emcees of the last two decades; the iconic 1980s film The Last Dragon, which exemplifies the experimental and queer Black masculinity possible in early formal hip hop culture; and finally queer- and trans-identified hip hop artists and groups like BQE, Deepdickollective, and Hanifah Walidah, and the documentary Pick Up the Mic. Hip Hop Heresies transforms the landscape of hip hop scholarship, Black studies, and queer studies by bringing together these fields through the hermeneutic of aesthetics. Providing a guidepost for future scholarship on queer, trans, and feminist hip hop studies, Hip Hop Heresies takes seriously the work that New York City hip hop cultural production has done and will do, and advocates a form of hip hop that eschews authenticity in favor of performativity, bricolage, and pastiche.

The History of Hip Hop

The History of Hip Hop PDF

Author: Eric Reese

Publisher: Eric Reese

Published: 2018-07-28

Total Pages: 77

ISBN-13:

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"From Streets to Stardom: A Rapid-Fire Tour of Hip-Hop Evolution" Hip Hop's evolution offers a vivid voice and pictorial history of life on the streets of urban America, reaching back to the vibrant 1920s. Sprouting from the soil of struggle and determination, this cultural movement quickly unearthed a dynamic brigade of youthful African American musicians. Eager to weave their art into narratives, they brought forth a spirited, soulful style that resonated globally. From its birthplace in the South Bronx and Brooklyn of the 1970s, Rap has burgeoned to become one of the most powerful musical forces of the 21st century. In my rap history series, I decode the genre of hip hop for all audiences, from the curious beginner to the seasoned aficionado, kids, teens, and adults alike. Here's a snapshot of this volume's enlightening content: The Hip Hop vs. Rap Debate: Unravel the nuanced differences between these two often-confused terms. The Early Stirrings: Explore the formative influences that shaped Rap's history. Elements of Hip Hop Culture: Learn about the diverse components that comprise Hip Hop culture, including Breakdancing, Graffiti, Fashion, and beyond. Underground Rap's Role: Understand the critical part played by the Underground Hip Hop scene in the genre's development. Noteworthy Narratives: Revisit the greatest moments of Rap Music History that changed the course of music forever. Subgenre Spectra: Journey through a wide range of genres & subgenres like Gangsta Rap, Crunk, and more. Cultural Ripples: Witness the extensive cultural impact and societal transformations triggered by hip hop. And there's so much more! Embark on this rhythmic journey, discovering a treasure trove of history, culture, and impactful narratives. Get ready for a rapid-fire tour of hip-hop evolution! 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Women Rapping Revolution

Women Rapping Revolution PDF

Author: Kellie D. Hay

Publisher: University of California Press

Published: 2020-06-09

Total Pages: 247

ISBN-13: 0520305329

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Detroit, MIchigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.

The Oxford Handbook of Music and Queerness

The Oxford Handbook of Music and Queerness PDF

Author: Fred Everett Maus

Publisher: Oxford University Press

Published: 2022-01-28

Total Pages: 691

ISBN-13: 0197607527

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Music and queerness interact in many different ways. The Oxford Handbook of Music and Queerness brings together many topics and scholarly disciplines, reflecting the diversity of current research and methodology. Each of the book's six sections exemplifies a particular rhetoric of queer music studies. The section "Kinds of Music" explores queer interactions with specific musics such as EDM, hip hop, and country. "Versions" explores queer meanings that emerge in the creation of a version of a pre-existing text, for instance in musical settings of Biblical texts or practices of karaoke. "Voices and Sounds" turns in various ways to the materiality of music and sound. "Lives" focuses on interactions of people's lives with music and queerness. "Histories" addresses moments in the past, beginning with times when present conceptualizations of sexuality had not yet developed and moving to cases studies of more recent history, including the creation of pop songs in response to HIV/AIDS and the Eurovision song contest. The final section, "Cross-cultural Queerness," asks how to understand gender and sexuality in locations where recent Euro-American concepts may not be appropriate.

Hip Hop is Not Our Enemy

Hip Hop is Not Our Enemy PDF

Author: Kenneth T. Jr. Whalum

Publisher: AuthorHouse

Published: 2010

Total Pages: 186

ISBN-13: 1449074243

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It is easy to condemn hip-hop for the condition of our society, but as we condemn our own young people for being who they are, what role do we play in making them who they are, and what do we have to offer them as an alternative to who they are? Hip-Hop Is Not Our Enemy is an insider's critique of the Black church's role and responsibility in co-opting hip-hop culture. It is written by a Black Baptist Pastor who survived a church split that occurred because of his dedication to co-opting hip-hop culture. The final chapter serves as a how-to guide to preparing a sermon that will connect with the hip-hop generation.

Beyond Christian Hip Hop

Beyond Christian Hip Hop PDF

Author: Erika D. Gault

Publisher: Routledge

Published: 2019-11-18

Total Pages: 269

ISBN-13: 0429589654

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Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.

Wake Up

Wake Up PDF

Author: Rev. Marlon F. Hall

Publisher: Abingdon Press

Published: 2011-06-01

Total Pages: 258

ISBN-13: 1426731140

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First an expression of black urban youth, Hip Hop music continues to expand as a cultural expression of youth and, now, young adults more generally. As a cultural phenomenon, it has even become integral to the worship experience of a growing number of churches who are reaching out to these groups. This includes not just African American churches but churches of all ethnic groups. Once seen as advocating violence, Hip Hop can be the Church’s agent of salvation and praise to transform society and reach youth and young adults in greater numbers. After looking at Hip Hop’s socio-historical context including its African roots, Wake Up shows how Hip Hop has come to embody the worldview of growing numbers of youth and young adults in today’s church. The authors make the case that Hip Hop represents the angst and hope of many youth and young adults and that by examining the inherent religious themes embedded in the music, the church can help shape the culture of hip-hop by changing its own forms of preaching and worship so that it can more effectively offer a message of repentance and liberation.

The Black Church and Hip Hop Culture

The Black Church and Hip Hop Culture PDF

Author: Emmett G. Price

Publisher: Scarecrow Press

Published: 2011-11-10

Total Pages: 230

ISBN-13: 081088237X

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Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America’s belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith. In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, “From Civil Rights to Hip Hop,” explores the transition from one generation to another through the transmission—or lack thereof—of legacy and heritage. Part II, “Hip Hop Culture and the Black Church in Dialogue,” explores the numerous ways in which the conversation is already occurring—from sermons to theoretical examinations and spiritual ponderings. Part III, “Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix,” clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place. In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation.