High Price

High Price PDF

Author: Isabelle Graw

Publisher:

Published: 2009

Total Pages: 0

ISBN-13: 9781933128795

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First published in German by DuMont in 2008.

High Price. Art between the Market and Celebrity Culture

High Price. Art between the Market and Celebrity Culture PDF

Author: Lisa Schulz

Publisher: GRIN Verlag

Published: 2018-08-14

Total Pages: 22

ISBN-13: 3668772525

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Essay from the year 2017 in the subject Philosophy - Miscellaneous, grade: 1.0, Leuphana Universität Lüneburg, course: Artists on Economy between Market and Critique, language: English, abstract: In her book “High Price – Art between the Market and Celebrity Culture”, the author Isabelle Graw analyzes and describes the relationship between symbol and market value of a work of art. Are they totally exposed or totally dependent; do they only affect themselves or do they even strive apart? All these considerations were discussed step by step and underlined by examples under various headings and contexts. She takes a look both at the art market, as well as on the goods, respectively economic market, and puts this into the context of today's existing Celebrity culture. From her words, it becomes clear that the art business, which was formerly organized according to the principle of "retail", is undergoing a major change. Deutsche Version In ihrem Buch „Der große Preis – Kunst zwischen Markt und Celebrity Kultur“ analysiert und beschreibt die Autorin Isabelle Graw, in welchem Verhältnis Symbol- und Marktwert eines Kunstwerkes zueinanderstehen. Sind sie völlig unabhängig voneinander oder doch total abhängig; beeinflussen sie sich nur oder streben sie gar voneinander weg? All diese Überlegungen diskutiert sie Schritt für Schritt und anhand von Beispielen unter verschiedenen Überschriften und Kontexten. Sie wirft einen Blick sowohl auf den Kunstmarkt, als auch auf den Waren- bzw. Wirtschaftsmarkt und setzt diese in den Kontext der heutig bestehenden Celebrity Kultur. Aus ihren Worten wird deutlich, dass der Kunstbetrieb, der ehemals nach dem Prinzip eines „Einzelhandels“ organisiert war, einen starken Wandel durchläuft. Da Graw Bezug zur Vergangenheit nimmt, die auch die heutige Zeit mitgeprägt hat, und zugleich aber auch Ereignisse, Meinungen und Themen aus der aktuellen Zeit miteinbezieht, um die Frage nach dem Verhältnis von Symbol- und Marktwert zu beantworten, verbindet sie Theoriebildung und Gegenwartsdiagnostik, was den brisanten Charakter des Buches attestiert.

Art of the Deal

Art of the Deal PDF

Author: Noah Horowitz

Publisher: Princeton University Press

Published: 2014-08-31

Total Pages: 400

ISBN-13: 069115788X

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Art today is defined by its relationship to money as never before. Prices of living artists' works have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists now think ever more strategically about how to advance their careers. Artists no longer simply make art, but package, sell, and brand it. Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed. He takes a unique look at the globalization of the art world and the changing face of the business, offering the clearest analysis yet of how investors speculate in the market and how emerging art forms such as video and installation have been drawn into the commercial sphere. By carefully examining these developments against the backdrop of the deflation of the contemporary art bubble in 2008, "Art of the Deal" is a must-read book that demystifies collecting and investing in today's art market.

Canvases and Careers Today

Canvases and Careers Today PDF

Author: Daniel Birnbaum

Publisher: Sternberg Press

Published: 2008-04-04

Total Pages: 152

ISBN-13:

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Canvases and Careers Today brings together contributions from the eponymous conference organized by the Institut für Kunstkritik, Frankfurt am Main. Its goal is to provide deeper insights and more complexity to current debates on the relationship between criticism, art, and the market. “It was especially interesting for us to watch a kind of transatlantic divide happening. While the US-American participants mostly declared criticism as obsolete while hoping for turning its weakness into a strength, most European participants departed from the opposite diagnosis: that criticism has never been as strong as it is today, since it is now part of a knowledge-based economy.”—Isabelle Graw/Daniel Birnbaum Contributors George Baker, Johanna Burton, Merlin Carpenter, Melanie Gilligan, Isabelle Graw, Tom Holert, Branden W. Joseph, John Kelsey, André Rottmann, Julia Voss Institut für Kunstkritik Series

In Praise of Commercial Culture

In Praise of Commercial Culture PDF

Author: Tyler COWEN

Publisher: Harvard University Press

Published: 2009-06-30

Total Pages: 289

ISBN-13: 0674029933

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Does a market economy encourage or discourage music, literature, and the visual arts? Do economic forces of supply and demand help or harm the pursuit of creativity? This book seeks to redress the current intellectual and popular balance and to encourage a more favorable attitude toward the commercialization of culture that we associate with modernity. Economist Tyler Cowen argues that the capitalist market economy is a vital but underappreciated institutional framework for supporting a plurality of co-existing artistic visions, providing a steady stream of new and satisfying creations, supporting both high and low culture, helping consumers and artists refine their tastes, and paying homage to the past by capturing, reproducing, and disseminating it. Contemporary culture, Cowen argues, is flourishing in its various manifestations, including the visual arts, literature, music, architecture, and the cinema. Successful high culture usually comes out of a healthy and prosperous popular culture. Shakespeare and Mozart were highly popular in their own time. Beethoven's later, less accessible music was made possible in part by his early popularity. Today, consumer demand ensures that archival blues recordings, a wide array of past and current symphonies, and this week's Top 40 hit sit side by side in the music megastore. High and low culture indeed complement each other. Cowen's philosophy of cultural optimism stands in opposition to the many varieties of cultural pessimism found among conservatives, neo-conservatives, the Frankfurt School, and some versions of the political correctness and multiculturalist movements, as well as historical figures, including Rousseau and Plato. He shows that even when contemporary culture is thriving, it appears degenerate, as evidenced by the widespread acceptance of pessimism. He ends by considering the reasons why cultural pessimism has such a powerful hold on intellectuals and opinion-makers.

Star Struck

Star Struck PDF

Author: Sam Riley

Publisher: Bloomsbury Publishing USA

Published: 2009-12-09

Total Pages: 385

ISBN-13: 0313358133

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This balanced examination looks at America's pervasive celebrity culture, concentrating on the period from 1950 to the present day. Star Struck: An Encyclopedia of Celebrity Culture is neither a stern critic nor an apologist for celebrity infatuation, a phenomenon that sometimes supplants more weighty matters yet constitutes one of our nation's biggest exports. This encyclopedia covers American celebrity culture from 1950 to 2008, examining its various aspects—and its impact—through 86 entries by 30 expert contributors. Demonstrating that all celebrities are famous, but not all famous people are celebrities, the book cuts across the various entertainment medias and their legions of individual "stars." It looks at sports celebrities and examines the role of celebrity in more serious pursuits and institutions such as the news media, corporations, politics, the arts, medicine, and the law. Also included are entries devoted to such topics as paranoia and celebrity, one-name celebrities, celebrity nicknames, family unit celebrity, sidekick celebrities, and even criminal celebrities.

Three Cases of Value Reflection

Three Cases of Value Reflection PDF

Author: Isabelle Graw

Publisher: National Geographic Books

Published: 2021-05-25

Total Pages: 0

ISBN-13: 3956795253

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Examinations of Francis Ponge's texts on Jean Fautrier's “Hostage Paintings,” Jack Whitten's Memorial Paintings, and Banksy's auction stunt Love is in the Bin. This book contains three case studies on very different artists, analyzing their work through their respective historical contexts: the writer Francis Ponge (1899–1988) and his seminal text on Jean Fautrier's “Hostage Paintings” from 1943; visual artist Jack Whitten's (1939–2018) Memorial Paintings and Banksy's notorious auction stunt Love is in the Bin from 2018. Examining all three artistic propositions from a value-theoretical point of view, Graw finds Ponge's text on Fautrier to be “doubly materialist” insofar as it (seemingly) reveals its own material conditions while simultaneously grasping the specific materiality of Fautrier's paintings; suggests that the indications of value in Whitten's painting to be more indirect; and reveals Banksy's value reflections to have a very different generational thrust. Gaw shows that Ponge's text is full of value-reflexive insights but that Ponge himself is an ambivalent figure. She finds that the dedication of Whitten's paintings inscribes them in a system of exchange. And, finally, the deliberate aesthetic meagerness of Banksy's Love Is in the Bin points to an emptiness at the heart of value. Institut für Kunstkritik series

The Value of Culture

The Value of Culture PDF

Author: Arjo Klamer

Publisher: Amsterdam University Press

Published: 1996

Total Pages: 244

ISBN-13: 9053562184

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Culture manifests itself in everything human, including the ordinary business of everyday life. Culture and art have their own value, but economic values are also constrained. Art sponsorships and subsidies suggest a value that exceeds market price. So what is the real value of culture? Unlike the usual focus on formal problems, which has 'de-cultured' and 'de-moralized' the practice of economics, this book brings together economists, philosophers, historians, political scientists and artists to try to sort out the value of culture. This is a book not only for economists and social scientists, but also for anybody actively involved in the world of the arts and culture.