Henry Sugimoto

Henry Sugimoto PDF

Author: Kristine Kim

Publisher: Heyday Books

Published: 2000

Total Pages: 162

ISBN-13:

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It is a long way from the town of Wakayama in central Japan to West 146th Street in New York City s Harlem, but painter Henry Sugimoto traversed this wide divide in more than just the physical sense. He began life as the grandson of a displaced samurai and died in 1990 an American painter. From his early years in California, Paris, and Mexico to the transformative impact of the World War II incarceration of Japanese Americans, Sugimoto's art became a vivid expression of the American immigrant experience.Henry Sugimoto is the first-ever survey of this relatively unknown but remarkable artist. From the early work influenced by the European impressionists and post-impressionists to the later work that extensively documents and interprets the experiences of Japanese Americans behind barbed wire, this is a stunning body of work. Henry Sugimoto accompanies a major exhibition of his work at the Japanese American National Museum in Spring 2001.

Japanese American History

Japanese American History PDF

Author: Brian Niiya

Publisher: VNR AG

Published: 1993

Total Pages: 448

ISBN-13: 9780816026807

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Produced under the auspices of the Japanese American National Museum in Los Angeles, this comprehensive reference culls information from primary sources--Japanese-language texts and documents, oral histories, and other previously neglected or obscured materials--to document the history and nature of the Japanese American experience as told by the people who lived it. The volume is divided into three major sections: a chronology with some 800 entries; a 400-entry encyclopedia covering people, events, groups, and cultural terms; and an annotated bibliography of major works on Japanese Americans. Includes about 80 bandw illustrations and photographs. Annotation copyright by Book News, Inc., Portland, OR

Concentration Camps on the Home Front

Concentration Camps on the Home Front PDF

Author: John Howard

Publisher: University of Chicago Press

Published: 2009-05-15

Total Pages: 357

ISBN-13: 0226354776

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Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria. While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves. Howard’s re-creation of life in the camps is powerful, provocative, and disturbing. Concentration Camps on the Home Front rewrites a notorious chapter in American history—a shameful story that nonetheless speaks to the strength of human resilience in the face of even the most grievous injustices.

Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects

Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects PDF

Author: Theodore S. Gonzalves

Publisher: Smithsonian Institution

Published: 2023-11-07

Total Pages: 265

ISBN-13: 1588347516

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A rich and compelling introduction to the history of Asian Pacific American communities as told through 101 objects, from a fortune cookie baking mold to the debut Ms. Marvel comic featuring Kamala Khan Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects invites readers to experience both well-known and untold stories through influential, controversial, and meaningful objects. Thematic chapters explore complex history and shared experiences: navigation, intersections, labor, innovation, belonging, tragedy, resistance and solidarity, community, service, memory, and joy. The book features vibrant full-color illustrations of objects that embody and engage with Asian Pacific American issues, including the immigrant experience, the importance of media representation, what history gets officially documented vs. what does not, and so much more. Those objects include: Name tag for Challenger astronaut Ellison Onizuka Photograph of Hollywood actress Anna May Wong Hello Kitty bento box Stella Abrera's ballet shoes, pancaked to match her skin color Caravan’s Thailand: Songs for Life album Sewing kit of internment camp survivor May Ishimoto Nam June Paik's Electronic Superhighway: Continental U.S., Alaska, Hawaii The Devanagari typographical font patented by Hari Govind Govil Asian Americans are the fastest growing group in the United States and include approximately 50 distinct ethnic groups, but their stories and experiences have often been sidelined or stereotyped. This spirited and beautifully illustrated book offers a vital window into the triumphs and tragedies, strength and ingenuity, and traditions and cultural identities of these communities. Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects is a crucial and celebratory read.

Art of Engagement

Art of Engagement PDF

Author: Peter Selz

Publisher: Univ of California Press

Published: 2006-01-09

Total Pages: 312

ISBN-13: 0520240529

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'Art of Engagement' focuses on the key role of California's art and artists in politics and culture since 1945. The book showcases many types of media, including photographs, found objects, drawings and prints, murals, painting, sculpture, ceramics, installations, performance art, and collage.

That Damned Fence

That Damned Fence PDF

Author: Heather Hathaway

Publisher: Oxford University Press

Published: 2022

Total Pages: 289

ISBN-13: 0190098317

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Pt. 1. Topaz, a literary hotbed -- After the bombs: the experience of Toyo Suyemoto -- Writing as resistance in Topaz: TREK and All Aboard -- Toshio Mori: a literary life derailed -- Miné Okubo: an aesthetic life launched -- Pt. 2. Writing elsewhere -- The Pulse of Amache/Granada -- Dispatches from tumultuous Tule Lake -- Internment novels: Toshio Mori's the Brothers Murata and Hiroshi Nakamura's treadmill -- Jerome's magnet -- Humiliation and hope in Rohwer's the Pen.

Humanitarian Internationalism Under Empire

Humanitarian Internationalism Under Empire PDF

Author: Michiko Suzuki

Publisher: Columbia University Press

Published: 2024-08-20

Total Pages: 345

ISBN-13: 0231559011

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This book examines the history of the Japanese Red Cross Society (JRCS) and through it offers a new account of the humanitarian movement in modern Japan. Michiko Suzuki argues that contrary to its typical portrayal, the JRCS was not wholly subordinate to the government and the Imperial Family, nor was it derivative of Western values and institutional models. Instead, the JRCS operated within a transnational discourse, both contributing to and borrowing from peacetime and wartime international humanitarianism. Grounded in extensive research in the JRCS archives and archives outside Japan, this book explores the melding of Western and Japanese humanitarian traditions and organizational forms. Suzuki examines the role of grassroots efforts in the steady growth of the JRCS, showing how the society became Japan’s largest international organization by the First World War, as well as its pioneering role in Red Cross disaster relief. She traces the inclusion of non-Western national societies in the International Red Cross and Red Crescent Movement and the evolution of the JRCS from a national into a transnational organization with branches in Japan’s overseas empire as well as in the Asia Pacific and the Americas. A comprehensive chronicle of the JRCS, Humanitarian Internationalism Under Empire provides a fresh vantage point on major historical questions relating to Japanese modernization and internationalism before the Second World War.

Making Race

Making Race PDF

Author: Jacqueline Francis

Publisher: University of Washington Press

Published: 2012-01-15

Total Pages: 256

ISBN-13: 0295804335

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Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present.