Henry Fielding

Henry Fielding PDF

Author: Thomas Lockwood

Publisher: Routledge

Published: 2013-10-31

Total Pages: 488

ISBN-13: 1136171312

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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.

Tobias Smollett

Tobias Smollett PDF

Author: Lionel Kelly

Publisher: Psychology Press

Published: 1995

Total Pages: 399

ISBN-13: 0415134269

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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the work themselves.

Charles Macklin and the Theatres of London

Charles Macklin and the Theatres of London PDF

Author: Ian Newman

Publisher: Liverpool University Press

Published: 2022-02-15

Total Pages: 352

ISBN-13: 1800855605

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Charles Macklin (1699?–1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 – no other actor can claim to have acted across seven decades of the century, from the reign of George I to the Regency Crisis of 1788. He is credited alongside Garrick with the development of the natural school of acting and gave a famous performance of Shylock that gave George II nightmares. As a dramatist, he wrote one of the great comic pieces of the mid-century (Love à la Mode, 1759), as well as the only play of the century to be twice refused a performance licence (The Man of the World, 1781). He opened an experimental coffeehouse in Covent Garden, he advocated energetically for actors’ rights and copyright reform for dramatists, and he successfully sued theatre rioters. In short, he had an astonishingly varied career. With essays by leading experts on eighteenth-century culture, this volume provides a sustained critical examination of his career, illuminating many aspects of eighteenth-century theatrical culture and of the European Enlightenment, and explores the scholarly benefit – and thrill – of restaging Macklin’s work in the twenty-first century.