Harmonic Colours for Bass

Harmonic Colours for Bass PDF

Author: David Gross

Publisher: Alfred Music Publishing

Published: 1997-10

Total Pages: 94

ISBN-13: 9781576239353

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Harmonic Colours for Bass is designed add style and dimension to your grooves by providing a combination of technical training and musical examples. Music examples are written in standard notation and tablature and are demonstrated on the included play-along recording.

Dean Peer's bass harmonics

Dean Peer's bass harmonics PDF

Author: Dean Peer

Publisher: Alfred Music Publishing

Published: 1999

Total Pages: 48

ISBN-13: 9780769265810

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Dean Peer reveals his revolutionary techniques for expanding the range of the bass guitar through the use of "false" and "dual node" harmonics.

Jimmy Haslip's Melodic Bass Library

Jimmy Haslip's Melodic Bass Library PDF

Author: Jimmy Haslip

Publisher: Alfred Music

Published: 1995-06-28

Total Pages: 132

ISBN-13: 9781457463211

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An indispensable book on scales and modes for the bass guitarist. The lessons contain diatonic, modal, pentatonic, whole tone, and diminished scales as well as modes of both the harmonic and melodic minor scales, Eastern, Middle Eastern, and other exotic scales of Jimmy's own invention.

Sound & Colour

Sound & Colour PDF

Author: John Denis Macdonald

Publisher:

Published: 1869

Total Pages: 112

ISBN-13:

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"The author here hypothesizes that the seven notes of the musical scale and the seven colors of the rainbow are directly analogous. He provides a supporting analysis of the ear, eye, and physics of vibration."--Antiquarian bookseller's description.

Symmetry As A Developmental Principle In Nature And Art

Symmetry As A Developmental Principle In Nature And Art PDF

Author: Werner Hahn

Publisher: World Scientific

Published: 1998-10-16

Total Pages: 533

ISBN-13: 9814500038

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Looking beyond the boundaries of various disciplines, the author demonstrates that symmetry is a fascinating phenomenon which provides endless stimulation and challenges. He explains that it is possible to readapt art to the sciences, and vice versa, by means of an evolutionary concept of symmetry. Many pictorial examples are included to enable the reader to fully understand the issues discussed. Based on the artistic evidence that the author has collected, he proposes that the new ars evolutoria can function as an example for the sciences.The book is divided into three distinct parts, each one focusing on a special issue. In Part I, the phenomenon of symmetry, including its discovery and meaning is reviewed. The author looks closely at how Vitruvius, Polyclitus, Democritus, Plato, Aristotle, Plotinus, Augustine, Alberti, Leonardo da Vinci and Durer viewed symmetry. This is followed by an explanation on how the concept of symmetry developed. The author further discusses symmetry as it appears in art and science, as well as in the modern age. Later, he expounds the view of symmetry as an evolutionary concept which can lead to a new unity of science. In Part II, he covers the points of contact between the form-developing process in nature and art. He deals with biological questions, in particular evolution.The collection of new and precise data on perception and knowledge with regard to the postulated reality of symmetry leads to further development of the evolutionary theory of symmetry in Part III. The author traces the enormous treasure of observations made in nature and culture back to a few underlying structural principles. He demonstrates symmetry as a far-reaching, leading, structuring, causal element of evolution, as the idea lying behind nature and culture. Numerous controllable reproducible double-mirror experiments on a new stereoscopic vision verify a symmetrization theory of perception.

Chopin Studies

Chopin Studies PDF

Author: Jim Samson

Publisher: CUP Archive

Published: 1988-08-26

Total Pages: 282

ISBN-13: 9780521303651

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This book contains detailed documentary and analytics studies of the music of Chopin, representing the most recent research of leading scholars in the field. The first three essays are concerned with the composer's intentions as revealed in autograph sources. The next group of four essays deal analytically with different aspects of Chopin's musical language, ranging from large-scale tonal planning and the interpretation of harmonic dissonance to praise rhythm and texture. The final three essays are case studies of individual works: the Preludes op. 28, the "Barcarolle", and the Fantasy op. 49.

The Language of Jazz

The Language of Jazz PDF

Author: Neil Powell

Publisher: Taylor & Francis

Published: 2000

Total Pages: 156

ISBN-13: 9781579582777

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The word "jazz" did not appear in print until around 1915 and was only grudgingly admitted into polite discourse.The Language of Jazzexplores the vocabulary that has grown up around it. It includes words unique to jazz (bebop, Dixieland, ragtime); ordinary words with specific jazz meanings (cool, jam, stride); musical terms adopted by jazz (bar, rhythm, swing); instruments associated with jazz (alto, clarinet, trombone); nicknames of outstanding musicians (Bird, Duke, Satchmo); place-names linked to movements in jazz (Chicago, Harlem, Storyville); record labels (Dial, Okeh, Savoy); and notable venues (Birdland, Cotton Club, Blue Note, Minton's). Neil Powell's book is for jazz lovers and provides for the unconverted, too, a witty, informative tour of the subject.

Rock: The Primary Text

Rock: The Primary Text PDF

Author: Allan F Moore

Publisher: Routledge

Published: 2018-09-28

Total Pages: 348

ISBN-13: 0429954107

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This thoroughly revised third edition of Allan F. Moore's ground-breaking book, now co-authored with Remy Martin, incorporates new material on rock music theory, style change and the hermeneutic method developed in Moore’s Song Means (2012). An even larger array of musicians is discussed, bringing the book right into the 21st century. Rock's 'primary text' – its sounds – is the focus of attention here. The authors argue for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock, punk rock, metal and subsequent styles. They also explore the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.