Hans Hotter
Author: Hans Hotter
Publisher: UPNE
Published: 2006
Total Pages: 334
ISBN-13: 9781555536619
DOWNLOAD EBOOK →An expanded and updated translation of the memoirs of the great German bass-baritone
Author: Hans Hotter
Publisher: UPNE
Published: 2006
Total Pages: 334
ISBN-13: 9781555536619
DOWNLOAD EBOOK →An expanded and updated translation of the memoirs of the great German bass-baritone
Author: Penelope Turing
Publisher: Calder Publications Limited
Published: 1983
Total Pages: 288
ISBN-13:
DOWNLOAD EBOOK →Author: Penelope Turing
Publisher: Calder Publications Limited
Published: 1983
Total Pages: 288
ISBN-13:
DOWNLOAD EBOOK →Author: Astrid Varnay
Publisher: UPNE
Published: 2000
Total Pages: 394
ISBN-13: 9781555534554
DOWNLOAD EBOOK →One of the world's greatest Wagnerian sopranos talks about an illustrious career that flourished for over five decades.
Author: Jonathan Brown
Publisher: Parrot Press
Published: 2014-01-30
Total Pages: 818
ISBN-13: 0987155652
DOWNLOAD EBOOK →This is the Ebook version of the award-winning "Great Wagner Conductors" published in 2012, now scarce in print. It contains corrections to the hardback edition, and remedies some omissions to the discographies. It also contains all 723 illustrations in the book, brilliantly illuminated, many showing the conductors at work. Some of these are rare, some are in colour. (These are not displayed in the free sample.) "Great Wagner Conductors" is the first in-depth study to bring the great historical Wagner conductors to life - through anecdote, their own views on Wagner’s music, reports of their performances throughout the world, and their recordings. There is a substantial introductory chapter on Wagner - what he was like as a conductor of his own works and what he wanted of his conductors – then follow chapters on Hans von Bülow, Hans Richter, Anton Seidl, Hermann Levi, Felix Mottl, Karl Muck, Artur Nikisch, Albert Coates, Gustav Mahler, Felix Weingartner, Bruno Walter, Arturo Toscanini, Artur Bodanzky, Wilhelm Furtwängler, Fritz Busch, Erich Kleiber, Hans Knappertsbusch, Clemens Krauss, Karl Böhm, Richard Strauss, Otto Klemperer, and Fritz Reiner. Thousands of reviews of performances from many countries have been distilled to bring us as close as we can to knowing what the conductors were really like. There are comprehensive discographies setting out what the conductors recorded. Rare recordings are documented. There is comment on or excerpts from reviews of all the major recordings, and on many of the more obscure. A section on timings of actual and recorded performances, from Wagner onwards, reveals how widely practice has varied. There is a Select Bibliography, and an Index. "The level of detail achieved is quite breathtaking," wrote David Patmore in "Classical Recordings Quarterly" reviewing the hardback, "It extends to a vast arsenal of footnotes … as a resource they will be amazingly useful in a vast range of different contexts…. For anyone interested in conducting from the mid-nineteenth century onwards, and in particular the performance of Wagner, this book will be an essential acquisition. Its strength lies in the collection of so many different and varied contemporary reports of Wagner in performance from approximately 1850 to 1960. If this is where your interest lies, it will provide much fascinating reading." (Winter 2012). "Great Wagner Conductors is a major contribution to the literature on this subject," wrote Gary Galo in the "ARSC Journal", "and belongs in the library of every serious Wagner enthusiast." (May 2013). The book was awarded an Association for Recorded Sound Collections (ARSC) Award for Excellence in Historical Recorded Sound Research in 2013.
Author: Raymond Furness
Publisher: Reaktion Books
Published: 2013-07-15
Total Pages: 226
ISBN-13: 1780232233
DOWNLOAD EBOOK →With their complex textures, rich harmonies, and elaborate use of leitmotifs, the operas of German composer Richard Wagner (1813–83) remain some of the most influential—and contentious—in the history of the genre. But while he won renown with what he achieved on the stage, his life was marked by political exile, turbulent love affairs, and poverty. And because Wagner and his music are exceedingly intertwined with the great upheavals of his time, it is difficult to produce an impartial assessment of his output. Appearing at the bicentennial of his birth, Richard Wagner provides a clear and balanced view of both Wagner’s great successes and the controversies generated by his life and art. Using Wagner’s wide-ranging engagement with mythology as a starting point, Raymond Furness explores the composer’s music and prose writings. He delves deeply into Wagner’s essential operas, such as The Ring and Tristan and Isolde, offering fascinating insight into these works. Because the great operatic pieces often overshadow the rest of Wagner’s compositions, Furness also considers neglected fragments like “Wieland the Smith,” “The Mines at Falun,” and “The Visitors,” producing a more rounded critical picture of the composer. With up-to-date dissections of recent Bayreuth productions and a refreshingly uncluttered approach to a much-misunderstood life, Richard Wagner is an engaging look at one of music’s most beguiling figures.
Author: Thomas Voigt
Publisher: Weidenfeld & Nicolson
Published: 2017-11-09
Total Pages: 272
ISBN-13: 1474604285
DOWNLOAD EBOOK →'The most sought-after tenor in the world', the greatest tenor of today', 'the new king of tenors' - for years Jonas Kaufmann has occupied a unique status among the world's greatest opera singers. Thomas Voigt's revealing biography, written in collaboration with Kaufmann, reflects on the singer's artistic development in recent years; his work in the recording studio; his relationship to Verdi and Wagner; and much more. The book includes contributions from Plácido Domingo, Anja Harteros, Antonio Pappano, Helmut Deutsch and Jürgen Kesting, as well as many striking photographs. Kaufmann was born in Munich in 1969. Soon after training at the University of Music and Performing Arts he was invited to make his debut in theatres such as the Stuttgart Opera and Hamburg State Opera, as well as international appearances at the Lyric Opera of Chicago, the Paris Opera and La Scala in Milan. He made his Salzburg Festival debut in 1999 in a new production of Busoni's Doktor Faust. He performed the role of Don José in Bizet's Carmen at Covent Garden in 2006 and made his acclaimed debut as Alfredo in Verdi's La Traviata at the Metropolitan Opera alongside Angela Gheorghiu. He has sung leading tenor roles in the operas of Richard Wagner with success in Germany and abroad, and is also a highly accomplished Lieder singer. In 2015 Kaufmann became the first German to perform the British seafaring anthem 'Rule, Britannia!' at the Last Night of the Proms. No wonder that the New York Times has described Jonas Kaufmann as 'a box-office draw, and ... the most important versatile tenor of his generation'.