Guillaume Morlaye: First Book of Tablature for the Renaissance Guitar

Guillaume Morlaye: First Book of Tablature for the Renaissance Guitar PDF

Author: Michael Walker

Publisher: Lulu.com

Published: 2016-08-31

Total Pages: 70

ISBN-13: 1365367932

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SECOND EDITION - These thirty compositions were transcribed for the Renaissance guitar, guitar and for the baritone ukulele from a facsimile copy of Guillaume Morlaye's first book of tablature for the guitar. Most are also playable on the soprano and tenor ukulele. The re-entrant tuning of the ukulele does not detract at all from what would otherwise be a faithful rendition of these compositions. Most of the pieces sound just fine and, in fact, while testing each piece for playability and checking for mistakes, I had both my tenor and baritone ukuleles close by my side. The music ranges from fairly easy to intermediate skill levels. I encourage you to experiment with the ornamentation and make these pieces your own. Have fun!

Guillaume Morlaye" First Book of Tablature For Low G Ukulele

Guillaume Morlaye

Author: Michael Walker

Publisher:

Published: 2022-12-12

Total Pages: 0

ISBN-13: 9781387412860

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These compositions were transcribed for Low G ukulele from a facsimile copy of Guillaume Morlaye's first book of tablature for the guitar. Guillaume de Morlaye, (c. 1510-c. 1558) was a French Renaissance-era lutenist, composer, and music publisher. He was a pupil of Albert de Rippe and lived and worked in Paris. In 1552 Morlaye received a ten-year license to publish music from Henry II, and between 1553 and 1558 published four lute collections in cooperation with Michel Fezandat, six lute collections compiled by Albert de Rippe, and also lute arrangements of Pierre Certon and Claudin de Sermisy. He also published four books of his own four-course Renaissance guitar compositions from 1552-53, including fantasies and dances, I encourage you to experiment with ornamentation for each piece and make them your own. Have fun!

Handbook of Guitar and Lute Composers

Handbook of Guitar and Lute Composers PDF

Author: HANNU ANNALA

Publisher: Mel Bay Publications

Published: 2010-10-07

Total Pages: 172

ISBN-13: 1609743539

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In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period.In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. the book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented.Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. the authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.

The Guitar and Its Music

The Guitar and Its Music PDF

Author: James Tyler

Publisher:

Published: 2002

Total Pages: 349

ISBN-13: 019816713X

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More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.

Adrian Le Roy First Book of Guitar Tablature

Adrian Le Roy First Book of Guitar Tablature PDF

Author: Michael Walker

Publisher: Lulu.com

Published: 2015-11-30

Total Pages: 74

ISBN-13: 1329724364

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A transcription into modern tablature and musical notation of the Premier Livre de Tablature de Guiterre by Adrian Le Roy originally published in 1551. These are fun to play and range in difficulty from easy to intermediate.

Guitar Music of the 16th Century

Guitar Music of the 16th Century PDF

Author: KEITH CALMES

Publisher: Mel Bay Publications

Published: 2010-10-07

Total Pages: 294

ISBN-13: 1609740386

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A comprehensive collection of solos written early in the evolution of the guitar. These are not lute transcriptions but actual early guitar pieces. Written in standard notation.

Marsh Lute Book

Marsh Lute Book PDF

Author: RICHARD METZGER

Publisher: Mel Bay Publications

Published: 2012-02-28

Total Pages: 136

ISBN-13: 1619110369

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Selected music from the historic "March Lute Book" scored for classic guitar solo. This edition is complete with copious historic and performance notes. A scholarly book containing wonderful solo settings for classic guitar.